• Mine Boy (African Writers Series, AWS6)

    When Xuma move to Johannesburg he is a naive country boy, but the impact of harsh city life awakens him to the new ways and values of  radically different world. His vision of a ‘man without colour’, a raceless society, is shattered by the realities of his underprivileged existence.
    First published in 1946, this novel was one of the first books to expose universally the condition of black South Africans under a white regime. Abrahams’ forceful but restrained images of discrimination in the gold mines, the appalling housing and Xuma’s simple, humanitarian act of defiance, struck a chord around the world. Mine Boy has remained a central influence on South African fiction for over fifty years.
  • A Man of the People (African Writers Series, AWS31)

    As Minister for Culture, the Honourable M. A. Nanga is ‘a man of the people’, as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ‘eat-and-let-eat’ atmosphere, Odili’s idealism soon collides with his lusts – and the two men’s personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.

  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

  • The Boy In Love

    In what could’ve been love or infatuation, his life rose and sunk from as early as 6 years old. His life from that point on was about who loved him and who he loved: to study, eat, dream, make friends, to excel.

    Yes, why would he eat, study or excel at anything when he has had a broken heart or is deeply satisfied with an affection for a certain girl?

    30 years on and looking at Rebecca now, he can finally and clearly tell what he felt then to now. He sees beyond feelings. He sees his capacity to provide for a woman; to understand them and care for them; to reason with them and plan a life worthwhile. And he sees it not in gruesome years of waiting (amidst the impatience) but just a decision away.

    The joy to finally marry in love and with the loved was abounding. But his fear of the emotional turmoil of his past made him doubt his capacity to love and cherish this woman so.

    Only if he had had patience…

    Only if he had waited…

    Only if he had talked to someone…

    The Boy In Love

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  • The Wizard of Asamang

    In The Wizard of Asamang, Asare Konadu presents a lasting picture of Ghanian society in the rural area welded together by love, humored innocence and gaiety. The strange events and places in the hero’s young mind are recorded realistically combining inventive imagination with technical sills.
  • A Woman in Her Prime (African Writers Series, AWS40)

    A young woman makes that all-important rite of passage from adolescence to adulthood. However, her early adult life is marred by childlessness in a society that places a great premium on children and motherhood as the ultimate mark of womanhood.
  • Ordained by the Oracle (African Writers Series, AWS55)

    Boateng, a prosperous trader in Elmina, has the beginnings of disbelief in the old customs. His wife dies suddenly and he is put through forty days and forty nights of rituals. The conflicting strains of emotion on social behavior are vividly shown by this practised writer.
  • The ‘Coup’ Makers

    Engaging, moving, and very effective, this is the diary of a thirty seven year old widow whose record of the coups through thirty years of independence remains as fresh and immediate as when the author first experienced them. Usually frank, it represents a vivid and convincing picture of the day to day suffering of the people in coups and recaptures the grim atmosphere of the hard and bitter struggle.
  • The Return of the Falcon

    Drobonso stands at the crossroads. The paramountcy and the chief priest, custodian of the traditional and cultural customs of the state are entangled.

    The emerging Christian churches misconstrue the reasons for enactment and consolidation of these ancestral relics.

    In the ensuing struggle, the writer presents an exposition on the rather “Primitive” values of our tradition and the effect of modernization on our society.

    The narrator explores memories and engages the reader in dialogue.

  • Anthills of the Savannah (African Writers Series)

    Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love – and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to.

    Anthills of the Savannah (1987), Achebe’s candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.

  • Things Fall Apart (African Writers Series, AWS1)

    Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy.

    Chinua Achebe’s stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe’s landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.

  • Tales from Different Tails

    If anyone can paint a vivid image with words, breathe life into a collection of alphabets, create a vivid imagination in one’s mind with intricately and well woven tales brewed in the Ghanaian soot-coated aluminium cooking pot, then it is Nana Awere Damoah.
    This collection of short stories is an embodiment of class, style, humor, sarcasm, truth, knowledge, religion, self-realization and inspiration.
    Tales from Different Tails is a must-have book for every literature addict, anyone looking for a new lease of life in African literature and the general reading populace.
  • The Step-Monster

    Everyone knows stepmothers are bad, wicked and just plain evil. Buerki Puplampu cannot believe that her widowed father is getting remarried when her mother has not even been dead for long! She just knows that Naadu Nartey is wrong for her father. It isn’t even because Naadu is bigger than a hippo or because she laughs like a cow or has hair on her face and chest like a cavewoman. She just knows. Some people call that feeling intuition, some call it superstition, soem even say it’s a gift. Call it what you want but Buerki’s gut feelings have never failed her. She vows to do everything in her power to save her younger brother and herself from the fate she knows is awaiting them. They will not be maltreated or abused by this new woman. She will make sure of it.

  • Taking A Stand (The Judacan Adventures 6)

    When a secret is uncovered, Nagela is angry enough to want payback. She wants the offender to feel her anger and humiliation but is revenge her answer?

    Dorm mate Joy, on the other hand, is doing all she can, to make a difference until she lets the feelings of others railroad her away from focus.

    Both girls are taking a stand but for what? The girls are back…

  • Back to School (The Judacan Adventures 5)

    It is the stand of a brand new year and the commencement of the second term. The girls are excited to return to school (most of them anyway). They are red up; new classes to attend, extracurricular activities to engage in, seniors to outwit and teachers to please.

    They can't wait to share all their holiday experiences with their mates; and who is the new girl in St. Frances Dorm 6?

    Judacan girls are going 'back to school' and banking on an eventful term.

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