• Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • Eclipse (Twilight #3)

    As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob – knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella has one more decision to make: life or death. But which is which?

  • Predator (Kay Scarpetta #14) -Hardback

    Florida is full of human predators, and they all give Dr Kay Scarpetta the opportunity and the means to do what she does best – persuading the dead to speak to her. And in Boston, Benton Wesley is working on a secret case involving convicted killers. It is a project which gives Scarpetta deep disquiet, as does the behaviour of her niece, Lucy, who is spending too much time in cheap bars looking for casual pick-ups. The Academy is called when a woman’s body is found in Boston. She has been tortured, sexually abused, her body tattooed with handprints. The same sort of handprints Lucy had seen on the flesh of her latest pick-up. Meanwhile, Scarpetta and Marino are investigating the disappearance of a family in Florida, called in by a concerned neighbour, but as they search and find the tell-tale signs of abduction rather than disappearance, they also discover that someone had assumed the identity of the caller, and she is now dead. They’ve been set up, and it becomes clear that someone is tracking their every move.

  • Red Mist (Kay Scarpetta #19) – Hardcover

    ‘America’s most chilling writer of crime fiction’ The Times

    Kay Scarpetta has arranged to meet an inmate at the high-security Georgia Prison for Women. The prisoner is a convicted sex offender and the mother of a vicious and diabolically brilliant killer.

    Against advice, Scarpetta is determined to hear this woman out – she believes she may hold some answers to the murder of her former deputy. But soon she finds connections to a string of grisly killings, including the slaughter of a Savannah family years earlier. She can see a pattern to these killings, but who is behind them and why?

    As she learns more, Scarpetta is compelled to conclude that this is only the beginning of something far more destructive: a terrifying terrain of conspiracy and potential terrorism on an international scale. And she is the only one who can stop it…

  • The Narrow Path (African Writers Series, AWS27)

    The Narrow Path is a story set in southern Ghana. Kofi, the hero of this novel, follows the well-worn path of many young Africans caught between the traditional life and the new world after the end of colonial administration.

    It is a story about discipline, mischief and the continuous struggle of the youth between adventure and discipline from his parents. The struggle defines the young protagonist and the interesting narration makes this novel a fine piece of literature.

  • Lost in the Forest

    Age Range: 10 – 14 years

    A girl goes snail-hunting with friends and soon finds out that she is all alone in the forest. A search is mounted for her and she is found dumb in an old man’s hut.

    Who is this old man and how did she end up in his hut? Why did no one know of his dealings with the youth in the village?

    In solving these mysteries, each member of society gleans one lesson or the other for community living.

  • One High School Adventure

    Age Range: 10 – 14 years

    Ama is a brilliant student who passes her exams with excellent grades. However, she cannot go to her first choice school for SHS due to financial constraints and so settles for another.

    In school, she falls in love. The demands of keeping a relationship take a toll on her grades. How does she get back on her feet to overcome this challenge and come out with flying colours?

    A book full of everyday challenges of growing up. Lessons: self-evaluation and perseverance are key.

  • David Copperfield (Bestselling Illustrated Classics)

    Growing Up!

    Young David Copperfield, orphaned as a child, abandoned by a vicious stepfather, must learn to make a life for himself. In Charles Dickens’ brilliant novel, we learn of David’s early harsh years. . . his adoption by his eccentric aunt. . . his betrayal by a childhood friend. . . the pressures of starting a career. . . immature, young love. . . and finally career success and personal happiness.

    Charles Dickens’ sensitive portrayal of David’s early years has made David Copperfield one of the world’s most beloved novels.

  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00

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