• The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • Between the Generations: An Anthology for Ama Ata Aidoo at 80

    Ama Ata Aidoo, multiple award-winning Ghanaian novelist, poet, playwright and author of the critically acclaimed play, Dilemma of a Ghost, turned 80 in March, 2020. And as part of efforts to celebrate her – the first female African playwright – Between Generations: An Anthology for Ama Ata Aidoo at 80 was released.
    Described by Editor Ivor Agyeman-Duah, as ‘international affairs through fiction’, the 230-page collection tackles wealth and inequality, immigration, sisterhood, love lost and regained and other contemporary issues in Africa and the world.
    Opening with Aleppo by Ama Ata Aidoo, the anthology includes stories by eleven other contemporary African writers: Nigerian novelists, Sefi Atta, Ogochukwu Promise; South African novelist, Njabulo S. Ndebele; Senegalese novelist Boubacar Boris Diop, Ghanaian novelists, Ayesha Haruna Attah, Bisi Adjapon, writers Martin Egblewogbe, and Gheysika Adombire Agambila; Rwandan writer, Louise Umutoni and Cameroonian writer Ray Ndebi.

  • A Possible Future: An Anthology of the Best Nigerian Writing (1789 – 2018)

    Spanning two hundred years and multiple genres, A Possible Future uses gorgeous excerpts from over eighty literary works to showcase the inventiveness in Nigerian letters and the various zeitgeists—colonialism, despotism, Afropolitanism, postcolonialism, race and sexuality—that have defined it throughout the country’s history. The writers whose works are represented here—A. Igoni Barrett, Taiye Selasi, Gbenga Adesina, Helen Oyeyemi, Chimamanda Ngozi Adichie, Abubakar Adam Ibrahim, Niyi Osundare, and many more—remind the world of our fraught yet rich literary backstory and point towards the immense possibilities awaiting us in its future.

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  • Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)

    This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.

    The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.

    There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.

    Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.

    “These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin

  • TSOO BOI: The Voices That Protest

    Amidst the Black Lives Matter movement, the End Sars revolution and the Fix the Country demand, TSOO BOI digs deep into the legacy of protests in the history of black people, and the potency of hashtags as a protest tool in the modern and digital age. This collection of essays, short stories and poems wrestles with our present reality, fleshes out the regressive parts, and imagines a better future.

    Reflecting on the past, present and future, 17 contemporary Ghanaian writers speak on topics such as respectability politics, queerphobia, the Ghanaian dream, decolonization and climate change.

    TSOO BOI is a shout for action, attention and coordination.

    Contributing writers include Ivana Akotowaa Ofori, Fui Can-Tamakloe, Najat Seidu, Adjoa Kedea, Edem Azah, Fiifi Buabeng-Baiden, Priscilla Arthur, Eev, Nahaja Adam, Akuvi Aguedze, Ama Afrah Appiah, Gabriel Awuah Mainoo, Mighty Yaw Apasu, Henrietta Enam Quarshie, Grace Mensah-Fosu, Ago Serwaa and Henneh Kyereh Kwaku. With cover art by Afia Prempeh.

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