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Those Who Live in Glasshouses Should Not Throw Stones
Age Range: 8 – 12 years
Zinabu and six other dancers put up a splendid performance at the durbar grounds. Their dancing is so impressive that they are asked to perform again the next day. Amina is keen on being the lead dancer this time round, and so accuses Zinabu of missing her steps during the previous performance. She succeeds in convincing Madam Aisha, the drama and dance teacher that she can put up a better performance.
It turns out that the next day, she messes up and the crowds are not impressed.
Why would she criticize Zinabu, when she herself cannot dance?
Indeed, those who live in glass houses should not throw stones.
The stories in this series Idioms in Expression aim at giving children a better understanding of idiomatic expressions. Since these idioms form the main theme for the story, it becomes easy for the reader to understand the contexts within which such expressions should be used.
Coupled with this learning experience are the exciting story lines which do not only portray the familiar African culture, but also provide a wide vocabulary for readers’ use.
₵25.00 -
Men of the South
In Johannesburg three men’s lives revolve around one woman. Mfundo is a struggling jazz musician. All hope of ever becoming famous end when he gets into a macho fight with an international R&B artist. No one is keen to employ him any longer, and Mfundo takes the role of house-husband. But his girlfriend Sli is not willing to be the ‘man’ of the house. Mzilikazi is a gay man in a heterosexual marriage. One of the few people in his life who do not question the decision he makes is his best friend, Sli. Tinaye is a Zimbabwean struggling to gain citizenship in South Africa hence his current situation – underpaid and overqualified. The only way to gain citizenship is to marry Grace. But then he meets Sli…
₵135.00Men of the South
₵135.00 -
The Deal: The Case of the Professional Lady
An award winning investigative journalist is asked, “Who would you life to interview most?”
“The devil,” he replies.
He is told to be careful of what he wished for but he laughs if off until he finds the devil at the foot of his bed demanding an interview and inviting him to go undercover with him.
The Deal is the first published novel of Uncle Ebo Whyte. It brings attention to the deficiencies of our human nature, the choices we make and how those choices affect us. With very vivid descriptions of scenes that establish a suspense-filled plot, readers are bound to enjoy a rich, imaginative experience so real and captivating with life-enriching nuggets for all.
₵80.00 -
The Perfect Couple: The Case of the Happily Married
The Blanksons are a happily married couple seeking divorce. Confused? Good! The Perfect Couple is a captivating tale of how vulnerable even the most established relationships can be. Welcome to a literary feast as the storyteller, Ebo Whyte takes you where no reader has gone before.₵80.00 -
Akpe (Bethel Revival Choir)
Tracks in this album:
- Malorwo (I’ll love you)
- Fix It (Featuring Calvis Hammond & Pastor Eliot Lamptey)
- Yesu Akpe
- Ensuro (Fear Not)
- Agbadza Gospel Medley
- Yedawase
- Mawu ana
- Wodekako (Only You)
- Selah (The Lord’s Prayer)
- Ewe Hymn Medley
- Mawugbagbe/Halleluyah (Featuring Joe Mettle)
- Mawu Akpenawo (Featuring Eugene Zuta)
- Akpe
- Ava fia Kristo/Yehowa
- Ewe Praise Medley (Featuring Joe Mettle)
₵10.00Akpe (Bethel Revival Choir)
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The River’s Power
“I know that my country must have this dam,” Enyonam Agbeko said. “I am reconciled, though the land I farmed for forty years is now flooded. My father and my grandfather and even his father farmed that land before me.” He shook his head and swallowed quickly as if there were a lump in his throat. “But,” he continued, “I cannot look at this lake without crying.”
A dam is built across the Volta River at Akosombo in Ghana. This historical novel tells, in absorbing detail, the background to the dam project, the intricacies of international funding, the problems of dam construction and the remarkable achievement of generating hydroelectric power. These are balanced against a human problem of the greatest magnitude and complexity – the resettlement of thousands of displaced people, flooded out of their ancestral homes by the resultant lake.
The River’s Power is a book about the ideals of a people, about their aspirations, about their hopes, about their sacrifices and about their remarkable achievements.
₵70.00The River’s Power
₵70.00 -
Youth Activism in Modern Politics in Ghana
In recent times, the restlessness in the Ghanaian youth is effervescing (as in Kenya, Nigeria and other flashpoints in Africa). In Ghana, this desperation finds expression in constant street protests and sit-ins. With increasing frustration about lack of job opportunities and bleak future, the compelling urge in the youth is to find ‘greener pastures’ elsewhere. This book examines four key Ghanaian youths, who, in recent times, have captured the headlines in Ghanaian politics. These are Kwame Bediako (also known as ‘Cheddar’), a presidential candidate; Oliver Mawuse Barker-Vormawor, a #FixTheCountry campaigner; Ernesto Yeboah, a student leader; and Mahmoud Jajah, a youth leader in the inner cities (otherwise known as the ‘Zongos’ in Ghana). Students of political science, research scholars and the general public, who are curious about the youth’s participation in Ghana’s politics, would find interesting and illuminating insights in this book.
₵100.00 -
When We Returned: From Chains to Crowns
Generations scattered by the horrors of the slave trade yearn for a return. Now, a cosmic event beckons the African diaspora back to Ghana, the heart of the continent.
₵150.00 -
Someone Birthed Them Broken: Stories
In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians’ today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family’s cocoa business afloat after his father’s unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she’s pregnant, he knows he has nothing left to give.
Years later, that girlfriend’s son, Opoku Jr., now faces his own troubles, including his girlfriend Boatemaa, who (correctly) suspects he is sneaking around, and Amoafoa, the woman he’s seeing on the side. And there is John, who confides to his crush Baaba about a surprising encounter with a male friend over a game of FIFA; Baaba, who falls into a whirlwind romance with her professor that ends in violence; and their friend Ayeley, who is learning to accept pleasure after being raised to believe it is sinful.
Diaka charts this constellation of interconnected lives in thirteen stories, exploring themes which run through the collection like a current: corruption and economic hardship, trauma and infidelity, shame, neglect, and the tribulations of the female body. In telling their stories, Diaka illuminates hope, freedom, and triumph that can be found in the everyday—the bonds between women, the joys of love and sex and art and dancing, the possibility of repair and redemption.
Renowned for her spoken word artistry, Ama Asantewa Diaka demonstrates her lyrical brilliance in this emotionally rich work that unveils profound truths about her country, its inhabitants, and the universality of human experience.
₵160.00 -
Ajuba for President (SDG Changemakers Series)
Age Range: 4 – 7 yearsMeet Ajuba who dreams about EVERYTHING. Well, one evening, she is watching the President on TV when she dreams of being president herself. Find out what President Ajuba does in this dream!
In Ajuba for President, other SDGs are subtly referenced through the goals Ajuba wants to achieve when she becomes president. It also draws attention to the significance of teachers in a child’s life, as portrayed in the relationship between Ajuba and her teacher.
₵28.00 -
From Britain to Bokoor: The Ghanaian Musical Journey of John Collins
Highlife, a popular West African genre, is easily the soundtrack to the life journey of the nation Ghana. And if there is one personality who has contributed the most to documenting it, it is Professor John Collins, a naturalized Ghanaian of British descent and a professor of music at the University of Ghana, Legon. Collins originally accompanied his parents to Ghana in 1952, when his father was setting up the philosophy department at the University of Ghana. Returning to Britain with his mother, Collins was educated in Bristol, Manchester and London, earning a science degree. He was also playing music and then he returned to Ghana in 1969 to study archaeology and sociology at the University of Ghana.
Eventually he himself became an academic teaching and researching popular music. This book captures the life and music career of Collins. What makes him an enigma is his personal involvement on the road as a guitar playing member of concert party bands. His working relations with Fela, E.T. Mensah, Kofi Ghanaba, Victor Uwaifo, Prof. J. H. Kwabena Nketia and many legendary names in the music space of West Africa make him a legend in his own right. This is the story of a “white man” man who came to Africa to legitimize the place of highlife as consequential to world music
₵250.00 -
SeedTime: Selected Poems I
In memory of all the Ancestral Voices who prepared the field for our SeedTime…
SeedTime I brings together Selected Poems from Kofi Anyidoho’s first five collections, beginning in reverse order with poems from AncestralLogic & CaribbeanBlues (1993), A Harvest of Our Dreams (1984), EarthChild (1985), Elegy for the Revolution (1978), and BrainSurgery (1985). BrainSurgery, the earliest of these collections, was never published as a collection until it came out together with EarthChild (Woeli Publishing Services, 1985), even though several of the poems had appeared in various journals, magazines and anthologies.
SeedTime: Selected Poems I is a backward glance to those magical years of birth waters flowing across a landscape filled at once with danger and hope, with dying and rebirth in the mystery and miracle of new beginnings so soon after countless brushfires. But the doubt returns again so close behind the hope as we offer trembling prayers in new poems from an old loom: See What They’ve Done To Our SunRise. Yet, somehow, we must open our minds and souls to the Forever Promise of New SeedTimes. This world cannot, must not crumble under our watch.
“Quintessential Anyidoho…a harvest of the master craftman’s gems across time and space. SeedTime brings a refreshing newness to old songs, and, for new ones, a touch of creative genius we have come to associate with the poet’s pedigree; a timeless legacy of a poet-laureate, whose voice waxes even stronger in his twilight years.” − Mawuli Adjei, author, poet and literary scholar
“A collection of haunting poems in which we SEE the turbulent variety of our history, and HEAR the English language teased to express the many rhythms of the African’s eternal homesickness.” − Prof. A. N. Mensah, Department of English, University of Ghana
₵100.00SeedTime: Selected Poems I
₵100.00 -
12 Keys to Financial Success: A Guide to Financial Independence
12 Keys to Financial Success: A Guide to Financial Independence
₵85.00 -
The Black Star: The Autobiography of C.K. Gyamfi (Hardcover)
Over 60 years ago, Ghana’s national football team was rechristened Black Stars: a homage to the star in the middle of the Ghana national flag, a symbolic projection of black excellence.
Charles Kumi Gyamfi, the team’s founding captain, would later coach it to three Africa Cup titles. In his autobiography, written in collaboration with Fiifi Anaman, Gyamfi chronicles his seminal career. If this book reads like a history of Ghana football, then it probably is: C.K. Gyamfi and Ghana football are consubstantial, as rarely has a country’s football story been dominated by one man.
This is the story of the archetypal Black Star, whose pioneering achievements and expansive influence – on the pitch and from the dugout – changed a nation and impacted a continent.
₵200.00 -
Politics in Ghana (1982-1992): Rawlings, Revolution and Populist Democracy
This work was embarked upon as part of my study of military intervention in politics which had become the bane of politics in my country and Africa as a whole. My previous study had encompassed the period 1972-1979 (vide Politics In Ghana 1972 — 1979). The publication was well received and it won several awards. The book decried military rule in the hope that it would discourage military incursions in Ghanaian politics. As the 31 December Revolution unfolded, several friends impressed upon me, and I felt a deep obligation in the same direction, to capture and analyse the events of the time for posterity and for the guidance of my beloved country.
With the advent of the PNDC on 31 December 1981, revolutionary politics was launched, which was geared towards participatory democracy. The PNDC military government claimed that it was not just another military junta but that under the auspices of the military and civilian revolutionary leaders and cadres, the people were taking their destinies into their own hands towards the establishment of grassroots democracy. In the process, as the revolutionaries claimed, all injustices would be redressed, corruption would be eradicated and a new era of prosperity would dawn as “true democracy” was manifested.
My task in this work was to examine critically, the true nature of the PNDC, its composition, declared aims and objectives and whether the politics of revolution which dawned on 31 December 1981, could be justified. It was worthy to study and document whether the Defence Committees, District Assemblies, political and legal institutions of the PNDC, the regime’s human rights record, economic and social policies, responsibility and accountability to the populace, responsiveness in government and its electoral record did lead to a true democracy. The work is seen as a contribution towards answering the question: did the PNDC bring democracy to Ghana?
₵140.00