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Absolute Radio: The Inspiring Story of the First Private Radio in Ghana’s Western Region
*Available from 6 September 2022
From the heart of Africa, a spellbinding true story of entrepreneurship, media, culture and tradition, all tastefully rolled into one! Absolute Radio is an authentic story of girls and boys who became women and men – and heroes – on the wings of a radio station. Running the course of 25 years, the story comes from the culturally stylish twin city of Sekondi-Takoradi in Ghana, with global footprints.
It is the most tantalising and ground-breaking body of work about Ghana’s private broadcasting industry. The author, former journalist Phillip Nyakpo, is himself an eye-witness and a participant in these true events.
From his base in Perth, Australia, Phillip interviewed women and men across four continents who made it happen over a quarter of a century.
The result is that he opened up to the world, a character and spirit of Africa that is all too often missing.
In telling the story, he writes a compelling narrative that is delicate, witty, eye-opening and wonderfully inspiring.
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The Children of House No. D13 South Suntresu Kumasi: An Ahwoi & Adu-Gyamfi Siblings’ Collective Biography
*Available from 15 June 2022
To describe The Children of House No. D13, South Suntresu, Kumasi, as an intriguing project is an understatement. A collective biography of eight siblings was always going to be a daunting challenge, even if each person told their own story and got it together in one volume. To do it in a coordinated combination of first and third person “voices” would appear to be a bit implausible. To actually achieve the purpose and turn it from a project into an enthralling reading experience deserves all the plaudits this book is likely to gather.
This book is a collection of life stories of the eight children of Madam Maye Charlotte Hudson, also known as Esi Tutuwa but known to some people as Esi Nkwagye and to the people of South Suntresu, Kumasi as Mrs. Ahwoi. The ‘Ahwois” principally is the collective name of three brothers – Ato, Kwesi and Kwamena – who have played prominent roles in Ghana’s recent history, but the siblings also include five girls, Ama, Adoma, Efua, Naana and Sister Aggie, who also played their part in this thrilling story in their own unique ways.
For such a collective recall of personal histories to work, a principal requirement is a willingness of all the parties involved to treat the project seriously; of equal importance is the need to treat everyone’s personal history as important, which is what this book has succeeded in doing. It would be right to describe it as an exercise in literary democracy!
It is not every book project that produces a good book, but this book has done so because at the heart of the project is a good story. And at the heart of that good story is human progress against the odds capsuled in the life of these eight individuals.
These are the dramatis personae in order of appearance – from the womb – Ato Ahwoi, Kwesi Ahwoi, Mrs. Ama Twum, Kwamena Ahwoi, Mrs. Ama Adoma Bartels-Kodwo, Mrs. Efua Bram-Larbi, Theodora Naana Adu Gyamfi and Mrs. Agnes Appiagyei-Dankah. Theodora Naana Adu-Gyamfi passed away at the age of 28 and so her role ends early except in passing references. However, it is worth recalling that before she died, and in an act that exemplifies the major theme of this book, Naana secretely transferred all the money in her own bank account into that of her six year old niece, Abena Tutuwa Ahwoi, the daughter of her brother, Kwamena.
The structure of the narrative, which makes it possible to flow, is simply to follow the fortunes of these siblings sequentially in turn through the main phases of their development. The person whose presence permeates the story is the matriarch – Mrs. Ahwoi, nee Maye Charlotte Hudson.
The book achieves the purpose of showing the “remarkable togetherness and the mutual support system that enabled the children of House No. D13, South Suntresu, Kumasi, to overcome the many hurdles along their individual paths in life as being due to their mother, Madam Maye Charlotte Hudson (Mrs. Ahwoi). Indeed, the matriarch herself is effectively the ninth subject of the biography of the eight children” as Honourable Kwame Preprah states in the Foreword.
Nana Kwasi Gyan Apenteng
Consultant in Communication, Media and Culture
Former Chairman, National Media Commission (NMC)
Former President, Ghana Association of Writers (GAW)
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For Freedom or Bondage?: A Critique of African Pastoral Practices
In Ghana today, many people who suffer from a variety of human ills wander from one pastor to another in search of a spiritual cure. Because of the way cultural beliefs about the spiritual world have interwoven with their Christian faith, many Ghanaian Christians live in bondage to their fears of evil spiritual powers, seeing Jesus as a superior power to use against these malevolent spiritual forces.
In For Freedom or Bondage? Esther Acolatse argues that Christian pastoral practices in many African churches include too much influence from African traditional religions. She examines Ghana Independent Charismatic churches as a case study, offering theological and psychological analysis of current pastoral care practices through the lenses of Barth and Jung. Facilitating a three-strand conversation between African traditional religion, Barthian theology, and Jungian analytical psychology, Acolatse interrogates problematic cultural narratives and offers a more nuanced approach to pastoral care.
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Accra Aca Blɛoo: The History of the Accra Academy from James Town to Bubiashie (Hardcover)
Accra Aca Bleoo – the first comprehensive history book on the Accra Academy – captures nine decades of the school’s history, including the most epic events and pivotal moments. It takes the reader through the life journeys of the founders and those who believed in their dream to educate the underprivileged youth of the Gold Coast. It also recounts the aspirations and achievements of successive administrations of the school and how they overcame the challenges of their time and influenced the character of their students.
The book brings to light several unknown facts about the Accra Academy and examines the educational policies that have influenced its development and growth.
It is not only informative and educative but also entertaining, as it is interspersed with interesting stories and several pictures that will undoubtedly take the minds of alumni back to the good old days and give other readers a perspective into how life in the school has evolved.
This book is the outcome of many hours of personal interviews and research, and is intended for anyone interested in the history of education in Ghana and what has made the Accra Academy what it is today.
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The Makings of A Diplomatist: The Memoirs of Alexander Quaison-Sackey (Hardcover)
The book is a thrilling – albeit incomplete – life story, elegantly written. Starting from the author’s elementary school days at his birthplace, Winneba, where he obtained a distinction certificate at the Standard 7 school leaving Examinations, the Book takes the reader through the author’s sojourn at Mfantsipim Secondary School where he became Senior Prefect in his final year through Achimota College, where he became President of the Students’ Christian Movement (SCM), through Exeter College Oxford University where he served as President of the West African Students’ Union (WASU) through his years as a Labour officer in Ghana, his training as a pioneer career diplomat followed by a two-year stint as Head of Chancery in the Ghana High Commission in London up to his appointment as Ambassador and Permanent Representative to the United Nations where he created history by becoming the First Black African to assume the Presidency of the UN General Assembly. A discerning factor in this historical account is obviously the author’s natural leadership endowment which was manifested again later in his accession to the lay Presidency of the Methodist Church of Ghana (not recorded in the Book).
The greater part of the Book gives an exciting and insightful bird’s eye view of the author’s exertions at the UN during his tenure as Ambassador and Permanent Representative on such then burning issues as decolonisation, the Congo Crisis, Apartheid in South Africa, Cuban Missile Crisis, Arab-Israeli Conflict and the UN Financial Crisis of 1964 which nearly paralysed the Organisation. These are all issues of historical interest, particularly for research students in international affairs.
The book ends with the author’s post-UN appointment as Foreign Minister of Ghana, his later incarceration, and subsequent release which enabled him to proceed to London to complete his law studies. Altogether a very interesting and instructive personal history that makes compelling and absorbing reading.
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History of the Gold Coast and Asante
First published in 1889, this history became an out-of-print classic, and is now brought back into print. The work has been used as an authority in the Law Courts of Ghana, where customs and their usages are relevant to interpretation of the law. The author (1834-1917) stated his purpose as the need for such a history by a Ghanaian, conscious of the customs and tradition of the people. He himself, a distinguished medical practitioner, was a key actor in some of the pre-colonial wars.
Twenty-nine chapters are arranged chronologically. Chapter 1 covers a short description of the Gold Coast; the Kingdom of Guinea; expeditions sent by Pharaoh Necho and the Carthiginians; F. Romber’s reference to the Kingdom of Benin; traditional accounts of emigration to the coast; tribes assumed to have been the aboriginal races on the coast, and their conquest. The period covers BC600-750 and AD1400-1700.
Chapter 29 covers 1851-1856: administration of justice according to English law & its effects; imposition & collection methods of a poll tax, and conspiracy to refuse payment; bombardment of Christiansborg, Labadi and Teshi; peace and the rebuilding of Christiansborg.
₵250.00₵300.00History of the Gold Coast and Asante
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The Dreamer – Komla Dumor: The Boss Player In His Own Words (Hardcover)
This is a collection of the personal writings of Komla Dumor a young man, very intellectually vibrant, an erudite communicator, a passionate patriot and an emerging Pan Africanist. The book highlights experiences he had had during his worldwide travel pursuing his career as a Broadcast Journalist.
These essays rekindle hope and offers opportunities for his generation to build on his dream and the dream of the precursors of African Renaissance. This book raises the question about what constitutes his legacy which would lead us to celebrate him. The book shows clearly that Komla was an icon of International Broadcast Journalism working across different platforms. In his writings he exhibited the audacity of faith, from which emerges his unassailable courage to stand on an international digital platform, as an African, telling his own story and stories of old. The book also shows Komla’s stature, versatility in media practice on radio and television broadcasting, as well as the print media.
Komla was a stage performer with style and substance. His scholarly work was punctuated with extreme humor. In spite of his status, he remained amazingly humble. But the most outstanding passion in his writings was his concern for the future of his country Ghana and the African Continent.
This book presents balanced images of Ghana and Africa. But implicitly, it compels everyone to ask the question “Are we satisfied with the images we see? He lays the foundation for every Journalist of African decent to insist on accountable and transparent governance. He ends the story on racism, ethnic and tribal divisions showing clearly his uncompromising, progressive rejection of these divisions which have been historically and culturally conditioned and presents a new hope and opportunity for Africans to dream again. Here we have The Dreamer – Komla Dumor: The Boss Player in His Own Words.
Proceeds from the sale of this book will go to the Komla Dumor Foundation.
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Komla Dumor: In His Element (Hardcover)
This story is about Komla Dumor’s meteoric rise to the enviable position of an icon in International and African Broadcast journalism. The story is largely woven on at least three fundamental principles. Namely journalism as a vocation and a calling, journalism and its practice is driven by only one ideal standard.
Journalism is defined both in theory and in practice as defined by an ethical compass and the discipline of verification. It is the adherence to these tenets of journalism that placed Komla at the top of the pile. Indeed Komla argued passionately that, to be a successful journalist within the context of the new digital enterprise, one must accept journalism as a vocation a gift of grace and must make a total commitment and be willing to put his or her hands on the spokes of the wheel of the new African History.
Secondly, Komla believed that the practice of journalism is driven by only one ideal standard that cuts across nations within the global system. This ideal standard and the pursuit of it create the contours for best practices. Those who pursue the ideal standard comprising unethical compass, the discipline of verification are the ones who reach the top of the mountain where the sheep and the goats are separated.
The book Komla Dumor: In His Elements explores Komla’s practice of journalism in Ghana and the United Kingdom against the tested values including personal moral responsibility to the public, personal integrity and the commitment to finding the truth and protecting the public interest. In essence this book is an illumination and exploration of Komla’s journey into the incomparable iconic status – the Icon of International Broadcast Journalism. It is indeed Komla Dumor in His Elements.
Proceeds from the sale of this book will go to the Komla Dumor Foundation.
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Sam: A Life of Service to God and Country
Lawyer. Politician. Democracy and human rights activist. Prisoner of conscience. Rotarian. Father. Grandfather.
These are among the many roles Sam Okudzeto is most proud of. In his very easy-to-read memoir, SAM: A Life of Service to God and Country, he describes the journey from his village childhood, through his education in Europe, and finally to his life in the legal profession, politics and civil society of Ghana. As one who personally knew many of Ghana’s founding fathers and giants, and was active in politics during the seminal moments after independence, he offers a unique perspective of the people and events that shaped the history of Ghana and the growth of its democracy. He sheds light on the origins of many issues and shares his regrets such of the boycott by the legal profession during the drafting of the current Constitution in 1992 and the impact that boycott has had on national governance.
In this must-read memoir, he shares many lessons from a life spent on the frontlines of human endeavor. Now in his 80s, and with a life well-lived, Sam Okudzeto hopes that the current generation of Ghana will continue to build upon the foundation laid by his pioneering generation.
“Uncle Sam as some of us know him is iconic. He is larger than life in his profession, his faith and his service to humanity. His memoir deepens our respect for his intellect and joie de vivre and provide steps for us to emulate his rich and blessed life.” – Rev. Dr. Joyce Aryee, Executive Director, Salt & Light Ministries, Management and Communications Consultant“There are people you meet in life who change you. Their goodness, their kindness, their willingness to speak out for what is just and right make you look at the world in a different light. They inspire you simply by being themselves. Sam is one of those persons in my life. He is a giant in the field of law. In the fifteen years I have known him I have witnessed endless times where he has brought insight and compassion and leadership to the issues at hand. I have been in awe of Sam for these many years. Someone once said that fate chooses out relatives, we choose our friends. My friendship with Sam is cherished gift.” – Dr. Mark S. Ellis, Executive Director, International Bar Association“Sam’s reputation as a redoubtable and fearless advocate for the rule the law, truth and integrity has won him the respect and admiration of his peers, juniors and even his harshest critics. He is indeed a legal colossus, a true patriot with a strong moral character and an unswerving passion for pursuing the cause of right without fear of might. He is a very warm and wonderful, human being – a selfless, compassionate lover of people who seeks the good, happiness and progress of others. Above all else, Sam is a man of faith who loves the Lord with all his heart.” – Her Ladyship Georgina T. Wood, Former Chief Justice of Ghana₵250.00 -
Highlife Time 3
Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.
The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.
There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.
₵250.00Highlife Time 3
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Bookset: The Trial of J.J. Rawlings & Ogyakrom: The Missing Pages of June 4th (2 books)
Two prolific writers, brothers. One tumultuous period in Ghana’s history. One significant personality.Same perspectives or different? Get this set and find out.About the Trial of JJ Rawlings
The Trial of JJ Rawlings narrates the extraordinary circumstances under which a young military officer Flt Lt JJ Rawlings, later to become the longest serving Head of State of Ghana, shot into the limelight to change the course of Ghana’s history and political development.The first edition of the book, originally published in 1986, completely sold out within a year, making this second edition very welcome in response to public request.
This volume is a valuable contribution to our understanding of those ineluctable forces that have changed the contours of our society. Surely, the story of JJ, well told in this volume, cannot fail to grip and hold the reader’s most concentrated attention. – Prof F.A. Botchwey, PhD
About Ogyakrom: The Missing Pages of June 4th
The present volume represents landmarks within 22 months of Yankah’s weekly column in The Catholic Standard, from January 1979 to March 1980. It is inspired by topical issues in two military regimes (General F Akuffo’s SMC 2, Rawlings’ June 4th Revolution) and one civilian government (Hilla Limann’s PNP). This compilation altogether allows a veiled peep into the most turbulent period in Ghana’s political history, Rawlings’ June 4th Revolution, including preceding events and the aftermath of the Revolution. In the words of Dr Anthony Bonnah Koomson, Editor of The Catholic Standard at the time of Yankah’s celebrated column: “The book captures a momentous era in Ghana’s immediate political history, reminiscences of which the author has sough to recreate and preserve with phenomenal linguistic skill. It presents, through satire, an accurate heartbeat of a people under intense political paralysis.”
This book makes compelling, even if hilarious, reading on Ghana’s enigmatic June 4th Revolution.
₵230.00₵235.00 -
Plenty Talk Dey 4 Ghana: Radio Eye, Plural Broadcasting & Democracy
*Available from 16 March 2020
Few places on earth have the broadcast density as Ghana does. Every hour of everyday, different tongues articulate different topics on air. Expectedly, the nearly five hundred commercial stations have significantly dynamised the national narrative. Or have they? One thing is remarkable, though. Just over two decades ago there was not a thing as private radio or TV.
Focusing on the very intriguing story of Radio Eye, this commemorative publication historicises the nation’s relationship with the electronic media. Two insightful interviews – one with the maverick who broke the glass ceiling; the other with the man who took up the baton to consolidate private broadcasting – provide a rare but enjoyable insight. Enriching the discourse further are six well-researched, peer-reviewed articles that provide a 360-degree perspective on plural broadcasting as a critical development factor.
Plenty Talk Dey 4 Ghana is a well-curated, retrospective and introspective panorama of an African country’s media landscape. What makes it a keepsake for the local and global audience is how the book demonstrates the workings of plural broadcasting to the realisation of democracy.
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The Mumfordians: Memories of a Sea Boy
In one beautiful swoop, this book takes you to the nostalgic past and the aspirational future of an African nation still in the throes of defining self-determination. With the brilliance of powerful recalls, it dissects the socio-cultural as well as the political. It is one man’s journey from an idyllic African fishing village, through his self-improvement to become the executive secretary of a Pan-African body travelling several capitals of the world in the service of his employer.
It is also a book about people − their history, their dreams and the ills they seem unable to decidedly confront. But what makes The Mumfordians a keepsake is its richness in national promise and communal nostalgia.
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Social Structure of Ghana: A Study in Persistence and Change
When Social Structure of Ghana was first published in 1981, it became the only comprehensive and sociological attempts to examine the institutional framework of the entire Ghanaian society. It still is. In this 1999 edition, the author updates most of the data on Ghana, and analyses in greater detail some of the issues raised therein. These issues include the military in politics, religious sectarianism, social problems, educational reforms and the world of work, and the shifting loyalties of Ghanaians to kin groups, tribes and the nation.
As the twentieth century comes to a close, this book probably represents the last major publication on Ghana that analyses the country’s human and material resources for confronting the challenges of the next century.
The book will continue to be useful for studies in sociology, ethnography, political science, African studies, medical sociology value systems, nursing and social work.
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Alke-Bulan Duo and Heritage Tales from Santse
“Alke-Bulan Duo” is an uncommon, classical novel – a historical fictional narrative of the saga of Two Ancient Africans, whose identities and personae were inspired by the intriguing Biblical account of Barabbas and Simeon of Cyrene. The saga of the Two is positioned in the historical settings of the 1st century AD and is recounted by Ataa Forkoyi, the legendary protagonist, to his audience of seven children of the Kerit Kids Klub at a campsite in the Accra Plains of Ghana.
The novel’s foremost backdrop – an enveloping ambience of settings anchored in the epoch of ancient times and in varying geographical spaces, including Judea, stretching from North-East and North-West Africa (Pelusium, Alexandria, Apollonia and Cyrene), the Sahara Desert, Menroe, Sudan and Ethiopia, is juxtaposed to complementing contexts of explored realities of 19th and 20th centuries’ remarkable natural and cultural heritages of Ghana.
The plot of the novel is lucid, but subtly woven and couched in varying intricate and intriguing circumstances and contexts that essentially frame the novel, characterized by exquisite historical allusions, sharp satirical inferences, fabulous natural history expositions and architectural analytical references, aligned with profoundly scholarly and philosophical reflections.
The novel is a literary masterpiece, crafted in a non-pedigreed genre, full of fascinating nuances and spectacles, besides spiking the narration with conscious allusions to the significance of the role of the Black African race in human history, aspersions to the trans-Sahara and trans-Atlantic Slave Trades, employment of the poetic power of dualism, highlighting usage of Latin and Ga words in the text to accentuate the classical and cultural orientation of the novel.
It is a novel that proclaims a robust and a compelling message of hope for Black African youth and children.₵200.00