• Taming Toxicity

    Learn how to spot the signs, protect yourself and create a healthier work environment.

    Taming Toxicity

    150.00
  • “Women Marrying Women” in Northern Ghana: Wading into the Homosexuality Debate from a Ghanaian Perspective

    When the late Zimbabwean president, Robert Mugabe, vehemently insisted that homosexuality is un-African, many scholars and commenters from around the world disagreed with him and went on to cite many cultural practices in certain African societies signifying the presence or traces of homosexual activities in African societies. Among many of these cultural practices often cited is the practice of women marrying women as evidence of female homosexual traits and, therefore evidence of homosexuality embedded in certain cultures in Africa.

    The Frafras of the Upper East Region of Ghana are a prominent ethnic group that practice this cultural arrangement. Delving into the the practice from the Frafra context, the books documents the practice of women to women marriage and its relationship or otherwise with homosexuality, with an explanation for the strong resistance of Ghana to homosexuality

     

  • Someone Birthed Them Broken: Stories

    In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians’ today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family’s cocoa business afloat after his father’s unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she’s pregnant, he knows he has nothing left to give.

    Years later, that girlfriend’s son, Opoku Jr., now faces his own troubles, including his girlfriend Boatemaa, who (correctly) suspects he is sneaking around, and Amoafoa, the woman he’s seeing on the side. And there is John, who confides to his crush Baaba about a surprising encounter with a male friend over a game of FIFA; Baaba, who falls into a whirlwind romance with her professor that ends in violence; and their friend Ayeley, who is learning to accept pleasure after being raised to believe it is sinful.

    Diaka charts this constellation of interconnected lives in thirteen stories, exploring themes which run through the collection like a current: corruption and economic hardship, trauma and infidelity, shame, neglect, and the tribulations of the female body. In telling their stories, Diaka illuminates hope, freedom, and triumph that can be found in the everyday—the bonds between women, the joys of love and sex and art and dancing, the possibility of repair and redemption.

    Renowned for her spoken word artistry, Ama Asantewa Diaka demonstrates her lyrical brilliance in this emotionally rich work that unveils profound truths about her country, its inhabitants, and the universality of human experience.

  • The Teller of Secrets (Ouida Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

  • When We Were Fireflies

    When brooding artist, Yarima Lalo, encounters a moving train for the first time, two serendipitous events occur. First, it triggers memories of past lives in which he was twice murdered—once on a train. He also meets Aziza, a woman with a complicated past of her own, who becomes key to helping him understand what he is experiencing. With a third death in his current life imminent, together they go hunting for remnants of his past lives. Will they find evidence that he is losing his mind or the people who once loved or loathed him?

    “A gripping, layered, passionate and haunting novel with tones of otherworldliness. Abubakar’s prose sparkles with poetry, wisdom and compassion. This is a complex and unforgettable story that will keep you up at night.” – Bisi Adjapon

  • No Be From Hia

    A homecoming tale of a family brought together by migration and torn apart by tragedy and secrets. In a search for identity, love and acceptance – two ordinary girls travel from London to Lusaka to Lagos in order to save their family and discover their destiny.
    Meet the Ayomides and the Kombes – Zambian-Nigerian-Jamaican powerhouse families brought together during the post-colonial migration of the 1960’s to the UK – and later separated by death, divorce and betrayal. Scattered between London, Lusaka, and Lagos, only the new generation can save this family.
    Maggie Ayomide and Bupe Kombe are cousins on either side of the world who couldn’t be more different. Zambian-Nigerian and Zambian-Jamaican, both yearn for their disbanded family to reunite. When Bupe leaves Brixton to go to secondary school in Zambia, she brings light and disorder to Maggie’s world. However, the girls are hindered by dark family secrets such as the mysterious death of their late grandmother, and Maggie’s missing Nigerian father.
    From the blazing streets of Brixton riots to multi-party elections in Zambia to glitzy Independence Day celebration and adventurous nightclubs in Lagos, this heartwarming story breathes life into the modern-day result of postcolonial Africa and 20th Century migration as it follows two ordinary girls trying to find their identity and reunite their family.

    No Be From Hia

    185.00
  • Executive Hallucination

    The Ultimate Crime: Ghana’s hard-won reputation as the bedrock of democracy in a sub-region gone mad is threatened by a hallucinatory Chief of Staff who holds the ultimate hostage – the President of the Republic of Ghana. The entire security apparatus is helpless – unless they found someone with the requisite experience to infiltrate the heavily guarded Castle, thwart the dreaded 4th Battalion of Infantry, and break a sick President out.

    The Ultimate Madness: West Africa had gone mad again. Coups and counter-coups prevailed from North to South. Civil wars ran like wild fire from East to West. Everywhere was a bloody abattoir. In Liberia, the foolishness was perhaps, even more so. In the thick of that madness, a young medical student, seemingly not smart enough to comprehend the extent of the danger, arrive from Ghana. His one motive is the rescue of his twin – and anyone else smart enough to come along. Moving against time itself, bloodthirsty cannibals and the invasion of Libyan-trained rebels, he finds his family but there is no sister.

    The Ultimate Score: Dr. Alexander J. Cattrall wants no part in the fracas between Ghana’s National Security Agency and a Chief of Staff who has suddenly declared himself President. But he takes extraordinary exception to the abduction of his twin sister. It is now time to settle a 23-year old score and help the country fulfil its vow to resist oppressors’ rule.

  • The Children of House No. D13 South Suntresu Kumasi: An Ahwoi & Adu-Gyamfi Siblings’ Collective Biography

    *Available from 15 June 2022

    To describe The Children of House No. D13, South Suntresu, Kumasi, as an intriguing project is an understatement. A collective biography of eight siblings was always going to be a daunting challenge, even if each person told their own story and got it together in one volume. To do it in a coordinated combination of first and third person “voices” would appear to be a bit implausible. To actually achieve the purpose and turn it from a project into an enthralling reading experience deserves all the plaudits this book is likely to gather.

    This book is a collection of life stories of the eight children of Madam Maye Charlotte Hudson, also known as Esi Tutuwa but known to some people as Esi Nkwagye and to the people of South Suntresu, Kumasi as Mrs. Ahwoi. The ‘Ahwois” principally is the collective name of three brothers – Ato, Kwesi and Kwamena – who have played prominent roles in Ghana’s recent history, but the siblings also include five girls, Ama, Adoma, Efua, Naana and Sister Aggie, who also played their part in this thrilling story in their own unique ways.

    For such a collective recall of personal histories to work, a principal requirement is a willingness of all the parties involved to treat the project seriously; of equal importance is the need to treat everyone’s personal history as important, which is what this book has succeeded in doing. It would be right to describe it as an exercise in literary democracy!

    It is not every book project that produces a good book, but this book has done so because at the heart of the project is a good story. And at the heart of that good story is human progress against the odds capsuled in the life of these eight individuals.

    These are the dramatis personae in order of appearance – from the womb – Ato Ahwoi, Kwesi Ahwoi, Mrs. Ama Twum, Kwamena Ahwoi, Mrs. Ama Adoma Bartels-Kodwo, Mrs. Efua Bram-Larbi, Theodora Naana Adu Gyamfi and Mrs. Agnes Appiagyei-Dankah. Theodora Naana Adu-Gyamfi passed away at the age of 28 and so her role ends early except in passing references. However, it is worth recalling that before she died, and in an act that exemplifies the major theme of this book, Naana secretely transferred all the money in her own bank account into that of her six year old niece, Abena Tutuwa Ahwoi, the daughter of her brother, Kwamena.

    The structure of the narrative, which makes it possible to flow, is simply to follow the fortunes of these siblings sequentially in turn through the main phases of their development. The person whose presence permeates the story is the matriarch – Mrs. Ahwoi, nee Maye Charlotte Hudson.

    The book achieves the purpose of showing the “remarkable togetherness and the mutual support system that enabled the children of House No. D13, South Suntresu, Kumasi, to overcome the many hurdles along their individual paths in life as being due to their mother, Madam Maye Charlotte Hudson (Mrs. Ahwoi). Indeed, the matriarch herself is effectively the ninth subject of the biography of the eight children” as Honourable Kwame Preprah states in the Foreword.

    Nana Kwasi Gyan Apenteng

    Consultant in Communication, Media and Culture

    Former Chairman, National Media Commission (NMC)

    Former President, Ghana Association of Writers (GAW)

  • The Teller of Secrets (HarperVia Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

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