• Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

  • At Long Last

    *Available from 25 March, 2022

    Despite the challenges, Papa Koto and Mma Asibi take the hard decision. The move takes a wrong turn and Neri is forced to flee with his mother. With the family now apart, the future becomes uncertain. What will be the outcome?

    At Long Last

    50.00
  • Lagos to London

    A tale of two Nigerian students Remi Coker and Nnamdi Okonkwo from different backgrounds who leave the shores of Nigeria full of hope to further their education abroad. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

    The story follows their journey of newfound freedom, self-discovery, hope, unexpected turns, lessons, and the realities of life in the United Kingdom.

    Lagos to London

    85.00
  • The Madhouse

    A house brings two unique people together by the unlikeliest of chances. In their union, that of an almost priest and a prodigal daughter, two brothers whose bond transcend the laws of nature are born.

    André and Max have a seemingly blissful life until the boys start sharing dreams and their lives begin to unravel. Murderous thoughts, manic dreams, and their somewhat unbreakable wandering between reality and reverie, would lead them down unknown paths that threaten to severe their family ties.

    In this exhilarating and dreamy narration set against the backdrop of a tumultuous era of military rule in Nigeria, TJ Benson weaves a spellbinding tale about the clashes between cultures, the impact of fragile political situations on everyday people, and the lengths we are willing to go in order to save our loved ones. 

    The Madhouse

    135.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • The Shrinking Bowl

    Young girls in Ghana confront a challenging socio-economic environment. This novel is the story of one such girl’s life-journey, from childhood to middle-age, and the lessons of this journey. It is a sequel to the author’s first novel, Journey.

    “A delightful lifeworld weighted with history and almost untouched in African fiction…a world whose veneer of simplicity belies its tangled dark underbelly. The novel deftly combines the solace of familiarity with a mystery of memory and intimacy…quirky and endearing.” – Professor Helen A. Yitah, Dean, School of Languages, University of Ghana (UG) and Honourary Secretary, Ghana Academy of Arts and Sciences; former Head, Department of English, UG

    “This book is a tour de force of its genre; a journey of discovery through a cultural landscape in a fascinating part of Ghana. Difficult to put down even at the end.” – Nana Kwasi Gyan Apenteng, Communications Consultant; former President, Ghana Association of Writers

  • Maame

    In Aakonu, a small village on the coast of Ghana, life is a constant tussle between the reality of the mundane and the superstitions presided over by the local priestess. In this setup, girls in their puberty can only look forward to marriage—often to men old enough to be their fathers and already with other wives. Ahu, a young widow of eighteen, has no choice but to marry an older relative. What she does will change girls in her lineage forever. Through these beautifully told, lyrical stories about herself, her daughter Bomo, the beautiful but tragic Ebela, and the childless Aso, and others, Ahu introduces us to her community, and the beliefs and customs that keep its families together but in the end also stifles its girls futures.

    Maame

    38.00
  • Danger Express (Pacesetters)

    Where was he now? he (Ishmael) wondered…

    Gradually his mind began to clear…Slowly he started to put the shattering events of the recent past into place.

    There was something important he had to do. Had to…

    The lives of several important heads of state, VIPs and many others including children and the loveable Tom are in the balance. And time is running out for Ishmael.

  • Too Cold for Comfort (Pacesetters)

    A young man marries a beautiful girl but this is not, as you might think, the happy ending to our story. Hannah is obsessed by Christian ideals of morality and purity and this leads to conflict and unhappiness. Events take a tragic turn before Hannah is brought to her senses.

  • ADZE

    When Selase and other abnormals are freed from their imprisonment in The Facility, her life spirals out of control. She must navigate through an alien environment that brims with strange and powerful forces. These forces have one mission: to see Selase and her kind dead. With assistance from a traditional priest, she realizes that she has a mission to change the world. Together with her friends (Adobea, Elikem and Esinu), she begins a journey of self-discovery that is frightening and exhilarating at the same time.

    ADZE

    60.00
  • Secrets of Scandals

    It is not every day that one is transported into the social settings of 100 years ago. Add the intrigues of illicit affairs within inner family circles and one has in hand a historical high-society thriller that hooks the reader from page one. Set in the British colony of the Gold Coast, the novel drips with nostalgia and is richly flavoured with African customs of the Ga tradition.

    In the world of this fast-paced book, patriarchs run the family like a corporate. At the heart of affairs is how the professions and indigenous businesses tapped into colonial connections. Secrets of Scandals is an expedition into the genesis of how the nation’s movers and shakers built their national fortunes and brokered their private shame.

  • Victims of Hope

    She grows up in a village in Ghana. Efia questions the things around her but she must learn to live with the rich but rigid culture.
    When she boards the flight to pursue a law degree at Harvard, little does she know what shocking punches life will throw at her in Boston. She returns home armed with a Law Degree, only to realize there is so much more to life in Africa, than her “book knowledge”.

    Efia falls for Big Joe. He is a great lover but he comes with great trouble. Is he also dating the only daughter of one of the wealthiest men in Ghana, the ruthless Alhaji Yusif?  Alas, Efia is already pregnant.

    Alhaji is not one to forgive… He does not.

    Ansah, Efia’s brother steps in with a plan. His sister does not deserve this.

    The yam that will burn, will burn boiled or roasted.

    Victims of Hope

    50.00
  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Silhouettes of a Treasured Heritage (4th Edition)

    Silhouettes of a Treasured Heritage is a fictional narrative, which examines the consequence of being a person of racially mixed parentage in our world today.  It is a thrilling and critical appreciation of such experiences as told by Miranda the heroine; experiences that will be familiar to many people of similar background.

    The novel uniquely and passionately explores issues from both sides of the racial divide. The novel challenges stereotypical perceptions about power and influence, about love and hate.

    It is a story of healing, of hope and of promise for a racially divided world.  Miranda, in Silhouettes of a Treasured Heritage, takes the reader through her life in Britain, Ghana and the USA. “Am I black or white”, Miranda constantly asks herself.   Silhouettes of a Treasured Heritage is a powerful narrative and compelling guide for persons of mixed-race origins embarking on a search of their ancestral routes.

  • Asuoyaa by Train

    Nyameba, a twelve-year-old boy, had barely two months to write his Common Entrance Examinations. He relocated from his parents’ home to stay with his auntie after his mother travelled out of the country. It was difficult coping with his new environment which, to him, was a bit harsh. He fell into trouble and ran away from home to escape punishment. The main Accra train station became his haven.

    There, he met Ato, a young boy of his age who lost his family through the famous Asuoyaa train disaster and now lived at the train station. He made a living as a head porter. Nyameba joined his new friend in the trade just to survive. Sisi, one of the market women he worked for, offered to travel with him on the train to Asuoyaa.

    His encounter on the journey, his stay in Asuoyaa and the tragic moment he experienced on his return to Accra, transformed his life for good.

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