• Stones Tell Stories at Osu

    Stones Tell Story at Osu is a creative biographical account of the Slave Trade at Osu, one of the leading slave trading centres off the West African Coast.

    Wellington employs a metaphorical device through the voice of the narrator, Ataa Forkoye, to provoke discussion, dissolve the shame and confusion associated with the slave trade and to persuade the current generation of Africans to abandon the taboo of not speaking about it.

    Wellington, an architect by profession, does this by rummaging through the remaining physical ruins of the slave trade, picks up the stones one by one to construct a compelling narrative through the amalgam of values, conflicting colonial hegemony, layers of economic syncretism and the collision of cultures to bring to life the force of the relationship between the Europeans and their African counterparts.

    Stones Tell Story at Osu has brought together the untold “fragmented” pieces of the story of the slave trade this side of the Atlantic and serves as the missing puzzle to those who seek answers.

    Wellington’s rich narrative style still shines in this long-awaited second edition, a book that will tug at the curiosity of historians, anthropologists and students of English and Literature in high schools and universities alike and an engaging traveling companion that resists being laid down.

  • Alke-Bulan Duo and Heritage Tales from Santse

    “Alke-Bulan Duo” is an uncommon, classical novel – a historical fictional narrative of the saga of Two Ancient Africans, whose identities and personae were inspired by the intriguing Biblical account of Barabbas and Simeon of Cyrene. The saga of the Two is positioned in the historical settings of the 1st century AD and is recounted by Ataa Forkoyi, the legendary protagonist, to his audience of seven children of the Kerit Kids Klub at a campsite in the Accra Plains of Ghana.
    The novel’s foremost backdrop – an enveloping ambience of settings anchored in the epoch of ancient times and in varying geographical spaces, including Judea, stretching from North-East and North-West Africa (Pelusium, Alexandria, Apollonia and Cyrene), the Sahara Desert, Menroe, Sudan and Ethiopia, is juxtaposed to complementing contexts of explored realities of 19th and 20th centuries’ remarkable natural and cultural heritages of Ghana.
    The plot of the novel is lucid, but subtly woven and couched in varying intricate and intriguing circumstances and contexts that essentially frame the novel, characterized by exquisite historical allusions, sharp satirical inferences, fabulous natural history expositions and architectural analytical references, aligned with profoundly scholarly and philosophical reflections.
    The novel is a literary masterpiece, crafted in a non-pedigreed genre, full of fascinating nuances and spectacles, besides spiking the narration with conscious allusions to the significance of the role of the Black African race in human history, aspersions to the trans-Sahara and trans-Atlantic Slave Trades, employment of the poetic power of dualism, highlighting usage of Latin and Ga words in the text to accentuate the classical and cultural orientation of the novel.
    It is a novel that proclaims a robust and a compelling message of hope for Black African youth and children.

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