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Abusua Pa Jigsaw Puzzle: Local Beads (216 Puzzle Pieces) – Pre-Order
Local beads in Ghana hold immense cultural significance as they represent social status, ethnicity and heritage. They serve as visual language, conveying messages and symbolizing various meanings such as fertility, wealth, spirituality and social hierachy. Beads are integral to traditional ceremonies and rituals, bringing blessings and enhancing spiritual connections.
They also contribute to Ghana’s economy through artisanal production and trade. Local beads have found a place in contemporary fashion while preserving Ghana’s cultural heritage and promoting cultural preservation. Overall, Ghanaian beads are an essential part of the country’s identity and play a vital role in communication, cultural expression and economic activities.
₵450.00 -
Abusua Pa Jigsaw Puzzle: Fort William (216 Puzzle Pieces) – Pre-Order
Fort William, originally known as Fort Anomabo, is a historic fortress located in Central Region of Ghana. During the 19th century, under the command of Brodie Cruickshank, the fortress was renamed Fort William in honour of King Charles II.
Constructed primariily using local resources, this remarkable stronghold earned the reputation of being one of the most splendidly designed and sturdily built fortresses along the coast.
Throughout its existence, it served diverse purposes. Initially functioning as a rest house and a post office, Fort William underwent a transformation and was repurposed as a state prison, a role it fulfilled until 2001. Today, the fort has undergone another metamorphosis and currently serves as a community library, enriching the lives of the people of Anomabu. This conversation not only preserves its historical significance but also stands a a beacon of knowledge and learning within the local community.
₵450.00 -
Abusua Pa Jigsaw Puzzle: Fort Amsterdam (216 Puzzle Pieces) – Pre-Order
Fort Amsterdam is a historic fort located in the town of Abandze in the Central Region of Ghana. It was built by the Dutch in 1638 as a trading post for gold and ivory, and later served as a slave trading station.
The fort was strategically located on a hill overlooking the Atlantic Ocean, allowing the Dutch to have a clear view of incoming ships. It was also built with stone walls and cannons to protect against attacks from rival European powers and indigenous groups.
During its occupation by the Dutch, Fort Amsterdam was an important center for the transatlantic slave trade, with thousands of Africans passing through its gates before being shipped off to the Americas.
Today, the fort is a popular tourist attraction and a reminder of Ghana’s colonial past. Visitors can tour the grounds and learn about the fort’s history through exhibits and guided tours.
₵450.00 -
Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) – Pre-Order
A Chief’s Dance in Ghana holds great cultural significance as a symbol of the chief’s authority, heritage and community unity. It preserves Ghanaian traditions and passes down ancestral knowledge. The dance has ritual and spiritual elements and honours ancestors and historical lineage.
It showcases cultural identity and attracts tourists, promoting cultural pride and understanding. The Chief’s Dance plays a vital role in Ghanaian society, connecting the past with the present and ensuring the continuity of cultural heritage.
₵450.00 -
Abusua Pa Jigsaw Puzzle: The Black Star Square (216 Puzzle Pieces) – Pre-Order
Independence Square, also known as Black Star Square, is a landmark in Accra, Ghana, with historical and cultural significance. It serves as the venue for Ghana’s Independence Day celebrations and features symbolic elements like the Independence Arch and the Independence Square Monument. The square is one of the world’s largest and can accommodate large gatherings. It has surrounding landmarks and is open to the public for recreational activities. Independence Square holds historical significance as the site where Ghana proclaimed its independence from British colonial rule in 1957. It stands as a symbol of national pride and hosts events that commemorate Ghana’s freedom.
The soldier facing the Independence Arch in Ghana symbolizes the country’s struggle for independence and its emergence as the first sub-Saharan African nation to gain freedom from British colonial rule. The soldier represents the Ghanaian military’s dedication to protecting the nation’s sovereignty and symbolizes the courage and sacrifice of the people in their fight for self-rule. It serves as a reminder of Ghana’s commitment to preserve its independence, uphold values of freedom and democracy, and promote national unity. Overall, the soldier facing the Independence Arch represents the historical significance of Ghana’s independence, the contributions of the military, and the ongoing commitment to safeguard the nation’s sovereignty.
₵450.00 -
BBC World Service: Women Making a Difference – The Book of the English Language Teaching Radio Series for Africa
Women Making a Difference, a radio series and a book which explores the issues confronting women in Africa. It is a collaboration between the BBC World
₵60.00 -
From Dar es Salaam to Bongoland: Urban Mutations in Tanzania
The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.
This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?
As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.
In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?
This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.
₵130.00