• The Lockdown: Creative Non-Fiction about Living with Covid-19

    An anthology of 16 short creative nonfiction accounts about living with Covid-19 in 2020 by various authors.

  • Conversations About Race: Humanity Chats

    This book is for all of us.
    Introductory yet meaningful, civil, and non-political conversations about our humanity.

    Conversations about Race is a follow-up to the race-related conversations on the Humanity Chats podcast.
    May these conversations help us broaden our lens.

    The Human Oath

    We are humans
    Descendants of one species
    Connected in ways we cannot comprehend

    We are humans
    From all around the world
    One kind only
    And that is humankind

    – The Shimmigrant, 2019

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • The Law Is An Ass: A Collection of Short Stories

    “They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City

    “These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after  paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor  of The Guardian on Sunday

    “The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer

    “Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us  an entertaining and educative read that is vivid,  engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults

  • Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

  • The Riddle of The Oil Thief

    It is the untold story of several decades of oil and gas exploitation in the Niger Delta of Nigeria. It x-rays the root causes of insecurity in Nigeria and presents the recipe for the restoration of peace in Nigeria and the entire West African Sub-region.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Abu Goes to School

    Abu had always wanted to go to school but nobody would listen to him because he was physically challenged. He finally went to school but latter stopped. What made him stop school? Can he afford to come back to the school?

  • Paradise Lost

    “Of man’s first disobedience, and the fruit

    Of that forbidden tree, whose mortal tast

    Brought death into the world, and all our woe,

    With loss of Eden…”

    Satan and his fellow rebel angels contemplate on corrupting God’s beloved new creation, Mankind. He volunteers and prepares to leave. His children − Sin and Death − build a bridge between Hell and Earth. And disguising himself as a cherub, he lands on Earth.

    Adam and Eve, after a long day at work, are resting in their bower. And that’s when in the form of a serpent, Satan whisper’s into Eve’s ears. Tempted to eat from the forbidden Tree of Knowledge, Eve commits the sin.

    And hence follows the Fall of Man…

    Milton’s magnum opus, Paradise Lost, threads together two stories focused on different heroes-the half-heroic, half-evil charismatic Satan and the united Adam and Eve-skilfully balancing them. The epic poem continues to remain as celebrated. as ever.

    “An endless moral maze, introducing literature’s first Romantic, Satan’ – John Carey

    Paradise Lost

    38.0040.00
  • Bionic Evolution

    Long after humans abandoned the Earth, in a far-flung dystopian future, Zakari Nebula is abducted and experimented upon by forces darker than even his imagination. After physical and mental torture of the most horrific kind, the now-cybernetically enhanced abductees escape.

    Bionic Evolution is the story of the bonds they forge, and the battles they face, as they take one last stand for freedom, and their very own souls.

    Bionic Evolution is powerful, it is pacey, it is action-packed and the writer knows exactly what you need to keep turning pages as you follow his hero, a teenager who was kidnapped and turned into an android, as he and his fellow abductees learn to wield the new powers that come with their new bodies and take the fight to their abductors…

  • The Contractor

    For your eyes only.

    A jihadist group in the Middle East teams up with rogue Russian generals to take out a sitting United States president whose policies threaten a major shift in global nuclear power. They must stop him, even if that means assassinating the president and destroying that symbolic edifice of American power, the White House.

    They send in a specialist, Nabil Hamdoon, a.k.a. The Contractor. He has a 100% mission success rate.

    NSA, DHS and the FBI pick up chatter but are clueless in the mad scramble to locate and neutralize the Contractor as he spreads mayhem and death across Illinois, Maryland and the District of Columbia. He looks set to accomplish his mission as an increasingly desperate FBI and Secret Service dog his heels.

    Could one woman stop him?

    The Contractor

    85.00
  • One Thousand Days in the Sun

    Young Thabo sleeps over in the Chief’s house on an errand for his father. Overnight he gropes the Chief’s extraordinarily beautiful daughter Nefrika. Obsessed with her, he returns to his father’s house convinced that Nefrika is his destiny.

    Five years later, they meet again as young adults. Thabo’s old passions resurface, except that this time Nefrika is on the market at the Wives Exchange and able men must fight other suitors to claim their desired bride. Thabo is considered weak by his tribesmen, and must now muster enough courage to fight an insanely fearsome suitor named Manpower who killed his opponent in a previous wiving fight. Thabo rejects the notion of renouncing Nefrika to avoid Manpower’s legendary ruthlessness. Determined to win the woman he thinks rightfully belongs to him, Thabo must learn the ageless laws of manhood and the forbidden secrets of the women’s Unclean Hut.

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