• Against the Odds: A Novel

    Young Kwaku Obeng, falsely accused of a crime, comes to Accra to seek his fortune and find a means of clearing his name.

    Homeless and penniless, virtually alone in the world, he strives against the odds in a world that owes him no favours. Will he be able to achieve his dream of becoming a medical doctor? Will his tarnished image be restored?

    Will he ever be able to go home again?

  • Unexpected Joy at Dawn

    Unexpected Joy at Dawn received a commendation in the Best First Book Prize, Africa Region, of the Commonweath Writers Prize.

    ‘Fifteen years ago’, Mama said, starting her story, ‘I came to Lagos from Ghana. I came to Nigeria because I was considered an alien in that country. The government of Ghana passed a law asking all aliens without resident permits to regularise their stay in the country. You see, my great, great grandparents had migrated to Ghana several years before, and regarded Ghana as their home…as for the reason possibly, it was because the opposition party then had hyped to monstrous heights that aliens were ruining the country; or the government of the time…blamed their failure to do things right on us ‘alien’ scapegoats… It was difficult to start life all over again, and even more difficult to learn that we were unwanted in a country we had come to regard as our own.’

    This story of migration, identities and lives undermined by cynical and xenophobic politics pushed to its logical and terrible conclusion pertains to the Ghanaian orders of ‘alien compliance’ issued in 1970-1971, which was designed to force all non-ethnic Ghanaians, so called illegal immigrants, to return to their – so stipulated – ‘home’. the novel thus touches on concerns of deeper relevance to the politics of race and migration in the twenty first century.

  • The Green Sunset (Peggy Oppong Novel)

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    Her father deserted her when she was a baby and her mother, who scratched and scraped to put clothes on her back, was brutally murdered when she was a teenager. By the age of 21, Larley, the much sought-after beautiful lady, had it all – power, wealth, position and fame plus the one gift everyone coveted: Her ability to accurately foretell the future. This earns her several friends and foes.

    Larley predicts an unusual spectacle of green sunset and along with it a dramatic change in several people’s fortunes. The fulfillment of this prediction sets in motion a series of events, which leaves everyone gaping.

  • Serwa Akoto’s Diary

    Take a peek into the secret diary of the smart, sassy but somewhat unpredictable Serwa Akoto, as she seeks to blend her Ghanaian heritage and her Canadian lifestyle…without giving up either one. Can this self-proclaimed ‘Goddess of Fine’ truly have it all?
  • Leaving Time

    For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts.

    As Jenna’s memories dovetail with the events in her mother’s journals, the story races to a mesmerizing finish.

    Leaving Time

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  • Meɖe Ablotsidela (Ewe)

    This play is about the difficulties of two lovers eager to get married. Dadzi, the principal character, is a young man just back home from Britain with a university degree. He has a lucrative job and is well placed in society. He falls in love with Esinam, the well-bred daughter of a devout but stiff minister of religion. The preacher, at first, would have none of Dadzi’s advances to his daughter because he considered the suitor too unreligious. Later, however, he had cause to revise his opinion and later sanctioned the union.

  • Anu Gbaa Ajo Egbe (Igbo)

    Ositadimma Amakeze has been heralded as the modern-day Achebe.

    Anụ Gbaa Ajọ Egbe… (fable)is a contribution towards promotion and preservation of folktales as tradition in Igbo land. Let the title, which at the first looks controversial, not deter you, for where there’s Tortoise they are limitless possibilities. Remember, it was he, who chose to be addressed as “Unu dum” when he joined a flock of birds to a feast in heaven. You better see why he is the Nkpọnkpọ kpọkịrịkpọ, one of a kind that no other animal is capable of begetting but she Tortoise herself!

    The novel documents the adventures of Mbekwu, the tortoise who is regarded as the trickster in Igbo folklore – equivalent to Ananse in Twi lore or the Coyote in Native American lore.

  • Les Cagoulés Du Campus

    Nous vivons tous dans un monde où les réalités menant à notre épanouissement nous sont défavorables. Mais une chose paraît aussi incontestablement sûre et évidente. C’est qu’en réalité, les grandes réalisations de ce monde ont vu le jour grâce à des humains audacieux et les grandes légendes qu’elles soient d’hier ou d’aujourd’hui ont une chose en commun:un début minable. Aucune icône n’est née telle, sans être passée d’abord sous le crible de l’essai, de l’échec et enfin de la persévérance.
  • African Violet and Other Stories: The Caine Prize for African Writing 2012

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    The 2012 collection includes the five shortlisted stories and the stories written at the Caine Prize Writers’ Workshop.

    These fifteen stories show yet again the richness and range of current writing on the continent. They underline the primacy of the short story, with its oral antecedents, at the very heart of African literature.

  • Lusaka Punk and Other Stories: The Caine Prize for African Writing 2015

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A blind girl makes a pilgrimage to Lagos in search of faith-healing miracle… A boy in a children’s home discovers the truth about his origins… In apartheid Johannesburg, an Indian insurance agent is honoured by his white bosses but his wife feels more than a little uneasy…

  • The Daily Assortment of Astonishing Things: The Caine Prize for African Writing 2016

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A man accused of sexual harassment tells the bizarre tale of the Life bloom gift, which is accessed through the moles on pe ople’s skin… In the late 21st century a mathematical formula has been discovered that allows a few gifted people to relieve others of their grief – but at what cost?

    The shortlisted writers include Abdul Adan (Somalia/Kenya), Lesley Nneka Arimah (Nigeria), Tope Folarin (Nigeria), Bongani Kona (Zimbabwe), and Lidudumalingani (South Africa).

  • The Goddess of Mtwara and Other Stories: The Caine Prize for African Writing 2017

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A girl raises a baby made of human hair from the salon where she works, with unpredictable results… A prodigal brother arrives at his sister’s in the dead of night, ravaged by the unearthly deal he made to escape his gambling debts…

    The shortlisted writers include: Gods Children are Little Broken Things by Arinze Ifeakandu (Nigeria); The Story of the Girl Whose Birds Flew Away by Bushra al-Fadil (Sudan), translated by Max Shmookler; Bush Baby by Chikodili Emelumadu (Nigeria);Who Will Greet You at Home by Lesley Nneka Arimah (Nigeria); The Virus by Magogodi oa Mphela Makhene (South Africa). The collection also includes stories written by the following authors at the workshop that took place in Tanzania: Last years winner, Lidudumalingani (South Africa), Abdul Adan (Somalia/Kenya), Lesley Nneka Arimah (Nigeria) Tendai Huchu (Zimbabwe), Cheryl Ntumy (Botswana/Ghana), Daniel Rafiki (Rwanda), Darla Rudakubana (Rwanda), Agazit Abate (Ethiopia).

  • Redemption Song and Other Stories: The Caine Prize for African Writing 2018

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    This collection brings together the five 218 shortlisted stories: American Dream by Nonyelum Ekwempu (Nigeria); The Armed Letter Writers by Olofunke Ogundimu (Nigeria); Fanta Blackcurrant by Makena Onjerika (Kenya); Involution by Stacy Hardy (South Africa); Wednesday’s Story by Wole Talabi (Nigeria).

    It also includes 12 stories written at the Caine Prize Writers’ Workshop, which took place in Rwanda in April 218: No Ordinary Soiree by Paula Akugizibwe; Tie Kidi by Awuor Onyango; Calling the Clouds Home by Heran T. Abate; America by Caroline Numuhire; All Things Bright and Beautiful by Troy Onyango; Departure by Nsah Mala; Where Rivers Go to Die by Dilman Dila; Ngozi by Bongani Sibanda; The Weaving of Death by Lucky Grace Isingizwe; Redemption Song by Arinze Ifeakandu; Spaceman by Bongani Kona; Grief is the Gift that Breaks the Spirit Open by Eloghosa Osunde.

  • The Night Manager (Penguin Readers Level 5)

    Age Range: 12 – 17  years

    Jonathan Pine is the Night Manager of a hotel in Egypt. When he is shown some secret information, he passes it to a man in the British government. But things go wrong and the woman he loves dies. Pine is very angry and agrees to work with others to catch Roger Roper – the “worst man in the world”.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Night Manager, a Level 5 Reader, is B1 in the CEFR framework. The text is made up of sentences with up to four clauses, introducing present perfect continuous, past perfect, reported speech and second conditional. It is well supported by illustrations, which appear regularly.

  • In His Journey to Fame

    “In His Journey to Fame” is a captivating story set somewhere in Africa, where polygamy is a rule, making male children kings is a law and patrilineal inheritance is a norm. It is the first of the trilogy that include ‘Pastors on the Move” and “When women go crazy”.

    A young prince is born into a family of nine adult princesses, who also have ambitions to ascend the ultimate crown when their father dies. Ably supported by their mothers, these princesses hatch snares for the young prince in order to eliminate him.

    The struggles, trauma, hardships, treachery, deceit and death are beautifully mace and put in a matrix where both the King and the heir apparent died in the process, leaving the nine princesses to battle it out with the young daughter of the prince in their quest to occupy the powerful stool.

    In the end it is an all women affair to break the rules, laws, norms and finally tradition.

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