• Broken Sunset

    Joey has grown up under the shadow of his mother Halle Nelson and father Isaac Bloom who is given to drinking and sleeping around and doesn’t mould himself into the conventions expected of fatherhood.

    But as Joey grows up, his perseverance and optimism changed the narrative. He falls in love with a girl in high school but struggles to make his feelings known, thereby his decision to start from the friends’ zone with giant hopes of reaching his quest.

    In the second part of the book, the story is retold in a charming light. It is no more a flashback but instead a gentle melancholy and a complex love affair in the 21st century.

    The sunset meant to ignite coolness is broken.

    The sunset meant to bring togetherness is broken.

    The sunset meant to summon love is broken.

    Broken Sunset

    25.00
  • A Man for all Seasons

    This remarkable novel touches on the forces that rule the destiny of individuals and nations, and reveals an answer to the existential questions: Why do good people suffer? What can we do to attain a problem-free life?

    Thus, we see Ikenna, a university graduate who is hounded and persecuted by the high and mighty, Alex and Max who in turn face their own tribulations in the hands of invisible enemies. In the end, power fails, wealth fails but in love and humility we find redeeming virtues.

  • E-Book: Kenkey For Ewes And Other Very Short Stories

    This anthology contains 25 new stories, and 25 ‘old’ stories, which we consider to be some of the best published on the flashfictionghana.com blog. Thus, this anthology is in many ways a natural outgrowth of the work already being done on the blog. These stories carry the spirit with which FlashFictionGhana was born; to use this convenient genre as a way of bringing to life the Ghanaian experience in all its varied facets.

    These stories represent the budding creative spirit of the current generation of young Ghanaian writers. These new voices have become the refreshing perspective from which to consider the Ghanaian narrative in a thousand or less words.

    Happy reading!

  • The Hidden Star

    Nolitye lives in a shack with her mother Thembi in Phola, a dusty township on the edge of Johannesburg. She is good at maths and likes collecting stones, which she places in a bucket under her bed. She also has unusual powers: she can communicate with dogs. Nolitye has two close friends, Bheki, who is overweight, and the bespectacled Four Eyes, who join with her to resist the bullying from Rotten Nellie and her gang of Spoilers.

    One day, Nolitye finds a special stone that has the power to make people feel happy and laugh. Her mission from now on is to gather together the other pieces of the stone and reunite them, to stop darkness from taking control of her world.

    The Hidden Star

    115.00
  • Sunny and the Mysteries of Osisi (Sunny’s Adventures #2)

    Sunny Nwazue is back in this gripping sequel to Nnedi Okorafor’s What Sunny Saw in the Flames.

    Sunny has settled into life at the Leopard Society, with friends Orlu, Chichi and Sasha. Her magic powers continue to grow under the tutelage of her mentor Sugar Cream, as Sunny studies her strange Nsidi book and begins to understand her spirit face, Anyanwu. But Sunny cannot escape from her destiny, and she soon finds she must travel to the shadowy town of Osisi. The journey is fraught with danger, taking Sunny through unseen worlds, and awaiting her is a battle to determine humanity’s fate.

    Sunny & The Mysteries of Osisi is a compelling tale combining culture, fantasy, history and magic.

  • Lagos: City of the Imagination – Hardcover

    “I don’t think you can be in Lagos without becoming aware of its potency; when Lagos gets itself organised it will be extremely powerful; and already – without organisation – it is very powerful.” Rem Koolhaas, 2002

    Lagos is fast becoming a global city – a place people visit for curiosity and the vibe as much as for business or family. The mesmerising energy and intensity of the city have to be experienced to be understood. But what is the story of Lagos? When did the city begin? Who were the first inhabitants? When did it become the city of iniquity and wisdom that continues to confound all who encounters it? Who have been the key chroniclers of this real yet imaginary city?

    Veteran journalist and writer Kaye Whiteman has given us a gem that answers these questions and more. Lagos: City of the Imagination explains the origins of Lagos as both outpost of the Benin Empire and also the city run by the White Cap Chiefs. Whiteman shows that Lagos was always multicultural and cosmopolitan, with the Portuguese and later educated returnees from Sierra Leone and artisans from Brazil adding to the eclectic mix.

    The book examines the key moments in the history of Lagos: from the concerted attack by the British in the 1860s, Independence in 1960, the 1966 coup through to FESTAC and the assassination of Murtala Muhammed. Also included are vivid character portraits of some of the most powerful Lagosians in history, from Oba Kosoko and Madam Tinubu, to well-regarded colonial figures such as Sir Bernard Bourdillon and those – like Lord Lugard – not so fondly remembered.

    As the name suggests, Lagos: City of the Imagination deals extensively in those for whom Lagos is the backdrop of their work, from highlife musicians and Fela Kuti to Wole Soyinka and, more recently, the American-Nigerian writer Teju Cole.

    Lagos: City of the Imagination is an absorbing and delightful “must-read” for anyone with an interest in one of the most dramatic cities of the 21st century.

  • All About Ama (Hardcover)

    Age Range: 2 – 5 years

    Read All About Ama as she points to and names different parts of her body.

    Illustrated with colour photos, this short, simple concept book, though developed by Kathy Knowles for an African readership, should also have a North American market as nothing in the photos, including the background, situates the book geographically. The concept with which the book deals is that of the body’s principal parts, including the number of each. The book’s narrator, Ama, who is a very cute little girl, begins at her head and simply works her way down to her two feet, before pointing out, almost as an afterthought, “I have LOTS of hair.”

    All About Ama, with its tight, brief text, is a fine book for parents to use with their youngsters as they learn the names of body parts. Just 18 cm high by 16 cm wide, the book is also the perfect size for young hands to hold.

    An excellent home purchase for toddlers, All About Ama deserves a place in all libraries serving preschoolers.

  • Crocodile Bread (Hardcover)

    Age Range: 4 – 8 years

    Agnes Amoah is a proud baker in Ghana. She has been making crocodile bread ever since she was a little girl. Francisca, her granddaughter, tells the story.

    A great book to introduce your children to breadmaking and baking!

  • Kente for a King (Hardcover)

    Age Range: 7 – 10 years

    Kathy Knowles’ retelling of Angela Christian’s Kente for a King describes the journey of Opoku, a weaver from Bonwire, Ghana, and his quest to make the most magnificent kente cloth for his beloved King.

    Edmund Opare’s finely detailed illustrations and his ability to capture the magnitude of Opoku’s achievements within a traditional Ghanaian setting are a fitting tribute to Angela Christian’s beautiful story.

  • A is for Ampe: An Alphabet Book from Ghana

    Age Range: 2 – 5 years

    Pre-school – Grade 1

    A is for Ampe: An Alphabet Book from Ghana is a must-add book for youngsters’ home libraries as well as a must-purchase by day cares, kindergartens, early years classrooms and the children’s section of public libraries.

    In this well-designed alphabet book, the entire alphabet, in upper case, runs across the top of each page which has the focused-upon letter being presented in bolded, larger print. At the bottom of the page, the upper case letter appears in one corner and the lower case in the other. In between is the very brief text which follows a simple, standard pattern, eg. “D is for drum” or “T is for twins.” The objects used to represent the letters can be found in Hildebrand’s and Knowles’ full colour photos which occupy most of each page. Children will encounter the familiar, such as “E is for eggs” and “U is for umbrella,” but, as the short title indicates, they will also meet many new words. Hopefully, those adults who will be sharing this book with pre-readers will have, themselves, first read the book so that they will have discovered at the book’s conclusion the “Glossary of Ghanaian Words” in which Knowles, in addition to providing, where needed, a pronunciation guide, has explained eight Ghanaian terms, including the title’s “Ampe [AHM-pay]: A challenging game, usually played by girls, which involves jumping and clapping. The leading player tries to beat her opponent by the tactical placement of her left or right foot.”

  • The Lion’s Whisper

    2018 CODE Burt Award for African Young Adult Literature Finalist

    Leo and David, both fifteen years old, are neighbours who are divided by more than just a wall. When David unexpectedly reaches out to him, Leo hesitantly accepts and David soon becomes a secret brother, helping Leo overcome a paralysing fear from his past.

    Leo embarks with David on a mission to root out the answer to a mystery that has tormented David for years. Their friendship is tested beyond the wire as bitterness and betrayal pitch their families, and ultimately the boys themselves, against each other.

    Then a bloody military coup rips Leo’s world apart and he has to find courage he never had before and an ally. But after all the years of bitterness, can Leo afford to forgive and trust his family’s enemy?

  • Ebony Girl

    2018 CODE Burt Award for African Young Adult Literature Finalist
    Sometimes, all you need to do is to face your fears with an ashen face and unblinking eyes.
    Not able to contain the tantrums thrown at her due to her ‘unusual’ skin colour, hair texture and height, Asabea’s parents do what they think is best for her — send her to a place where she will fit in. Asabea’s fury and sorrow deepens, not at those who taunt her but with her parents.
    Too angry to fight anymore, she finds solace in her grandmother and a sea of others who challenge her to defy her fears and see the world through a different lens.

    Ebony Girl

    45.00
  • Kofi and the Wedding Dress (The Adventures of Naughty Kofi #4)

    Age Range: 6 – 11 years

    Kofi Opoku is at it again! His mother has been asked to sew a wedding dress, for the daughter of one of the richest women in Botikrom. All seems well, until a dare almost ruins everything! Will Kofi be able to get away with it?

  • Grief Child

    Winner of the Commonwealth Writers’ Prize, Africa

    It was midnight. The little village of Susa slept in darkness in the heart of the forest farms, among the tall trees. The mahoganies and sapeles stood tall in the dark sky, providing a canopy over the village and deepening the density of the pitch-dark night. From a distant cluster of neighboring villages, Adu heard a dog bark. Another dog howled. In this village midnight was a dangerous time. It was better not to be awake or hear noises….

    In this haunting tale the power of light struggles with the power of darkness to claim the life of Adu, the “grief child”.

    Grief Child

    40.00
  • Gizo-Gizo: A Tale from the Zongo Lagoon (Hardcover)

    Age Range: 5 – 12 years

    Gizo-Gizo! was awarded Best Book for young people in the 25th Children’s Africana Book Awards.

    In Hausa culture, you always begin telling a story in the same way: The storyteller says, “Ga ta nan ga ta nanku!” “I am about to begin!” And the children respond, “Tazo Mujita!” “We are all ears!”

    Using story as the primary learning, teaching and engagement tool, the Zongo Story Project strives to elevate proficiencies in oral, written, and visual forms of literacy; promote the knowledge building of local history, local culture and local contemporary concerns; and lay the crucial foundation for the acquisition of vital twenty-first century critical thinking skills. The conceptual framework for this project originated out of a larger, community-based initiative called the Zongo Water Project, whose mission is to use water as a way to improve the quality of life for the Zongo.

    Working closely with local teachers, Emily Williamson carried out a series of educational workshops at the Hassaniyya Quranic School in the summers of 2012, 2013, and 2014 to teach students about local water and environmental concerns. Employing the story as the foundational element, Emily engaged students in dialogue, shared readings, performances, writing exercises, and visual art, culminating in community drama performances and original folktales.

    The illustrations and text of this book grew directly out of the work produced in these workshops.

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