• When the Person Who is Called COVID Came

    For two years and beyond, the 21st century world experienced a near-apocalypse through the COVID-19 Pandemic.

    Millions of innocent people have died at the hands of an invisible, merciless plague of a killer.

    How have those of us, who have been left behind, coped? How do we even have the space to grieve? How did we adjust to the clichéd ‘New Normal’? How did our lives change? – Our love lives, our family lives, our work lives, our social lives, our faith, our health, our philosophies… How have we changed? How have Ghanaians changed?

    By experiencing this encapsulating Poetry Chapbook, you too can relate to the phenomena of COVID and the [Ghanaian] Woman, The COVID News of Emotions that we Haven’t Reported and The Universal Human COVID Experience, all through Apiorkor’s razor-sharp Verse Journalism and poetic spirit, in over twenty pieces of poignant poetry.

  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.

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