• Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • The Trouble with Nigeria (African Writers Series)

    The eminent African novelist and critic, here addresses Nigeria’s problems, aiming to challenge the resignation of Nigerians and inspire them to reject old habits which inhibit Nigeria from becoming a modern and attractive country. In this famous book now reprinted, he professes that the only trouble with Nigeria is the failure of leadership, because with good leaders Nigeria could resolve its inherent problems such as tribalism; lack of patriotism; social injustice and the cult of mediocrity; indiscipline; and corruption.

  • The Joys of Motherhood (African Writers Series, AWS227)

    The fourth novel from the Nigerian-born writer, Buchi Emecheta, The Joys of Motherhood is recognised as one of Africa’s 100 Best Books of the 20th Century in an initiative organised by the Zimbabwean International Book Fair.

    First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people.

    The Joys of Motherhood is a powerful commentary on polygamy, patriarchy and women’s changing roles in urban Nigeria.

  • Faceless

    Street life in the slums of Accra is realistically portrayed in this socially-commited, subtle novel about four educated women who are inspired by the plight of a 14-year old girl, Fofo. As the main characters convert their library center into a practical street initiative, the novel invokes the squalor, health risks, and vicious cycles of poverty and violence that drive children to the streets and women to prostitution; and, from which, ultimately, no one in the society is free.

    Faceless

    55.00
  • A Question of Power (African Writers Series, AWS149)

    “Your mother was insane. If you’re not careful you’ll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native.”

    It is never clear to Elizabeth whether the mission school principal’s cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.

  • Equiano’s Travels (African Writers Series, AWS10)

    Olaudah Equiano was born in 1745 in a village east of the Niger River in what is now Nigeria. The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African was published in London in 1789. This is his own account of a remarkable life.

    At the age of ten he was captured by slave traders and taken to the southern states of America. He was sold to a planter in the West Indies and worked there and abroad slave ships sailing between the Caribbean and England. At the age of twenty-one he had saved enough money to buy his freedom. He visited the Mediterranean, took part in Phipps’ expedition to the Arctic in 1773 and crossed the Atlantic several times. He was an ardent member of the Movement for the Abolition of Slavery and was appointed Commissary for Stores when the freed slaves were settled in Sierra Leone.

    This abridged edition has a new introduction by Professor Ogude of the University of Benin, together with explanatory notes on the text.

  • Harvest of Thorns (African Writers Series)

    The revolution that ended white minority rule in Rhodesia (now Zimbabwe) is seen here chiefly through the eyes of Benjamin Tichafa, a young guerrilla. He is the son of a devoutly religious couple, his father a government messenger completely subservient to his white superiors. Enraged by the treatment of blacks, a teenage Benjamin turns from his parents’ apolitical religion. After being arrested in a demonstration, he joins the revolution.

    The novel is enriched by the viewpoints of black Rhodesians who, out of fear or for economic reasons, do not fully support the struggle. The slaying of a dictatorial white farm owner dismays his foreman, whose livelihood is now threatened. The fatal beating of a woman who reluctantly informed on the guerrillas raises misgivings in Benjamin’s outfit. Though ultimately portraying the victory as worthwhile, Chinodya also shows the price paid in lives, tattered families and lost traditions. The result is a humane and penetrating look at a brutal government and a bloody revolution.

    Harvest of Thorns is a novel of great significance which will give all those who read it a greater understanding of the road along which Zimbabwe has travelled, as well as indicate many of the directions ahead.

  • When Rain Clouds Gather (African Writers Series, AWS247)

    In the heart of rural Botswana, the poverty stricken village of Golema Mmidi is a haven to exiles from far and wide. A South African political refugee and an Englishman join forces to revolutionise the villagers traditional farming methods, but their task is fraught with hazards as the pressures of tradition, opposition from the local chief and the unrelenting climate threaten to divide and devastate the fragile community.
  • Voices Made Night (African Writers Series)

    In this collection of stories, the Mozambican poet, Mia Couto, expresses, through striking poetic metaphors, the emptiness and absurdity of lives bound by poverty and subject to arbitrary incursions of extreme violence. The frustrated longing of the lipless snake catcher who surrounds his lady’s house with snakes; or the man who fears his wife is a witch and scalds her with boiling water, are caught in dual tension. In Voices Made Night, an African cosmology portrays a surreal world defined by its contradictions, set against a background of political instability.
  • Mind Catcher – Hardcover

    Newsday called John Darnton’s Neanderthal “hair-raisingly believable” and The New York Times called The Experiment “complex and original [and] wholly engaging . . . a world where fiction pales before the unbelievable truth.” Now the Pulitzer Prize-winning journalist and author has done it again, in a story almost beyond imagining.

    New York City: A thirteen-year-old boy named Tyler lies in a hospital, his brain damaged in a tragic accident. By his bedside, his father stands helplessly, as two very different scientists take charge of the boy’s fate. One is a neurosurgeon, whose unorthodox experiments use computers to control a patient’s physical responses during surgery. The other is a researcher with experiments of his own, experiments so secret he can breathe them to nobody: his attempts to find the spark of human consciousness…and capture it forever.

    Together, they will produce a result beyond anything they could have conceived, sending Tyler far beyond the frontiers of medical science into an astonishing netherworld–a place no living person has gone before and from which one desperate person will try to bring him back….

    A spellbinding novel of science, technology, and the very stuff that makes us human, Mind Catcher is an unforgettable journey into the possibilities of the mind of man…and his soul.

  • Money Galore (African Writers Series, AWS161)

    01

    This witty, extravagant but seriously intended satire marks the arrival of Ghana’s answer to T.M. Aluko. Abraham Kofi Kafu finds teaching a hard grind and lacking in rewards. He stands for the Liberation Party, the party of businessmen, landlords, smallholders and taxi drivers. As Minister of Internal Welfare, Kafu pursues his political career with a lively devotion to women, drink, gambling and skulduggery of various kinds and an almost total aversion to work unless it is devoted to some personal end. He is supported by a large cast: a crooked  but amiable contractor, Anson Berko; a less amiable and even more crooked contractor, Nee Otu Lartey; the Permanent Secretary, Mr Vuga, an ineffably dreary civil servant who strives to manipulate Kafu as he has manipulated previous Ministers but also turns out to be as crooked and so is subject to blackmail; the slimy Reverend Dan Opia Sese, who takes over as headmaster from Benjy Baisi and seduces Kafu’s maid. But even Kafu cannot get away with it for ever.

  • Every Man Is A Race (African Writers Series)

    ‘A man’s story is always badly told. That’s because a person never stops being born. Nobody leads one sole life, we are all multiplied into different and ever-changeable men.’ So it is with all the stories in this collection, which never make a definitive judgement on the individual life, but only suggest its possibilities.Set in Mozambique, the stories reflect the legacy of Portuguese colonialism and the tragedy of the subsequent civil war.Mia Couto’s first collection, Voices Made Night, was described as ‘lyrical’, ‘magical’ and ‘compassionate’ by the reviewers, who were unanimous in identifying a significant new talent from the continent. This volume confirms that judgement.

  • The Narrow Path (African Writers Series, AWS27)

    The Narrow Path is a story set in southern Ghana. Kofi, the hero of this novel, follows the well-worn path of many young Africans caught between the traditional life and the new world after the end of colonial administration.

    It is a story about discipline, mischief and the continuous struggle of the youth between adventure and discipline from his parents. The struggle defines the young protagonist and the interesting narration makes this novel a fine piece of literature.

  • The Kaya-Girl

    2012 First Place Burt Award for African Young Adult Literature Finalist

    “I’m Abena,” I said in Twi.

    “I’m Faiza,” she said in a language I would soon find out was called Dagbanli.”

    An accidental meeting in Accra’s bustling Makola market makes an impact that is to affect the destinies of two extraordinary young women. For Abena, the open-minded girl from a comfortable family, the meeting is an opportunity to learn about the culture of the other girl and to appreciate the dignity that we often fail to see in the lives of the underprivileged of our country. For Faiza, the eponymous Kaya girl, the encounter with the richer girl is to provide a joyful adventure in her otherwise harsh existence and provided the inspiration that will transform her life.

    The Kaya-Girl is a wonderful story, told with warm humor, about two young and confident people from vastly different Ghanaian worlds.

     

    The Kaya-Girl

    55.00
  • A Grain of Wheat (African Writers Series, AWS36)

    Barack Obama, via Facebook: “A compelling story of how the transformative events of history weigh on individual lives and relationships.”

    The Nobel Prize–nominated Kenyan writer’s best-known novel

    Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

Main Menu