• Bahiya, The Little Zebra

    Age Range: 8+ years

    Bahiya does not want to be striped like all the other zebras in the Serengeti. She wants to stand out and be the most special little zebra in the whole of Africa! Determined to reach this goal, Bahiya and her friend come up with a creative idea for a unique new look. The result … is not what she expected!

    Will Bahiya realise how special she is, even with her stripes?

  • The Madhouse

    A house brings two unique people together by the unlikeliest of chances. In their union, that of an almost priest and a prodigal daughter, two brothers whose bond transcend the laws of nature are born.

    André and Max have a seemingly blissful life until the boys start sharing dreams and their lives begin to unravel. Murderous thoughts, manic dreams, and their somewhat unbreakable wandering between reality and reverie, would lead them down unknown paths that threaten to severe their family ties.

    In this exhilarating and dreamy narration set against the backdrop of a tumultuous era of military rule in Nigeria, TJ Benson weaves a spellbinding tale about the clashes between cultures, the impact of fragile political situations on everyday people, and the lengths we are willing to go in order to save our loved ones. 

    The Madhouse

    135.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • The Butchers of Ogyakrom and Other Short Stories

    The Butchers of Ogyakrom is a collection of short stories dating back to the 1980s when Ghana was under the grip of a violent military dictatorship. Who are the real “Butchers in Ogyakrom” and what do they deal in?

    This collection deals with turbulent times in the history of Ghana, particularly the abuse of political power by military rulers. It also deals with the ailments that afflict a neocolonial African country in the era of IMF-led structural adjustment programme (SAP).

    What drives a nation’s rulers to seek the help of a devious and ambitious soothsayer? Who’s responsible for the numerous midnight abductions, murders and disappearances in Ogvakrom?

    What happens when a Prince ignores his father’s advice and joins forces with poor peasants fighting to defend their land? What does a mother do with a child who is half-snake, half human? Can the Catholic priest save this child?

    The stories employ candour, historical honesty and humour to take a swipe the at some of Ghana’s most recent (mis) rulers in times of crisis. It is bound to generate a keen interest, and, of course, controversy.

  • The Dancing Money Box

    Uncle Akuete makes an unusual promise to his two nieces: ‘Save fifty cedis and win a money box which sings and dances.’

    Vida and Amanua try to outdo each other to win the prize but toffees, ice cream and contributing money to help pay Grandma’s hospital bills threaten to make it impossible for the girls to win the prize.

    When Uncle Akuete arrives with the dancing box, Vida has only thirty cedis while Amanua seems to have nothing. Vida wonders if Uncle Akuete will give the box away for thirty cedis, or has Amanua got secret savings?

    Margaret Safo uses the pen name Peggy Oppong and her entertaining stories have delighted children for years.

  • The Shrinking Bowl

    Young girls in Ghana confront a challenging socio-economic environment. This novel is the story of one such girl’s life-journey, from childhood to middle-age, and the lessons of this journey. It is a sequel to the author’s first novel, Journey.

    “A delightful lifeworld weighted with history and almost untouched in African fiction…a world whose veneer of simplicity belies its tangled dark underbelly. The novel deftly combines the solace of familiarity with a mystery of memory and intimacy…quirky and endearing.” – Professor Helen A. Yitah, Dean, School of Languages, University of Ghana (UG) and Honourary Secretary, Ghana Academy of Arts and Sciences; former Head, Department of English, UG

    “This book is a tour de force of its genre; a journey of discovery through a cultural landscape in a fascinating part of Ghana. Difficult to put down even at the end.” – Nana Kwasi Gyan Apenteng, Communications Consultant; former President, Ghana Association of Writers

  • Maame

    In Aakonu, a small village on the coast of Ghana, life is a constant tussle between the reality of the mundane and the superstitions presided over by the local priestess. In this setup, girls in their puberty can only look forward to marriage—often to men old enough to be their fathers and already with other wives. Ahu, a young widow of eighteen, has no choice but to marry an older relative. What she does will change girls in her lineage forever. Through these beautifully told, lyrical stories about herself, her daughter Bomo, the beautiful but tragic Ebela, and the childless Aso, and others, Ahu introduces us to her community, and the beliefs and customs that keep its families together but in the end also stifles its girls futures.

    Maame

    38.00
  • A Play of Giants

    Described by the author as a ‘Fantasia on Aminian theme’, Wole Soyinka’s new play presents a savage portrait of a group of dictatorial African leaders at bay in an embassy in New York. The resemblance between them and recent historical characters is only too pronounced.

  • Danger Express (Pacesetters)

    Where was he now? he (Ishmael) wondered…

    Gradually his mind began to clear…Slowly he started to put the shattering events of the recent past into place.

    There was something important he had to do. Had to…

    The lives of several important heads of state, VIPs and many others including children and the loveable Tom are in the balance. And time is running out for Ishmael.

  • Too Cold for Comfort (Pacesetters)

    A young man marries a beautiful girl but this is not, as you might think, the happy ending to our story. Hannah is obsessed by Christian ideals of morality and purity and this leads to conflict and unhappiness. Events take a tragic turn before Hannah is brought to her senses.

  • Secrets of Scandals

    It is not every day that one is transported into the social settings of 100 years ago. Add the intrigues of illicit affairs within inner family circles and one has in hand a historical high-society thriller that hooks the reader from page one. Set in the British colony of the Gold Coast, the novel drips with nostalgia and is richly flavoured with African customs of the Ga tradition.

    In the world of this fast-paced book, patriarchs run the family like a corporate. At the heart of affairs is how the professions and indigenous businesses tapped into colonial connections. Secrets of Scandals is an expedition into the genesis of how the nation’s movers and shakers built their national fortunes and brokered their private shame.

  • Victims of Hope

    She grows up in a village in Ghana. Efia questions the things around her but she must learn to live with the rich but rigid culture.
    When she boards the flight to pursue a law degree at Harvard, little does she know what shocking punches life will throw at her in Boston. She returns home armed with a Law Degree, only to realize there is so much more to life in Africa, than her “book knowledge”.

    Efia falls for Big Joe. He is a great lover but he comes with great trouble. Is he also dating the only daughter of one of the wealthiest men in Ghana, the ruthless Alhaji Yusif?  Alas, Efia is already pregnant.

    Alhaji is not one to forgive… He does not.

    Ansah, Efia’s brother steps in with a plan. His sister does not deserve this.

    The yam that will burn, will burn boiled or roasted.

    Victims of Hope

    50.00
  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Asuoyaa by Train

    Nyameba, a twelve-year-old boy, had barely two months to write his Common Entrance Examinations. He relocated from his parents’ home to stay with his auntie after his mother travelled out of the country. It was difficult coping with his new environment which, to him, was a bit harsh. He fell into trouble and ran away from home to escape punishment. The main Accra train station became his haven.

    There, he met Ato, a young boy of his age who lost his family through the famous Asuoyaa train disaster and now lived at the train station. He made a living as a head porter. Nyameba joined his new friend in the trade just to survive. Sisi, one of the market women he worked for, offered to travel with him on the train to Asuoyaa.

    His encounter on the journey, his stay in Asuoyaa and the tragic moment he experienced on his return to Accra, transformed his life for good.

  • Ayorkor

    Ayorkor’s beauty was fortified with a good character ingrained by her parents. She had great dreams for the future and was also bent on making her parents proud come what may.

    However, her father’s misfortune at his workplace almost derailed her plans. As a JHS Three student, her Basic School final exam was now on the line as her family began to face financial difficulties. Eventually, fate made it necessary for her to relocate to live with her uncle and his wife in another town.

    At her new place, Ayorkor made a friend at school who lured her into a very tempting situation. The tough test of Ayorkor’s character and her resolve would then unfold.

    Ayorkor

    38.00

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