• Abusua Pa Jigsaw Puzzle: Ada Foah (216 Puzzle Pieces) – Pre-Order

    Ada Foah is a town in the Ada East District of the Greater Accra Region in Ghana. It is known for its beautiful beaches, where the Volta River meets the Atlantic Ocean. The town has a vibrant fishing community and offers opportunities to witness local fishing activities. Visitors can go on boat trips, and visit nearby islands.

    Ada Foah is a hub for ecotourism, with nature reserves and the Songor Lagoon attracting birdwatchers and nature enthusiasts. The town also showcases the rich cultural heritage of the Ada people through traditional festivals and offers water sports activities and comfortable accommodation options. Ada Foah provides a serene and memorable experience for nature lovers, adventure seekers and those interested in Ghana’s cultural heritage.

  • Abusua Pa Jigsaw Puzzle: Cultural Regalia (500 Puzzle Pi0eces) – Pre-Order

    Cultural regalia in Ghana holds deep significance as it represents the identity, traditions and heritage of different ethnic groups. It carries symbolic meaning, is worn during important ceremonies, and connects present generations to their ancestors.

    Cultural regalia preserves traditional craftsmanship, attracts tourism, and fosters community cohesion. It serves as a visual expression of cultural pride and plays a vital role in preserving Ghana’s rich cultural heritage for future generations.

  • Abusua Pa Jigsaw Puzzle: Cape Coast Castle (216 Puzzle Pieces) – Pre-Order

    Cape Coast Castle is a historic fortress located in the town of Cape Coast, a city in the Central Region of Ghana. It was built by the Swedes in 1653 but was later captured and expanded by the British in 1664. The castle played a significant role in the transatlantic slave trade and served as a major hub for the transportation of enslaved Africans to the Americas.

    The castle’s imposing structure, with its thick walls and cannons, served as a symbol of European power and dominance in the region. It was strategically positioned on the promontory overlooking the Gulf of Guinea, allowing for easy control and monitoring of maritime activities.

    Within the castle’s walls, enslaved Africans were held captive in cramped dungeons under inhumane conditions. The “Door of No Return” is a poignant feature of Cape Coast Caste, as it represents the final exit point for enslaved Africans who were forced onto ships bound for the Americas, never to return to their homeland.

    Today, Cape Coast Castle stands as a UNESCO World Heritage site and a museum, preserving the memory and history of the transatlantic slave trade. Visitors can explore the castle’s various chambers, including the slave dungeons, and gain insight into the harrowing experiences endured by millions of Africans during that dark period.

    Cape Coast Castle serves as a somber reminder of the atrocities committed during the slave trade and provides an opportunity for reflection and education about the important of human rights and social justice.

  • Abusua Pa Jigsaw Puzzle: Local Beads (216 Puzzle Pieces) – Pre-Order

    Local beads in Ghana hold immense cultural significance as they represent social status, ethnicity and heritage. They serve as visual language, conveying messages and symbolizing various meanings such as fertility, wealth, spirituality and social hierachy. Beads are integral to traditional ceremonies and rituals, bringing blessings and enhancing spiritual connections.

    They also contribute to Ghana’s economy through artisanal production and trade. Local beads have found a place in contemporary fashion while preserving Ghana’s cultural heritage and promoting cultural preservation. Overall, Ghanaian beads are an essential part of the country’s identity and play a vital role in communication, cultural expression and economic activities.

  • Abusua Pa Jigsaw Puzzle: Fort William (216 Puzzle Pieces) – Pre-Order

    Fort William, originally known as Fort Anomabo, is a historic fortress located in Central Region of Ghana. During the 19th century, under the command of Brodie Cruickshank, the fortress was renamed Fort William in honour of King Charles II.

    Constructed primariily using local resources, this remarkable stronghold earned the reputation of being one of the most splendidly designed and sturdily built fortresses along the coast.

    Throughout its existence, it served diverse purposes. Initially functioning as a rest house and a post office, Fort William underwent a transformation and was repurposed as a state prison, a role it fulfilled until 2001. Today, the fort has undergone another metamorphosis and currently serves as a community library, enriching the lives of the people of Anomabu. This conversation not only preserves its historical significance but also stands a a beacon of knowledge and learning within the local community.

  • Abusua Pa Jigsaw Puzzle: Fort Amsterdam (216 Puzzle Pieces) – Pre-Order

    Fort Amsterdam is a historic fort located in the town of Abandze in the Central Region of Ghana. It was built by the Dutch in 1638 as a trading post for gold and ivory, and later served as a slave trading station.

    The fort was strategically located on a hill overlooking the Atlantic Ocean, allowing the Dutch to have a clear view of incoming ships. It was also built with stone walls and cannons to protect against attacks from rival European powers and indigenous groups.

    During its occupation by the Dutch, Fort Amsterdam was an important center for the transatlantic slave trade, with thousands of Africans passing through its gates before being shipped off to the Americas.

    Today, the fort is a popular tourist attraction and a reminder of Ghana’s colonial past. Visitors can tour the grounds and learn about the fort’s history through exhibits and guided tours.

  • Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) – Pre-Order

    A Chief’s Dance in Ghana holds great cultural significance as a symbol of the chief’s authority, heritage and community unity. It preserves Ghanaian traditions and passes down ancestral knowledge. The dance has ritual and spiritual elements and honours ancestors and historical lineage.

    It showcases cultural identity and attracts tourists, promoting cultural pride and understanding. The Chief’s Dance plays a vital role in Ghanaian society, connecting the past with the present and ensuring the continuity of cultural heritage.

  • Abusua Pa Jigsaw Puzzle: The Black Star Square (216 Puzzle Pieces) – Pre-Order

    Independence Square, also known as Black Star Square, is a landmark in Accra, Ghana, with historical and cultural significance. It serves as the venue for Ghana’s Independence Day celebrations and features symbolic elements like the Independence Arch and the Independence Square Monument. The square is one of the world’s largest and can accommodate large gatherings. It has surrounding landmarks and is open to the public for recreational activities. Independence Square holds historical significance as the site where Ghana proclaimed its independence from British colonial rule in 1957. It stands as a symbol of national pride and hosts events that commemorate Ghana’s freedom.

    The soldier facing the Independence Arch in Ghana symbolizes the country’s struggle for independence and its emergence as the first sub-Saharan African nation to gain freedom from British colonial rule. The soldier represents the Ghanaian military’s dedication to protecting the nation’s sovereignty and symbolizes the courage and sacrifice of the people in their fight for self-rule. It serves as a reminder of Ghana’s commitment to preserve its independence, uphold values of freedom and democracy, and promote national unity. Overall, the soldier facing the Independence Arch represents the historical significance of Ghana’s independence, the contributions of the military, and the ongoing commitment to safeguard the nation’s sovereignty.

  • The Akan of Ghana: Aspects of Past and Present Practices

    The Akan of Ghana: Aspects of Past and Present Practices takes the reader through the ancestry of present-day Akan people – from the influence of ancient Egypt, through the ancient Empires of Western Sudan and into the forest belt of present-day Ghana. Comparative analysis of cultural practices (such as kingship and the royal setup, death, funeral rites, and family structures) between ancient Egypt and present-day Akan people are highlighted. The three elements that make up an Akan person – Blood, Soul, and Spirit – as well as the Akan family structure are elaborately treated, and a clear cultural distinction between an Akan family and clan is explained. Names and their appellations, signs and symbols, as well as some kente designs are highlighted in the appendices. Ultimately, cultural challenges of the Akan in the contemporary world are brought to the fore.

  • Peter Dagadu: Man of God

    Usually we know those men who have influenced church and nation only by reputation, as it were from the outside. In this book we have the rare privilege of seeing such a man at close quarters his childhood and schooling, how he came to Christ, the struggles and problems he went through in short, what made him the man of God he was.

    Though Peter Dagadu died so many years ago, there are thousands who knew him and who will find in this account the secret of a man they admired but did not always understand: To many others, both lay and ordained, the story of Peter Dagadu will prove a challenge to climb the upward path following in his footsteps.

    Peter Barker came to Ghana in 1956, after studying history and theology at Oxford, to work on the magazine New Nation, of which Peter Dagadu was a member of the advisory board. He later taught French and history at Okuapemman and La Bone secondary schools, and in 1961 began a two-year course of study for the London BD at Trinity College (then in Kumasi). After three years as pastor of Kaneshie Presbyterian Church and editor of Christian Messenger, he was seconded to the Christian Council as secretary of the Literature Committee and later manager of Asempa Publishers.

  • Amu the African (Children’s Edition)

    This is the children’s edition of the earlier book, Amu the African, A Study in Vision and Courage, written by Fred Agyeman. From this book, we can learn about the qualities of selflessness, originality, regard for Africaness etc. which characterised the life of this renowned Ghanaian educationist and reformist, Dr Ephraim Amu.

    The book seeks to inspire the youth to emulate the good example of Dr Amu – a personality who has influenced for good, many pupils and students in his 50 years of teaching.

    In this children’s edition, Fred Agyemang and Phanuel Nyaku have retold the story of Amu in simple, easy-to-read narrative form.

    This book is highly recommended for Ghanaian children to help them absorb some of the values we cherish from our traditional heritage as eminently exemplified in the life of Dr Ephraim Amu.

    Not since Dr Kwegyir Aggrey has any other Ghanaian influenced more positively the development of Ghanaian culture and pride in the African Personality than Dr Ephraim Amu.

  • Ahafo and the Bono Regions of Ghana: Accomplishment & Honours of ‘Brilliant Achievers’ (Hardcover)

    This book is a one-of-a-kind compendium of profiles of some distinguished citizens from Ahafo and the Bono Regions of Ghana. The book contains nuggets of inspiring biographical information that brings to the fore some men and women who have dared the oddities of life to challenge the debilitating issues of human existence.

    The book is a guiding light for young people to emulate many successful Ghanaians, some of whom had humble beginnings but braced the odds to emerge as champions in their respective callings.

    In addition, it is a must-read for professionals desiring to excel in their chosen careers and parents who want to inbue their children with a higher sense of confidence, patriotism and hope.

    The first section of the book covers the profile of eminent natives of the Ahafo and the Bono regions who have contributed significantly to the development of the nation in all sectors, including chieftaincy, banking and finance, trade and industry, hospitality, diplomacy and farming, among others.

    The second section talks about non-natives who had over the years also made a tremendous contribution to the regions and the nation while section three is a photographic presentation containing pictures of people such as female educationists, lawyers, ministers of state, regional ministers, sports personalities and some significant activities and events.

    Additionally, the book contains photographs of all the chiefs and queen mothers of the former Brong Ahafo Region before it was carved into three regions.

    It also has a six-page epilogue which contains the authors’ thoughts and also features all ministers of state who hailed from the regions.

  • My Footprints in Ghana’s Black Gold

    This memoir — part historical and part autobiographical — traces the author’s involvement with the final phase of petroleum exploration in Ghana, a journey that took over a century, beginning with the first onshore well in 1896. It has been a most interesting journey, with many twists and turns.

    In the early days of the existence of the Ghana National Petroleum Corporation, there were various myths and half-truths about the presence or absence of commercial quantities of oil and gas in the basins of the Ghana.

    • Nigeria was draining Ghana’s oil and that all that was required was for Ghana to buy powerful machines and begin to pump and drain her own
    • Ghana would never find oil until the gods of Nzemaland and the Volta Region had been pacified
    • The GNPC Model Production Sharing Agreement was too stringent on contractors

    A major seismic interpretation of the Cape Three Points sub-basin of the Western Region, in 1992, would turn out to be the watershed of this new brave phase of exploration in Ghana.

    The book was finally launched in Ghana in April 2022.

    Hopefully, going to the heart of the matter should help future generations of ordinary Ghanaians, politicians and explorationists understand what it took to make Ghana a petroleum producing country, just in case the country was afflicted by the “Dutch disease.”

  • My Name is an Address (Hardcover)

    Age Range: 8 – 12 years

    You are not lost! You are not alone! A GPS system navigates you to where you are going, but your name could lead to what you are looking for. What’s in a name?

    Ekuwah Mends uses the alphabet letters to answer that question. She opens a window into her family, history, culture, language, geography, and more. Look through Ekuwah’s actual family photos, Mother’s artwork, and Father’s artifact collection.

    My Name is an Address comes to life and touches your heart. Exit the story by finding your own Akan name. Also, return when you need to feel connected. Ultimately, be inspired to find your own address.

  • From Dar es Salaam to Bongoland: Urban Mutations in Tanzania

    The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.

    This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?

    As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.

    In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?

    This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

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