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A Question of Power (African Writers Series, AWS149)
“Your mother was insane. If you’re not careful you’ll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native.”
It is never clear to Elizabeth whether the mission school principal’s cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.
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Equiano’s Travels (African Writers Series, AWS10)
Olaudah Equiano was born in 1745 in a village east of the Niger River in what is now Nigeria. The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African was published in London in 1789. This is his own account of a remarkable life.
At the age of ten he was captured by slave traders and taken to the southern states of America. He was sold to a planter in the West Indies and worked there and abroad slave ships sailing between the Caribbean and England. At the age of twenty-one he had saved enough money to buy his freedom. He visited the Mediterranean, took part in Phipps’ expedition to the Arctic in 1773 and crossed the Atlantic several times. He was an ardent member of the Movement for the Abolition of Slavery and was appointed Commissary for Stores when the freed slaves were settled in Sierra Leone.
This abridged edition has a new introduction by Professor Ogude of the University of Benin, together with explanatory notes on the text.
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When Rain Clouds Gather (African Writers Series, AWS247)
In the heart of rural Botswana, the poverty stricken village of Golema Mmidi is a haven to exiles from far and wide. A South African political refugee and an Englishman join forces to revolutionise the villagers traditional farming methods, but their task is fraught with hazards as the pressures of tradition, opposition from the local chief and the unrelenting climate threaten to divide and devastate the fragile community.₵55.00 -
Mind Catcher – Hardcover
Newsday called John Darnton’s Neanderthal “hair-raisingly believable” and The New York Times called The Experiment “complex and original [and] wholly engaging . . . a world where fiction pales before the unbelievable truth.” Now the Pulitzer Prize-winning journalist and author has done it again, in a story almost beyond imagining.
New York City: A thirteen-year-old boy named Tyler lies in a hospital, his brain damaged in a tragic accident. By his bedside, his father stands helplessly, as two very different scientists take charge of the boy’s fate. One is a neurosurgeon, whose unorthodox experiments use computers to control a patient’s physical responses during surgery. The other is a researcher with experiments of his own, experiments so secret he can breathe them to nobody: his attempts to find the spark of human consciousness…and capture it forever.
Together, they will produce a result beyond anything they could have conceived, sending Tyler far beyond the frontiers of medical science into an astonishing netherworld–a place no living person has gone before and from which one desperate person will try to bring him back….
A spellbinding novel of science, technology, and the very stuff that makes us human, Mind Catcher is an unforgettable journey into the possibilities of the mind of man…and his soul.
₵55.00Mind Catcher – Hardcover
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Money Galore (African Writers Series, AWS161)
This witty, extravagant but seriously intended satire marks the arrival of Ghana’s answer to T.M. Aluko. Abraham Kofi Kafu finds teaching a hard grind and lacking in rewards. He stands for the Liberation Party, the party of businessmen, landlords, smallholders and taxi drivers. As Minister of Internal Welfare, Kafu pursues his political career with a lively devotion to women, drink, gambling and skulduggery of various kinds and an almost total aversion to work unless it is devoted to some personal end. He is supported by a large cast: a crooked but amiable contractor, Anson Berko; a less amiable and even more crooked contractor, Nee Otu Lartey; the Permanent Secretary, Mr Vuga, an ineffably dreary civil servant who strives to manipulate Kafu as he has manipulated previous Ministers but also turns out to be as crooked and so is subject to blackmail; the slimy Reverend Dan Opia Sese, who takes over as headmaster from Benjy Baisi and seduces Kafu’s maid. But even Kafu cannot get away with it for ever.
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The Narrow Path (African Writers Series, AWS27)
The Narrow Path is a story set in southern Ghana. Kofi, the hero of this novel, follows the well-worn path of many young Africans caught between the traditional life and the new world after the end of colonial administration.
It is a story about discipline, mischief and the continuous struggle of the youth between adventure and discipline from his parents. The struggle defines the young protagonist and the interesting narration makes this novel a fine piece of literature.
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The Kaya-Girl
2012 First Place Burt Award for African Young Adult Literature Finalist
“I’m Abena,” I said in Twi.
“I’m Faiza,” she said in a language I would soon find out was called Dagbanli.”
An accidental meeting in Accra’s bustling Makola market makes an impact that is to affect the destinies of two extraordinary young women. For Abena, the open-minded girl from a comfortable family, the meeting is an opportunity to learn about the culture of the other girl and to appreciate the dignity that we often fail to see in the lives of the underprivileged of our country. For Faiza, the eponymous Kaya girl, the encounter with the richer girl is to provide a joyful adventure in her otherwise harsh existence and provided the inspiration that will transform her life.
The Kaya-Girl is a wonderful story, told with warm humor, about two young and confident people from vastly different Ghanaian worlds.
₵55.00The Kaya-Girl
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A Grain of Wheat (African Writers Series, AWS36)
Barack Obama, via Facebook: “A compelling story of how the transformative events of history weigh on individual lives and relationships.”The Nobel Prize–nominated Kenyan writer’s best-known novel
Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.
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The Lovers (African Writers Series)
The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.
An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.
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No Longer at Ease (African Writers Series, AWS3)
Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl – to the disapproval of his parents – he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.
Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe’s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.
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The Black Hermit (African Writers Series, AWS51)
In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.
The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.
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The Last Carver
Ositadimma Amakeze has been heralded as the modern-day Achebe. In The Last Carver, he narrates the story of a community, their culture, and the need to always keep tradition alive.
The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba’s eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period.
“I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel.” — Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka
“It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. A gazetteer of good backgrounds with a soupcon of nostalgic traditions, Amakeze joins the league of modern African cultural writers with a bang!” — Ijoma Onuorah-Anyakwo, Journalist
“The Last Carver is reliving Our Cultural Heritage to impact on the modern and future generation an everlasting knowledge of their identity. A very good ‘sociolinguihistoric’ masterpiece.” — Madubuko Ego Charity FCAI, Ph.D, Assistant Director FCT Education Resource Centre, Abuja
“…an ideal for writers of African literature, with an excellent juxtaposition of the ‘Oyibo’ (English) and Igbo languages. He gives a different perspective to the Igbo scenario of “those days” with so much clarity that I feel as though I were present. It’s a must-read!” — Anastasia O. Chukwulete
₵55.00The Last Carver
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Scarlet
For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond₵55.00Scarlet
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Edufa – A Play
“Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”
Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.
Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.
₵55.00Edufa – A Play
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Jungle Dance
Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.
“Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer
“Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist
“Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist
₵55.00Jungle Dance
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