• The Mystery of the Haunted House

    This book was awarded a Burt Award for African Literature, Ghana 2010. The Burt Award for African Literature is a new literary prize that the recognizes excellence in young adult fiction from Africa.

    “He continued reading about the different methods of grafting, about how to cut and store and protect scions and what the best time for planting was. The light from the torch began to grow dim. Koku checked the time. It was almost midnight, he had been reading for almost two hours. He had to sleep now or he would never wake up on time in the morning for his lessons. He switched off his torch and turned unto his side still excited. He was dozing off when he heard a sound and sat up. He couldn’t exactly say what it was but heard it. He got out of bed and tiptoed down to the hall. A light glowed dimly from the family room. Was it TV? His parents forbade them from watching late night movies but occasionally he and Sena disobeyed them and sneaked downstairs anyway. But if it was TV how come there was no sound? He stuck his head round the wall. Sena was behind the computer, her fingers pecking at the keyboard quickly. What was she doing? And who was she chatting with?”

  • Nii and Me

    Age Range: 2 – 7 years

    Kitson-Mills Primary School students in Accra, Ghana, wrote about their grandfathers. Kathy Knowles created this story from their words.

    Nii and Me

    42.00
  • Scars of Love (Peggy Oppong Novel)

    All her businesses go bust, she suffers physical assault from city officials and loses devoted husband Dwamena. She has only a dream and an unflinching determination to succeed as she grapples with abject poverty while supporting four children. Caught in a cold, heartless city which has no place for losers, Assor is on a losing spree.

    With her back to the wall Assor has to make the toughest decision yet of her life: Give up her last and most treasured possession, all her four children, permanently to a wealthy couple.

  • Yebo, Jamela!

    Age Range: 4 – 7 years

    The second book by Niki Daly about this spunky little heroine.

    Christmas is drawing near and Jamela’s mother decides to go and buy a chicken from Mrs Zibi. If they feed it well, it will be nice and fat by Christmas time. Jamela accompanies her mother on the chicken-buying expedition and suggests calling the chicken Christmas. But by the time Christmas-day comes, Jamela has made a pet of Christmas. And as the ladies at the hairdressers where Jamela and her mother and Mrs Zibi fetch up after the “wild-chicken chase” all agree: one does not eat one’s friends!

    Yebo, Jamela!

    40.00
  • Kwajo and the Brassman's Secret - A Tale of Old Ashanti Wisdom and Gold

    Kwajo and the Brassman’s Secret – A Tale of Old Ashanti Wisdom and Gold

    Age Range: 7 – 12 years

    Kwajo’s father makes traditional small figures. One day, he makes him a little brass drummer who comes alive and transforms Kwajo into a land of proverbs and riddles. It is a land where the figures represent money, and the people are citizens in a powerful kingdom. Kwajo is tempted by riches but must first decode a series of riddles and symbols. He falls at the last test, but nonetheless learns an important lesson.

    The Brassman’s Secret won The Noma Award for Publishing in Africa 1982. It has become one of the most important children’s books in Africa, and has been translated into several foreign languages. This is a new edition appearing for the first time with full colour-illustrations.

    Price range: ₵30.00 through ₵55.00

    Kwajo and the Brassman’s Secret – A Tale of Old Ashanti Wisdom and Gold

    Price range: ₵30.00 through ₵55.00
  • No Sweetness Here and Other Stories (African Writers Series)

    In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.

  • Beyond the Horizon (African Writers Series)

    Gazing at her naked body in the mirror, Mara reflects on her transformation from naive Ghanaian village girl into a prostitute in a German brothel. Mara has been deceived by her husband, Akobi, into coming to Europe to find a “paradise,” but, as the truth about Akobi and her new life unfolds, she realizes she is trapped. The expectations of her family in Africa force her to remain, living a lie. As she fights back, she finds the revenge she takes can in no way compensate for her loss of innocence and lifetime exile from her homeland.This is a natural storyteller’s compelling and sobering account of the ruthless exploitation of women in Africa and Europe.

    Amma Darko was born in Tamale, Ghana, and grew up in Accra. After living in Germany, she returned to Ghana. Beyond the Horizon, first published in German, is Amma Darko’s first novel.

  • A Frog Named Korkoli

    Age Range: 7 – 10 years

    Korkoli lost his parents in a flood. He has lost his friends and is lonely, and he no longer has food to eat because the environment no longer supports the life of the tiny insects and worms that he feeds on. The frog named Korkoli talks about the filth in our environment and the need to keep our backyards, water bodies and gutters clean.

  • The Imported Ghanaian

    With her rose tinted glasses firmly in place, the Imported Ghanaian deluded herself, believing that she could simply waltz into Kotoka International Airport with a grin like the winning ticket in the national lottery, and the band would strike up whilst the jubilant nation screamed, “Akwaaba-o, akwaaba, our sister has returned back to us.” She returned home thinking she was as Ghanaian as any other and that she would fit in snugly with the skills of a chameleon. The reality proved otherwise as she plunged headfirst into the endurance test of living in Ghana, where nothing is ever what it seems. Layer by layer, as if peeling an onion, each ‘coming back home’ cultural reality weaves her through a world where you can never be too sure, where an invitation is not exactly an invitation, where you have to die to find out how popular you are, and where being a Ghanaian and being Ghanaian are often two opposing concepts.

  • Crossing the Stream

    Ato hasn’t visited his grandmother’s house since he was seven. He’s heard the rumours that she’s a witch, and his mother has told him he must never sit on the old couch on her porch. Now here he is, on that exact couch, with a strange-looking drink his grandmother has given him, wondering if the rumours are true. What’s more, there’s a freshly dug hole in her yard that Ato suspects may be a grave meant for him.

    Meanwhile at school, Ato and his friends have entered a competition to win entry to Nnoma, the island bird sanctuary that Ato’s father helped create. But something is poisoning the community garden where their project is housed, and Ato sets out to track down the culprit. In doing so, he brings his estranged mother and grandmother back together, and begins healing the wounds left on the family by his father’s death years before.

    And that hole in the yard? It is a grave, but not for the purpose Ato feared, and its use brings a tender, celebratory ending to this deeply felt and universal story of healing and love from one of Ghana’s most admired children’s book authors.

  • Treasure Hunt

    Age Range: 10 – 15 years 

    Confidence and Delali have no idea of the danger ahead when they decide to investigate the pit that has appeared in the Woli forest. Following clues, tracking down suspects, and cracking open an ancient riddle, the boys soon find themselves in the middle of a plot that threatens the life of their village. The two friends must now overcome their own fears and face the greatest challenge to befall their village—an evil treasure hunt that puts the very lives of the boys in danger.

    Treasure Hunt

    30.00
  • Omanye Aba (Ga)

    Omanye Aba literally meaning success or goodness begotten, is Ga language. This book elaborates and explains the deep customs, cultural and traditions practices of the Ga people of Greater Accra Region in Ghana. It certainly revives the dying Ga cultural practices which is diminishing among the Ga people due to flush migration of other tribes from the hinterland to Accra – the homeland of the Ga people – and as result the overwhelming number of Gas are inundated by these other tribes with their languages and cultural practices.

    It is a must-read book, which unveils the rich culture of the Ga people and their history.

    Omanye Aba (Ga)

    65.00
  • The Legacy (Winmat Senior Readers)

    Abora’s children feel their late father’s wealth rightly belongs to them, but Diako, Abora’s nephew, thinks otherwise. Meanwhile, what has happened to Abora’s will, written in the school exercise book with the red cover? Have there been strange hands working inside Abora’s safe since his death?

  • OCR Investment: Creative Arts for Primary Schools Learner’s Book 1

    This book is the first among a series of six books designed to develop learners at the Basic Schools’ creative and Innovative skills, critical thinking and problem-solving skills, collaborative and communicative skills.

    Creative Arts at the basic school has been structured through practical learner-engaged activities to engage learners to acquire, develop and express their feelings and emotions in different ways during the learning process for effective transfer of knowledge: vertically and horizontally.

    This book exposes learners to various aspects of Visual and Performing Arts; in drawing, painting, carving, music, dance, drama, etc.

    The activities and approach in this book, combined with its carefully selected pictures and illustrations are expected to make teaching and learning of the subject at the basic level easier and enjoyable for both teachers and learners.

  • Genuinely Ghanaian: A History of the Methodist Church Ghana, 1961-2000

    Genuinely Ghanaian is the fascinating history of the Methodist Church Ghana, from the time of its autonomy, 1961, to the year 2000.  This book shows how missiological issues of contextualization and outreach have shaped the history of the Methodist Church Ghana since the independence of Ghana from colonial rule. Ghanaians have accepted Methodism on their own terms and have reworked it to fit their needs. The Methodist Church Ghana has its roots in a Bible study group of Ghanaians, formed in 1831. Aided by British Methodist missionaries, the group developed over the next 130 years, until, in 1961, it gained autonomy from the British Methodist Conference. Central elements in the contextualization of this church include Ghanaian identity, Akan culture, and Methodist missionary theology. This book examines the evolution and consolidation of Methodism in Ghana from 1961 to 2000, highlighting in particular the contributions of the Fante people.

    “This book brings to the fore the dynamic contribution of The Methodist Church Ghana in respect of the development of the nation and people of Ghana. This volume represents a significant milestone in the study of the history of Ghana Methodism and fills a void in the scholarly literature in the area of Methodism in Ghana.  The work represents a magnificent contribution to the history of The Methodist Movement in Africa.” – The Most Rev. Prof. Emmanuel K. Asante, Presiding Bishop, The Methodist Church Ghana

    “It was a pleasure to know that at long last the task of updating The Roots of Ghana Methodism is in good hands. More important, it is in the hands of an Old Boy of Mfantsipim and the son of the Manse.” – F. L. Bartels, Former Headmaster of Mfantsipim and Author of The Roots of Ghana Methodism

    “Though African Christians make up a high proportion of the Church as a whole, comprehensive studies of African churches are far too few in number. Dr. Essamuah’s learned and readable account of a significant and in many ways representative contemporary African church is thus immensely welcome. May it be widely read and much emulated.” – Andrew F. Walls, University of Edinburgh and Liverpool Hope University 

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