• Kongi’s Harvest (A Play)

    Kongi’s Harvest is to be the official start of the five-year plan. Kongi is the president of Isma. He has the spiritual leader King Danlola under ‘preventive detention’. Kongi has insisted that Danlola should be seen by the people at the festival to bring him the New Yam with his own hands. Kongi has been increasingly involved in image building, before the festival comes to a shattering climax.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • Anowa

    Based on the old Ghanaian legend this is the story of a young women who decides, against her parents wishes, to marry the man she loves. After many trials and tribulations the couple amass a fortune, but Anowa realizes that something, somewhere is wrong.
    This edition of Ama Ata Aidoo’s well-known play has been specially developed for JSS pupils to use in preparation for BECE. It contains:
    • Complete text of the play
    • Introductory notes that develop pupils’ skills in literary criticism
    • Notes following each part of the play
    • Questions and activities
    • BECE exam-style questions covering the whole play

     

    Anowa

    55.00
  • The Black Hermit (African Writers Series, AWS51)

    In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.

    The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.

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