• At Nineteen: Bracing the Odds of Teenage Pregnancy

    COMPELLING, REVEALING and HEART-WARMING, this is a memoir that will resonate with you forever.

    When a young teenage mother sets out on a lonely path to care for herself and her unborn child in an unfavourable environment, she manages to continue her education after the birth of her child, despite the loss of her father, who was her most important support system.

    She manages to give her child the best of everything with the support of family and a few close friends. But as fate would have it, the worst was yet to come.

    Hers is a tale of suffering and survival.

    A book that inspires strength and character through adversity and challenges in life.

  • Declamations of Century: Poetry for the Lovers and the Haters of Poetry

    Poetry is and must be the combination; the necessary union of music and prose, born before each, born from each, and the sacred core of each. The higher purpose of poetry is to express the truth artfully; To be the bridge connecting philosophy to art, logic to aesthetics, science to intuition, reason to emotion. And the poet must be, more so than the voice, the expression of the voice.

    Declamations of Century is a book of poems concerning ageless matters of existence and consciousness. Written with clarity of language as a priority, the poems in this book, despite the allusions and double meanings intrinsic to poetry, are each composed of language open to be understood and discerned by the common reader—Poetry should not be strictly exclusive to poets and poem enthusiasts. Just as truth benefits not only the seekers of truth, poetry should benefit and improve not only the seekers of poetry.

    The contents of Declamations of Century are scrupulously arranged, so to have you submerge gradually into contemplation. Even so, to make you buoyant in thought so you ascend in contemplation. And in so doing, appreciating the primary purpose of poetry and mind.

     

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • Names

    Adwoa (A-joa) comes home from school upset. Mom learns Adwoa’s name was mispronounced again, but this time in front of the entire school. Mom knows it is hard to say some names and even she, has struggled sometimes.

    Mom and Adwoa talk about what to do when someone says her name incorrectly. Thoughtful, kind people in the world will want to practice saying a name because behind that name is a real, breathing, living person.

    All proceeds will be donated to the R&F Foundation Ghana.

    Names

    70.00
  • Same Elephants

    Marjy Marj’s anticipated follow-up to The Shimmigrant is an enlightening, introspective, heartwarming novel about four friends from diverse backgrounds. Sasha Badu is an immigrant in search of a better life. After meeting Rakiya Muhammad, Jane Taylor and Aviva Schwartz at a political event, the four become fast friends. When Sasha and Rakiya are mistaken for trespassers, the friends embark on a quest to educate their community about the dangers of stereotyping.

    Same Elephants explores everyday relationships, the presumptuous nature of society and the ability to rise above prejudice.

    Same Elephants

    70.0085.00
  • Aya

    Okornore is a sorceress of words. And in the worlds she has created in this work, the reader is roller-coastered across places and spaces much deeper than the footprints she had splashed across cultures. The issues she scopes out are scheduled in a time capsule of infinite temporalities.

    Soul! is what screams at you when you journey through page after page of this delicious collection. From the heavenly to the banal, from the questions of our time to the quest of ages, Aya provides a sounding board for what it means to be human. These sweet verses, minted from the heart of a cosmopolitan citizen, secrete mystery and creativity

    Sometimes sassy, sometimes philosophical, Okornore nourishes the desire to read on and connect with a soulful source of erudition.

    Aya is a harvest of possibilities.

    Aya

    60.00
  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • The Kaya-Girl

    2012 First Place Burt Award for African Young Adult Literature Finalist

    “I’m Abena,” I said in Twi.

    “I’m Faiza,” she said in a language I would soon find out was called Dagbanli.”

    An accidental meeting in Accra’s bustling Makola market makes an impact that is to affect the destinies of two extraordinary young women. For Abena, the open-minded girl from a comfortable family, the meeting is an opportunity to learn about the culture of the other girl and to appreciate the dignity that we often fail to see in the lives of the underprivileged of our country. For Faiza, the eponymous Kaya girl, the encounter with the richer girl is to provide a joyful adventure in her otherwise harsh existence and provided the inspiration that will transform her life.

    The Kaya-Girl is a wonderful story, told with warm humor, about two young and confident people from vastly different Ghanaian worlds.

     

    The Kaya-Girl

    55.00
  • Mind Catcher – Hardcover

    Newsday called John Darnton’s Neanderthal “hair-raisingly believable” and The New York Times called The Experiment “complex and original [and] wholly engaging . . . a world where fiction pales before the unbelievable truth.” Now the Pulitzer Prize-winning journalist and author has done it again, in a story almost beyond imagining.

    New York City: A thirteen-year-old boy named Tyler lies in a hospital, his brain damaged in a tragic accident. By his bedside, his father stands helplessly, as two very different scientists take charge of the boy’s fate. One is a neurosurgeon, whose unorthodox experiments use computers to control a patient’s physical responses during surgery. The other is a researcher with experiments of his own, experiments so secret he can breathe them to nobody: his attempts to find the spark of human consciousness…and capture it forever.

    Together, they will produce a result beyond anything they could have conceived, sending Tyler far beyond the frontiers of medical science into an astonishing netherworld–a place no living person has gone before and from which one desperate person will try to bring him back….

    A spellbinding novel of science, technology, and the very stuff that makes us human, Mind Catcher is an unforgettable journey into the possibilities of the mind of man…and his soul.

  • Final Target – Hardcover

    The President’s daughter…
    The women determined to save her…
    The man with the power to betray a nation…

    Melissa Riley arrives at her sister’s isolated Virginia country home to find herself plunged into a deadly drama. There the renowned Dr. Jessica Riley is attempting to draw the daughter of the President of the United States out of a severe catatonic trauma. The last thing young Cassie Andreas saw was an organized team ruthlessly murder her nanny and the Secret Service agents sworn to protect her. But to free Cassie, Melissa and Jessica must trust a mysterious, charismatic man.

    Michael Travis made his fortune in the international underworld. He risked everything to save Cassie during that terrible night of bloodshed. And he has entered into a secret bargain with the President. But is his show of concern all a treacherous charade? Melissa and Jessica have no choice but to accept Travis as their ally—and to follow a dangerous plan that will lead them into the world of a killer who’ll destroy anyone standing between him and the…Final Target.

  • Faceless

    Street life in the slums of Accra is realistically portrayed in this socially-commited, subtle novel about four educated women who are inspired by the plight of a 14-year old girl, Fofo. As the main characters convert their library center into a practical street initiative, the novel invokes the squalor, health risks, and vicious cycles of poverty and violence that drive children to the streets and women to prostitution; and, from which, ultimately, no one in the society is free.

    Faceless

    55.00
  • Victims of Hope

    She grows up in a village in Ghana. Efia questions the things around her but she must learn to live with the rich but rigid culture.
    When she boards the flight to pursue a law degree at Harvard, little does she know what shocking punches life will throw at her in Boston. She returns home armed with a Law Degree, only to realize there is so much more to life in Africa, than her “book knowledge”.

    Efia falls for Big Joe. He is a great lover but he comes with great trouble. Is he also dating the only daughter of one of the wealthiest men in Ghana, the ruthless Alhaji Yusif?  Alas, Efia is already pregnant.

    Alhaji is not one to forgive… He does not.

    Ansah, Efia’s brother steps in with a plan. His sister does not deserve this.

    The yam that will burn, will burn boiled or roasted.

    Victims of Hope

    50.00

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