• The Grass Ain’t Always Greener

    Age Range: 8 – 10 years

    Ababuo, a young boy from a small fishing village in Ghana, is overwhelmed with excitement when he sees a video in New York City. Ababuo’s journey to the boisterous island of Manhattan leaves him with a special appreciation for the small village he calls home.

  • Lives of Five Ghanaian Pioneers

    Age Range: 8 – 15 years

    In this piece of non-fiction from Adaex, readers learn about the biographical sketches of five great Ghanaian personalities.

  • Flashcards: 3-Letter ‘a’ (20 cards)

    This product introduces the child to his/her first words in English with focus on the phonic sounds.

    The selection of the words is meant to provide diversity in the words with respect to their first letter with most of them having short vowels to aid the child grasp the basics of phonics.

    The use of flashcards is most effective and even enjoyable when there is parental guidance.

  • Those Who Live in Glasshouses Should Not Throw Stones

    Age Range: 8 – 12 years

    Zinabu and six other dancers put up a splendid performance at the durbar grounds. Their dancing is so impressive that they are asked to perform again the next day. Amina is keen on being the lead dancer this time round, and so accuses Zinabu of missing her steps during the previous performance. She succeeds in convincing Madam Aisha, the drama and dance teacher that she can put up a better performance.

    It turns out that the next day, she messes up and the crowds are not impressed.

    Why would she criticize Zinabu, when she herself cannot dance?

    Indeed, those who live in glass houses should not throw stones.

    The stories in this series Idioms in Expression aim at giving children a better understanding of idiomatic expressions. Since these idioms form the main theme for the story, it becomes easy for the reader to understand the contexts within which such expressions should be used.

    Coupled with this learning experience are the exciting story lines which do not only portray the familiar African culture, but also provide a wide vocabulary for readers’ use.

  • Men of the South

    In Johannesburg three men’s lives revolve around one woman. Mfundo is a struggling jazz musician. All hope of ever becoming famous end when he gets into a macho fight with an international R&B artist. No one is keen to employ him any longer, and Mfundo takes the role of house-husband. But his girlfriend Sli is not willing to be the ‘man’ of the house. Mzilikazi is a gay man in a heterosexual marriage. One of the few people in his life who do not question the decision he makes is his best friend, Sli. Tinaye is a Zimbabwean struggling to gain citizenship in South Africa hence his current situation – underpaid and overqualified. The only way to gain citizenship is to marry Grace. But then he meets Sli…

    Men of the South

    135.00
  • The Deal: The Case of the Professional Lady

    An award winning investigative journalist is asked, “Who would you life to interview most?”

    “The devil,” he replies.

    He is told to be careful of what he wished for but he laughs if off until he finds the devil at the foot of his bed demanding an interview and inviting him to go undercover with him.

    The Deal is the first published novel of Uncle Ebo Whyte. It brings attention to the deficiencies of our human nature, the choices we make and how those choices affect us. With very vivid descriptions of scenes that establish a suspense-filled plot, readers are bound to enjoy a rich, imaginative experience so real and captivating with life-enriching nuggets for all.

  • The Perfect Couple: The Case of the Happily Married

    The Blanksons are a happily married couple seeking divorce. Confused? Good! The Perfect Couple is a captivating tale of how vulnerable even the most established relationships can be. Welcome to a literary feast as the storyteller, Ebo Whyte takes you where no reader has gone before.
  • Akpe (Bethel Revival Choir)

    Tracks in this album:

    1. Malorwo (I’ll love you)
    2. Fix It (Featuring Calvis Hammond & Pastor Eliot Lamptey)
    3. Yesu Akpe
    4. Ensuro (Fear Not)
    5. Agbadza Gospel Medley
    6. Yedawase
    7. Mawu ana
    8. Wodekako (Only You)
    9. Selah (The Lord’s Prayer)
    10. Ewe Hymn Medley
    11. Mawugbagbe/Halleluyah (Featuring Joe Mettle)
    12. Mawu Akpenawo (Featuring Eugene Zuta)
    13. Akpe
    14. Ava fia Kristo/Yehowa
    15. Ewe Praise Medley (Featuring Joe Mettle)
  • The River’s Power

    “I know that my country must have this dam,” Enyonam Agbeko said. “I am reconciled, though the land I farmed for forty years is now flooded. My father and my grandfather and even his father farmed that land before me.” He shook his head and swallowed quickly as if there were a lump in his throat. “But,” he continued, “I cannot look at this lake without crying.”

    A dam is built across the Volta River at Akosombo in Ghana. This historical novel tells, in absorbing detail, the background to the dam project, the intricacies of international funding, the problems of dam construction and the remarkable achievement of generating hydroelectric power. These are balanced against a human problem of the greatest magnitude and complexity – the resettlement of thousands of displaced people, flooded out of their ancestral homes by the resultant lake.

    The River’s Power is a book about the ideals of a people, about their aspirations, about their hopes, about their sacrifices and about their remarkable achievements.

  • Youth Activism in Modern Politics in Ghana

    In recent times, the restlessness in the Ghanaian youth is effervescing (as in Kenya, Nigeria and other flashpoints in Africa). In Ghana, this desperation finds expression in constant street protests and sit-ins. With increasing frustration about lack of job opportunities and bleak future, the compelling urge in the youth is to find ‘greener pastures’ elsewhere. This book examines four key Ghanaian youths, who, in recent times, have captured the headlines in Ghanaian politics. These are Kwame Bediako (also known as ‘Cheddar’), a presidential candidate; Oliver Mawuse Barker-Vormawor, a #FixTheCountry campaigner; Ernesto Yeboah, a student leader; and Mahmoud Jajah, a youth leader in the inner cities (otherwise known as the ‘Zongos’ in Ghana). Students of political science, research scholars and the general public, who are curious about the youth’s participation in Ghana’s politics, would find interesting and illuminating insights in this book.

  • When We Returned: From Chains to Crowns

    Generations scattered by the horrors of the slave trade yearn for a return. Now, a cosmic event beckons the African diaspora back to Ghana, the heart of the continent.

  • Someone Birthed Them Broken: Stories

    In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians’ today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family’s cocoa business afloat after his father’s unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she’s pregnant, he knows he has nothing left to give.

    Years later, that girlfriend’s son, Opoku Jr., now faces his own troubles, including his girlfriend Boatemaa, who (correctly) suspects he is sneaking around, and Amoafoa, the woman he’s seeing on the side. And there is John, who confides to his crush Baaba about a surprising encounter with a male friend over a game of FIFA; Baaba, who falls into a whirlwind romance with her professor that ends in violence; and their friend Ayeley, who is learning to accept pleasure after being raised to believe it is sinful.

    Diaka charts this constellation of interconnected lives in thirteen stories, exploring themes which run through the collection like a current: corruption and economic hardship, trauma and infidelity, shame, neglect, and the tribulations of the female body. In telling their stories, Diaka illuminates hope, freedom, and triumph that can be found in the everyday—the bonds between women, the joys of love and sex and art and dancing, the possibility of repair and redemption.

    Renowned for her spoken word artistry, Ama Asantewa Diaka demonstrates her lyrical brilliance in this emotionally rich work that unveils profound truths about her country, its inhabitants, and the universality of human experience.

  • Ajuba for President (SDG Changemakers Series)

    Age Range: 4 – 7 years

    Meet Ajuba who dreams about EVERYTHING. Well, one evening, she is watching the President on TV when she dreams of being president herself. Find out what President Ajuba does in this dream!

    In Ajuba for President, other SDGs are subtly referenced through the goals Ajuba wants to achieve when she becomes president. It also draws attention to the significance of teachers in a child’s life, as portrayed in the relationship between Ajuba and her teacher.

  • From Britain to Bokoor: The Ghanaian Musical Journey of John Collins

    Highlife, a popular West African genre, is easily the soundtrack to the life journey of the nation Ghana. And if there is one personality who has contributed the most to documenting it, it is Professor John Collins, a naturalized Ghanaian of British descent and a professor of music at the University of Ghana, Legon. Collins originally accompanied his parents to Ghana in 1952, when his father was setting up the philosophy department at the University of Ghana. Returning to Britain with his mother, Collins was educated in Bristol, Manchester and London, earning a science degree. He was also playing music and then he returned to Ghana in 1969 to study archaeology and sociology at the University of Ghana.

    Eventually he himself became an academic teaching and researching popular music. This book captures the life and music career of Collins. What makes him an enigma is his personal involvement on the road as a guitar playing member of concert party bands. His working relations with Fela, E.T. Mensah, Kofi Ghanaba, Victor Uwaifo, Prof. J. H. Kwabena Nketia and many legendary names in the music space of West Africa make him a legend in his own right. This is the story of a “white man” man who came to Africa to legitimize the place of highlife as consequential to world music

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