• The Gun Merchant (Pacesetters)

    ‘Understand, Joe…you must be unscrupulous, otherwise you’ll go hungry. Remember, guns don’t kill, it’s people who kill.’

    So it would seem to the power-crazed Apa, the most unscrupulous man of them all. To him life seems easy, so long as he retains the upper hand.

  • Remember Death (Pacesetters)

    Rango will stop at nothing to make money, live in London, and have a good life. He becomes involved with Laxman, the unscrupulous importer of chemicals, and out-of-date chemicals which will affect the living of thousands of coffee farmers pour into the country. When it seems that they are about to be unmasked, Rango recruits a young factory worker to blow up the Dar es Salaam chemicals factory. Malleko finds himself in an unhappy position. Whatever he does will lead to his death.

  • Sweet Revenge (Pacesetters)

    Ovie’s girlfriend is killed when some new school buildings collapse during a bad storm. He and his four friends decide to avenge her death and devise a bold plan to get even with the building contractors.

    After rigorous training, the friends are ready to perform their ingenious operation which will stun the whole community. Only the impatience and greed of one member of the gang may lead to their downfall and thwart their daring revenge.

  • Too Young to Die (Pacesetters)

    When two young honeymooners arrive in Nairobi, little do the authorities realise they are up against two experts in the world of organised crime. Their job is to steal a precious stone from a Maasai tycoon and they are successful…until events turn against them.

  • Dealers in Death (Pacesetters)

    A grisly trade in kidnapped children leads Paul Okoro into the net of a chillingly cruel villain with a taste for the bizarre — black widow spiders. Paul finds himself in deadly danger with no apparent way out. Can Aimie, his wife or any of his friends find him and his baby son in time or is this the end for the one-legged journalist who has risked himself so often for others?

  • Small Affairs (Pacesetters)

    The lives of Nompumulelo and Lindon are bound together, and it often seems as if they were made for each other. Yet the small affairs of life lead each one into a separate path. Can they be happy apart or will the threads that bind them together prove stronger than anything else?

  • A Fresh Start (Pacesetters)

    Osifo Egie and Ndidi Amerigo meet briefly as teenagers through a family friendship. But they do not like each other and their lives take very different directions. Ndidi is from a wealthy background and is about to leave for England to study. Osifo has not completed his education and is soon to start work as a clerk. By the time fate brings them together again each of them has experienced a great deal. But it seems at first that the unhappiness they have both suffered may keep them apart.

  • Bonds of Love (Pacesetters)

    When Constance Majolo sets out to record Mrs Clark’s last will and testament she does so reluctantly, feeling her hard-earned university skills are being wasted on such menial tasks. But little does she realize that Mrs Clark’s request to find her son will take Constance on an exciting and challenging search unravelling an unconventional story of loyalty and love.

  • Love (Pacesetters)

    Love and Nkem are born within hours of each other in the same hospital and their lives seem fated to be inextricably joined together. The Civil War in Nigeria plays its tragic role in parting them for many years. Can they find each other, and happiness, again?

  • Finding Francis (Pacesetters)

    ‘No! ‘ Sarah stood up. How did this man keep backing her into a corner? ‘ You’re not going to blackmail me again. ‘

    Francis smiled lazily from his chair. ‘Blackmail? How do you mean, blackmail? ‘

    Just as Sarah – young, impetuous and talented – seems to be within Francis’s grasp, tragedy strikes.

  • Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)

    This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.

    The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.

    There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.

    Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.

    “These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin

  • A Time to Part

    Age Range: 13+ years

    The Ayi Kwei Armah Novel 1st Prize” Award Winner, GAW Awards 2018 
    She’s chasing shadows, running from the past. He’ll be there to catch her when she falls.
    Seven years ago, Jasmine left everything she knew behind. Her mother was dead, her father was terminally ill, and she had broken Hagan, the only man who ever loved her. It was the perfect time to start over. Except she never left any of it behind. When an echo from the past and the search for a killer pull her back into the chaos, she’ll have to decide if letting go is too high a price to pay for her life.
    This is a story of second chances, of love that survives the worst, and the fight to hold on to the light, in the face of darkness.

    A Time to Part

    30.00
  • No Vengeance

    Age Range: 13+ years

    Colonel Barlow had cheated death many years back. He had been forced into exile by the man who had wanted him dead at the time of the uprising. He is back and must meet his adversary. He has returned with his son Kit, a battle tested soldier.

    Why does Sonday refuse to meet him face to face? Does he fear reprisal? And what is the cause of his nightmares? Meanwhile where is the blue diamond ring?

    No Vengeance

    40.00
  • The Side We Choose to See

    This book gives a breathtakingly vivid account of twelve stories of women who are incarcerated in Ghana, West Africa. The narration combines real life stories with a tinge of fiction to keep the reader continuously engaged to the point of falling off their seat, in shock. Each narration is unique with regards to the story line and draws out intricate details of how the crimes were perpetuated by the imprisoned women some of who still profess their innocence. Based on the stories beautifully narrated, relevant thoughts and lessons are drawn out based on the Author’s perspective. The reader is also given an opportunity to make judgements for themselves after immersing themselves into a particular story. The stories are different yet they are interwoven by one theme: Crime.
  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00

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