• Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • In His Journey to Fame

    “In His Journey to Fame” is a captivating story set somewhere in Africa, where polygamy is a rule, making male children kings is a law and patrilineal inheritance is a norm. It is the first of the trilogy that include ‘Pastors on the Move” and “When women go crazy”.

    A young prince is born into a family of nine adult princesses, who also have ambitions to ascend the ultimate crown when their father dies. Ably supported by their mothers, these princesses hatch snares for the young prince in order to eliminate him.

    The struggles, trauma, hardships, treachery, deceit and death are beautifully mace and put in a matrix where both the King and the heir apparent died in the process, leaving the nine princesses to battle it out with the young daughter of the prince in their quest to occupy the powerful stool.

    In the end it is an all women affair to break the rules, laws, norms and finally tradition.

  • My Nightmare

    2018 CODE Burt Award for African Young Adult Literature Finalist
    “As the taxi drove past shacks, shops and buildings; past familiar homes and friends’ stores; past the salon where I was learning to become a hairdresser; past the spot where I sold waakye with Ima; more tears rolled down my cheeks. Zongo was a slum and was notorious for its filth, criminality, and deprivation; yet, this was where i was born. This was home for me. This was where most of my friends were. Whereas people in other parts of Accra saw filth and degeneration in Zongo, I saw love, hope, and beauty. I knew all the good people in Zongo and they were more than the ‘bad’ people I knew. I knew the honest hardworking people in Zongo, many of whom moved from the North to the South in order to build good lives for their children. People like Baba and Ima who left their birth place to come to the South so that their own children would have a good future. Where others saw Zongo as a den of thieves, I saw it as a safe haven. Nobody in this world could man handle me as long as I remained within the safety of its womb.”

    My Nightmare

    38.00
  • Shakespeare’s Hamlet

    This edition is unabridged and suitable for SHS level. Comes with notes and important questions and answers.

    One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.

  • The Legend of Aku Sika – A Play

    Nanayere Ama accuses her husband the King of disrespecting her, his ancestral throne and the gods, because he plans to marry Aku, a maiden who is short of a limb. The King denies this allegation of deformity in Aku, and so he is asked to summon the young women before the townsfolk to reveal her arm. He will be dethroned in disgrace if it is true and Nanayere will lose her life if Aku is not deformed.

     

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • The Marriage of Anansewa – A Play

    Anansewa: As for some old chief with fifty wives, that won’t do at all.

    Ananse (with cunning): Supposing it isn’t some old chief but the finely built, glowing black, large-eyed, handsome as anything, courageous and famous Chief-Who-is-Chief?

    Ananse the cunning spider man is the hero of countless Ghanaian legends. But this Ananse gets entangled in his own web of deceit when his scheme to get rick quick backfires, and disaster stares him in the face. The only way out is for his daughter to die…

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including Edufa.

  • Executive Hallucination

    The Ultimate Crime: Ghana’s hard-won reputation as the bedrock of democracy in a sub-region gone mad is threatened by a hallucinatory Chief of Staff who holds the ultimate hostage – the President of the Republic of Ghana. The entire security apparatus is helpless – unless they found someone with the requisite experience to infiltrate the heavily guarded Castle, thwart the dreaded 4th Battalion of Infantry, and break a sick President out.

    The Ultimate Madness: West Africa had gone mad again. Coups and counter-coups prevailed from North to South. Civil wars ran like wild fire from East to West. Everywhere was a bloody abattoir. In Liberia, the foolishness was perhaps, even more so. In the thick of that madness, a young medical student, seemingly not smart enough to comprehend the extent of the danger, arrive from Ghana. His one motive is the rescue of his twin – and anyone else smart enough to come along. Moving against time itself, bloodthirsty cannibals and the invasion of Libyan-trained rebels, he finds his family but there is no sister.

    The Ultimate Score: Dr. Alexander J. Cattrall wants no part in the fracas between Ghana’s National Security Agency and a Chief of Staff who has suddenly declared himself President. But he takes extraordinary exception to the abduction of his twin sister. It is now time to settle a 23-year old score and help the country fulfil its vow to resist oppressors’ rule.

  • The Night Manager (Penguin Readers Level 5)

    Age Range: 12 – 17  years

    Jonathan Pine is the Night Manager of a hotel in Egypt. When he is shown some secret information, he passes it to a man in the British government. But things go wrong and the woman he loves dies. Pine is very angry and agrees to work with others to catch Roger Roper – the “worst man in the world”.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Night Manager, a Level 5 Reader, is B1 in the CEFR framework. The text is made up of sentences with up to four clauses, introducing present perfect continuous, past perfect, reported speech and second conditional. It is well supported by illustrations, which appear regularly.

  • Frankenstein (Penguin Readers Level 5)

    Age Range: 12 – 17  years

    Victor Frankenstein wants to make his own creature from stolen body parts. But when the creature is finished, Frankenstein is shocked by his creation and runs away. Lonely and angry, the creature plans to kill his maker and all the people that Frankenstein loves.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Frankenstein, a Level 5 Reader, is B1 in the CEFR framework. The text is made up of sentences with up to four clauses, introducing present perfect continuous, past perfect, reported speech and second conditional. It is well supported by illustrations, which appear regularly.

  • The Kissing Booth (Penguin Readers Level 4)

    Age Range: 12 – 17  years

    Elle has one more year of high school left and she has never been kissed. When she decides to make a kissing booth for the school carnival, she kisses Noah, her best friend Lee’s brother, and her life changes. But Noah is older than Elle, and Lee will not be happy. Will Elle listen to her head or her heart?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Kissing Booth, a Level 4 Reader, is A2+ in the CEFR framework. The text is made up of sentences with up to three clauses, introducing more complex uses of present perfect simple, passives, phrasal verbs and simple relative clauses. It is well supported by illustrations, which appear regularly.

  • Women Who Changed the World (Penguin Readers Level 4)

    Age Range: 12 – 17  years

    These are the stories of some of the women who changed our world. Read about the women who fought to be equal to men, and learn about the things that women have done in education, science, sport and politics.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Women Who Changed the World, a Level 4 Reader, is A2+ in the CEFR framework. The text is made up of sentences with up to three clauses, introducing more complex uses of present perfect simple, passives, phrasal verbs and simple relative clauses. It is well supported by illustrations, which appear regularly.

  • Wonder (Penguin Readers Level 3)

    Age Range: 12 – 17  years

    August Pullman has been home-schooled all his life. Now he is starting fifth grade at a New York City middle school. He doesn’t want to draw attention to himself, but that isn’t easy when he looks like he does.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Wonder, a Level 3 Reader, is A2 in the CEFR framework. The text is made up of sentences with up to three clauses, introducing first conditional, past continuous and present perfect simple for general experience. It is well supported by illustrations, which appear on most pages.

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