**Available from 20 June 2022

When the Catholic Church realized the itching urge to inject more African Culture in her Christian worship to revitalize the Liturgy and Mass in the 1960s, Mr. A.K. Younge, alias “Master Younge,” in a solo effort revolutionized the Roman Catholic Church musical scene by initially replacing the “Old Latin Hymns” with traditional tunes accompanied by African musical instruments. As his determination persisted, he found himself in the greatest imbroglio as some church elders and musicians cast insinuations for what they believed to be anti-Christ (Catholic). With much encouragement from his dear wife Catherine Afiwor Younge and full support by the Papal See in Rome, Master Younge delved deeper. He came out with many compositions and innovations that provided the foundation that seemed to meet the aspirations and expectations of the awakened African Catholicism in Ghana and the Keta Diocese.

If traditional African drums, bells, and rattles are heard in Catholic churches today in Ghana, we must, with all certainty and reverence, remember the efforts of Master Younge. He made it happen. His Era’s selected contemporaries also covered include: Adalbert Kodjo Mensah Tibu, Philip Gbeho, Emmanuel Gakpo Gadzekpo, Togbe Afiatsoa II: Mr. George Kwame Akordor, and Cornelius Kofi Doe-Williams (alias CK).