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Dealers in Death (Pacesetters)
A grisly trade in kidnapped children leads Paul Okoro into the net of a chillingly cruel villain with a taste for the bizarre — black widow spiders. Paul finds himself in deadly danger with no apparent way out. Can Aimie, his wife or any of his friends find him and his baby son in time or is this the end for the one-legged journalist who has risked himself so often for others?
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Small Affairs (Pacesetters)
The lives of Nompumulelo and Lindon are bound together, and it often seems as if they were made for each other. Yet the small affairs of life lead each one into a separate path. Can they be happy apart or will the threads that bind them together prove stronger than anything else?
₵60.00Small Affairs (Pacesetters)
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A Fresh Start (Pacesetters)
Osifo Egie and Ndidi Amerigo meet briefly as teenagers through a family friendship. But they do not like each other and their lives take very different directions. Ndidi is from a wealthy background and is about to leave for England to study. Osifo has not completed his education and is soon to start work as a clerk. By the time fate brings them together again each of them has experienced a great deal. But it seems at first that the unhappiness they have both suffered may keep them apart.
₵60.00A Fresh Start (Pacesetters)
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Bonds of Love (Pacesetters)
When Constance Majolo sets out to record Mrs Clark’s last will and testament she does so reluctantly, feeling her hard-earned university skills are being wasted on such menial tasks. But little does she realize that Mrs Clark’s request to find her son will take Constance on an exciting and challenging search unravelling an unconventional story of loyalty and love.
₵60.00Bonds of Love (Pacesetters)
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Love (Pacesetters)
Love and Nkem are born within hours of each other in the same hospital and their lives seem fated to be inextricably joined together. The Civil War in Nigeria plays its tragic role in parting them for many years. Can they find each other, and happiness, again?
₵60.00Love (Pacesetters)
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Finding Francis (Pacesetters)
‘No! ‘ Sarah stood up. How did this man keep backing her into a corner? ‘ You’re not going to blackmail me again. ‘
Francis smiled lazily from his chair. ‘Blackmail? How do you mean, blackmail? ‘
Just as Sarah – young, impetuous and talented – seems to be within Francis’s grasp, tragedy strikes.
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Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)
This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.
The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.
There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.
Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.
“These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin
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A Time to Part
Age Range: 13+ years
The Ayi Kwei Armah Novel 1st Prize” Award Winner, GAW Awards 2018She’s chasing shadows, running from the past. He’ll be there to catch her when she falls.Seven years ago, Jasmine left everything she knew behind. Her mother was dead, her father was terminally ill, and she had broken Hagan, the only man who ever loved her. It was the perfect time to start over. Except she never left any of it behind. When an echo from the past and the search for a killer pull her back into the chaos, she’ll have to decide if letting go is too high a price to pay for her life.This is a story of second chances, of love that survives the worst, and the fight to hold on to the light, in the face of darkness.₵30.00A Time to Part
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No Vengeance
Age Range: 13+ years
Colonel Barlow had cheated death many years back. He had been forced into exile by the man who had wanted him dead at the time of the uprising. He is back and must meet his adversary. He has returned with his son Kit, a battle tested soldier.
Why does Sonday refuse to meet him face to face? Does he fear reprisal? And what is the cause of his nightmares? Meanwhile where is the blue diamond ring?
₵40.00No Vengeance
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Manchester Happened
An ambitious and assured collection of short stories from the internationally acclaimed author of Kintu.
If there’s one thing the characters in Jennifer Makumbi’s stories know, it’s how to field a question.
‘Let me buy you a cup of tea… what are you doing in England?’
‘Do these children of yours speak any Luganda?’
‘Did you know that man Idi Amin?’
But perhaps the most difficult question of all is the one they ask themselves: ‘You mean this is England?’
Told with empathy, humour and compassion, these vibrant, kaleidoscopic stories re-imagine the journey of Ugandans who choose to make England their home. Weaving between Manchester and Kampala, this dazzling, polyphonic collection will captivate anyone who has ever wondered what it means to truly belong.
₵125.00Manchester Happened
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Infinite Roots
“I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”
“…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review
Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.
“…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver
₵80.00₵100.00Infinite Roots
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The Law Is An Ass: A Collection of Short Stories
“They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City
“These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor of The Guardian on Sunday
“The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer
“Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us an entertaining and educative read that is vivid, engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults
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In the Company of Men
Harper’s Bazaar: Best Book of the Year
Boston Globe: Best Book of the Year
Ms. Magazine: Best Feminist Book of the Year
Words Without Borders: Best Translated Book of the YearDrawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.
Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.
In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.
Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.
₵85.00In the Company of Men
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Prince of Monkeys
Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.
Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.
But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.
₵135.00Prince of Monkeys
₵135.00