• Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.
  • Sweet Crude Odyssey

    In the international market, they call it sweet crude – low-sulphur crude oil. It is targeted by oil thieves in the Niger Delta, who siphon it from the pipelines and sell to the highest bidder. This brutal black market is a web connecting rich barons in gleaming cities to savage militants in the creeks. This is the world Bruce Telema is lured into. But even as he outruns poverty and gains a fearsome reputation in the oil cabal, death, karma and the law stay close on his heels.

  • Imminent River

    A DEATH-DEFYING CONTEST FOR A LIFE-RESTORING FORMULA…

    Far deeper than the story of a traditional healer and her feuding children’s search for her ‘life’ formula, Imminent River seamlessly melds a delectably gorgeous love story into a historical family saga, one reminiscent of Alex Haley’s R-o-o-t-s, but in which the search is in the opposite direction, for the ‘shoots’ rather than ‘roots’. This epic spans half a world – from the fetid swamps of West Africa, Europe and North America and Back. The result: an intricate build-up, a breath-taking denouement, a hair-raising resolution. If bookshelves were anthills, they’d rise in standing ovation.

    Imminent River

    85.00
  • The Contractor

    For your eyes only.

    A jihadist group in the Middle East teams up with rogue Russian generals to take out a sitting United States president whose policies threaten a major shift in global nuclear power. They must stop him, even if that means assassinating the president and destroying that symbolic edifice of American power, the White House.

    They send in a specialist, Nabil Hamdoon, a.k.a. The Contractor. He has a 100% mission success rate.

    NSA, DHS and the FBI pick up chatter but are clueless in the mad scramble to locate and neutralize the Contractor as he spreads mayhem and death across Illinois, Maryland and the District of Columbia. He looks set to accomplish his mission as an increasingly desperate FBI and Secret Service dog his heels.

    Could one woman stop him?

    The Contractor

    85.00
  • Zeb Silhouette

    Zeb Olima Jefferson is a bold and inspiring character. Determined to live her life according to her own rules, she travels from a dangerous relationship in Nigeria to life as an immigrant in America and then back to Nigeria again. There she faces a challenge that threatens her very sanity. This is a moving, shocking and compelling novel.

    Zeb Silhouette

    85.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Lagos to London

    A tale of two Nigerian students Remi Coker and Nnamdi Okonkwo from different backgrounds who leave the shores of Nigeria full of hope to further their education abroad. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

    The story follows their journey of newfound freedom, self-discovery, hope, unexpected turns, lessons, and the realities of life in the United Kingdom.

    Lagos to London

    85.00
  • In the Company of Men

    Harper’s Bazaar: Best Book of the Year
    Boston Globe: Best Book of the Year
    Ms. Magazine: Best Feminist Book of the Year
    Words Without Borders: Best Translated Book of the Year

    Drawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.

    Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

    In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

    Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.

  • And After Many Days

    And After Many Days is a novel of childhood, of the delicate, complex balance of power and love between siblings; the unique ecosystem of a family. It is also a portrait of a society, as the old world gives way to a new status quo. A novel of quiet, devastating force, And After Many Days holds at its centre a profound story of life, loss and becoming.

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • Chasing Facades

    Young and ambitious, Tayo Dabi is a rising star at Regent Detective Agency where she is a trainee detective. Driven by her passion to solve crimes – even as her brother’s murderer walks free – Tayo immerses herself in the job, delivering results that belie her newbie status.

    But when Tayo is assigned a new, high-profile case, her confidence is shaken. Lawrence Gbade, a popular, wealthy contractor is murdered in his home, and as Tayo digs deeper things become less certain. Was Gbade’s murder a robbery gone wrong, or something much more sinister? Even as self-doubt sets in, Tayo has to battle resentment from older, more experienced detectives, an obnoxious male colleague and her growing attraction to Tony, the victim’s brother.

    Romance meets crime thriller in this gripping story of betrayal, rage and the facades we put up to hide our true selves.

    Chasing Facades

    95.00
  • Blackass

    Furo Wariboko – born and bred in Lagos – wakes up on the morning of his job interview to discover he has turned into a white man. As he hits the city streets running, still reeling from his new-found condition, Furo is amazed to find the dead ends of his life wondrously open out before him.

    As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, his ass remains robustly black…

    Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    Blackass

    95.00
  • The Chameleon Girl

    University lecturer, Soumaya Dramé, abandons her job in England to go after her mother, Pearl, who, in the wake of a quarrel with her Senegalese father, AI, has fled to Senegal. Determined to track Pearl down before her despondent father does something foolish, Soumaya enlists the help of a charismatic photographer, Aziz. As they navigate a place she is from but not quite a part of, Soumaya meets her Senegalese relatives – and also runs into a beautiful older woman who seems to be stalking her.

    Set mostly in sunny Dakar, The Chameleon Girl is the story of a woman of dual identities confronting her parents’ past amid secrets, stereotypes and cross-cultural family tensions.

  • The Whispering Trees

    The magical tales in The Whispering Trees capture the essence of life, death and coincidence in Northern Nigeria. Myth and reality intertwine in stories featuring cat-eyed English witches, political agitators, newly-wedded widows, and the tormented whirlwind, Kyakkyawa. The two medicine men of Mazade battle against their egos, an epidemic and an enigmatic witch. And who is Okhiwo, whose arrival is heralded by a pair of little white butterflies?

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