• Social Structure of Ghana: A Study in Persistence and Change

    When Social Structure of Ghana was first published in 1981, it became the only comprehensive and sociological attempts to examine the institutional framework of the entire Ghanaian society. It still is. In this 1999 edition, the author updates most of the data on Ghana, and analyses in greater detail some of the issues raised therein. These issues include the military in politics, religious sectarianism, social problems, educational reforms and the world of work, and the shifting loyalties of Ghanaians to kin groups, tribes and the nation.

    As the twentieth century comes to a close, this book probably represents the last major publication on Ghana that analyses the country’s human and material resources for confronting the challenges of the next century.

    The book will continue to be useful for studies in sociology, ethnography, political science, African studies, medical sociology value systems, nursing and social work.

  • The Mumfordians: Memories of a Sea Boy

    In one beautiful swoop, this book takes you to the nostalgic past and the aspirational future of an African nation still in the throes of defining self-determination. With the brilliance of powerful recalls, it dissects the socio-cultural as well as the political. It is one man’s journey from an idyllic African fishing village, through his self-improvement to become the executive secretary of a Pan-African body travelling several capitals of the world in the service of his employer.

    It is also a book about people − their history, their dreams and the ills they seem unable to decidedly confront. But what makes The Mumfordians a keepsake is its richness in national promise and communal nostalgia.

  • Plenty Talk Dey 4 Ghana: Radio Eye, Plural Broadcasting & Democracy

    *Available from 16 March 2020

    Few places on earth have the broadcast density as Ghana does. Every hour of everyday, different tongues articulate different topics on air. Expectedly, the nearly five hundred commercial stations have significantly dynamised the national narrative. Or have they? One thing is remarkable, though. Just over two decades ago there was not a thing as private radio or TV.

    Focusing on the very intriguing story of Radio Eye, this commemorative publication historicises the nation’s relationship with the electronic media. Two insightful interviews – one with the maverick who broke the glass ceiling; the other with the man who took up the baton to consolidate private broadcasting – provide a rare but enjoyable insight. Enriching the discourse further are six well-researched, peer-reviewed articles that provide a 360-degree perspective on plural broadcasting as a critical development factor.

    Plenty Talk Dey 4 Ghana is a well-curated, retrospective and introspective panorama of an African country’s media landscape. What makes it a keepsake for the local and global audience is how the book demonstrates the workings of plural broadcasting to the realisation of democracy.

  • Komla Dumor: In His Element (Hardcover)

    This story is about Komla Dumor’s meteoric rise to the enviable position of an icon in International and African Broadcast journalism. The story is largely woven on at least three fundamental principles. Namely journalism as a vocation and a calling, journalism and its practice is driven by only one ideal standard.

    Journalism is defined both in theory and in practice as defined by an ethical compass and the discipline of verification. It is the adherence to these tenets of journalism that placed Komla at the top of the pile. Indeed Komla argued passionately that, to be a successful journalist within the context of the new digital enterprise, one must accept journalism as a vocation a gift of grace and must make a total commitment and be willing to put his or her hands on the spokes of the wheel of the new African History.

    Secondly, Komla believed that the practice of journalism is driven by only one ideal standard that cuts across nations within the global system. This ideal standard and the pursuit of it create the contours for best practices. Those who pursue the ideal standard comprising unethical compass, the discipline of verification are the ones who reach the top of the mountain where the sheep and the goats are separated.

    The book Komla Dumor: In His Elements explores Komla’s practice of journalism in Ghana and the United Kingdom against the tested values including personal moral responsibility to the public, personal integrity and the commitment to finding the truth and protecting the public interest. In essence this book is an illumination and exploration of Komla’s journey into the incomparable iconic status – the Icon of International Broadcast Journalism. It is indeed Komla Dumor in His Elements.

    Proceeds from the sale of this book will go to the Komla Dumor Foundation.

  • The Dreamer – Komla Dumor: The Boss Player In His Own Words (Hardcover)

    This is a collection of the personal writings of Komla Dumor a young man, very intellectually vibrant, an erudite communicator, a passionate patriot and an emerging Pan Africanist. The book highlights experiences he had had during his worldwide travel pursuing his career as a Broadcast Journalist.

    These essays rekindle hope and offers opportunities for his generation to build on his dream and the dream of the precursors of African Renaissance. This book raises the question about what constitutes his legacy which would lead us to celebrate him. The book shows clearly that Komla was an icon of International Broadcast Journalism working across different platforms. In his writings he exhibited the audacity of faith, from which emerges his unassailable courage to stand on an international digital platform, as an African, telling his own story and stories of old. The book also shows Komla’s stature, versatility in media practice on radio and television broadcasting, as well as the print media.

    Komla was a stage performer with style and substance. His scholarly work was punctuated with extreme humor. In spite of his status, he remained amazingly humble. But the most outstanding passion in his writings was his concern for the future of his country Ghana and the African Continent.

    This book presents balanced images of Ghana and Africa. But implicitly, it compels everyone to ask the question “Are we satisfied with the images we see? He lays the foundation for every Journalist of African decent to insist on accountable and transparent governance. He ends the story on racism, ethnic and tribal divisions showing clearly his uncompromising, progressive rejection of these divisions which have been historically and culturally conditioned and presents a new hope and opportunity for Africans to dream again. Here we have The Dreamer – Komla Dumor: The Boss Player in His Own Words.

     

    Proceeds from the sale of this book will go to the Komla Dumor Foundation.

  • The Children of House No. D13 South Suntresu Kumasi: An Ahwoi & Adu-Gyamfi Siblings’ Collective Biography

    *Available from 15 June 2022

    To describe The Children of House No. D13, South Suntresu, Kumasi, as an intriguing project is an understatement. A collective biography of eight siblings was always going to be a daunting challenge, even if each person told their own story and got it together in one volume. To do it in a coordinated combination of first and third person “voices” would appear to be a bit implausible. To actually achieve the purpose and turn it from a project into an enthralling reading experience deserves all the plaudits this book is likely to gather.

    This book is a collection of life stories of the eight children of Madam Maye Charlotte Hudson, also known as Esi Tutuwa but known to some people as Esi Nkwagye and to the people of South Suntresu, Kumasi as Mrs. Ahwoi. The ‘Ahwois” principally is the collective name of three brothers – Ato, Kwesi and Kwamena – who have played prominent roles in Ghana’s recent history, but the siblings also include five girls, Ama, Adoma, Efua, Naana and Sister Aggie, who also played their part in this thrilling story in their own unique ways.

    For such a collective recall of personal histories to work, a principal requirement is a willingness of all the parties involved to treat the project seriously; of equal importance is the need to treat everyone’s personal history as important, which is what this book has succeeded in doing. It would be right to describe it as an exercise in literary democracy!

    It is not every book project that produces a good book, but this book has done so because at the heart of the project is a good story. And at the heart of that good story is human progress against the odds capsuled in the life of these eight individuals.

    These are the dramatis personae in order of appearance – from the womb – Ato Ahwoi, Kwesi Ahwoi, Mrs. Ama Twum, Kwamena Ahwoi, Mrs. Ama Adoma Bartels-Kodwo, Mrs. Efua Bram-Larbi, Theodora Naana Adu Gyamfi and Mrs. Agnes Appiagyei-Dankah. Theodora Naana Adu-Gyamfi passed away at the age of 28 and so her role ends early except in passing references. However, it is worth recalling that before she died, and in an act that exemplifies the major theme of this book, Naana secretely transferred all the money in her own bank account into that of her six year old niece, Abena Tutuwa Ahwoi, the daughter of her brother, Kwamena.

    The structure of the narrative, which makes it possible to flow, is simply to follow the fortunes of these siblings sequentially in turn through the main phases of their development. The person whose presence permeates the story is the matriarch – Mrs. Ahwoi, nee Maye Charlotte Hudson.

    The book achieves the purpose of showing the “remarkable togetherness and the mutual support system that enabled the children of House No. D13, South Suntresu, Kumasi, to overcome the many hurdles along their individual paths in life as being due to their mother, Madam Maye Charlotte Hudson (Mrs. Ahwoi). Indeed, the matriarch herself is effectively the ninth subject of the biography of the eight children” as Honourable Kwame Preprah states in the Foreword.

    Nana Kwasi Gyan Apenteng

    Consultant in Communication, Media and Culture

    Former Chairman, National Media Commission (NMC)

    Former President, Ghana Association of Writers (GAW)

  • Absolute Radio: The Inspiring Story of the First Private Radio in Ghana’s Western Region

    *Available from 6 September 2022

    From the heart of Africa, a spellbinding true story of entrepreneurship, media, culture and tradition, all tastefully rolled into one! Absolute Radio is an authentic story of girls and boys who became women and men – and heroes – on the wings of a radio station. Running the course of 25 years, the story comes from the culturally stylish twin city of Sekondi-Takoradi in Ghana, with global footprints.

    It is the most tantalising and ground-breaking body of work about Ghana’s private broadcasting industry. The author, former journalist Phillip Nyakpo, is himself an eye-witness and a participant in these true events.

    From his base in Perth, Australia, Phillip interviewed women and men across four continents who made it happen over a quarter of a century.

    The result is that he opened up to the world, a character and spirit of Africa that is all too often missing.

    In telling the story, he writes a compelling narrative that is delicate, witty, eye-opening and wonderfully inspiring.

  • Revolution and Democracy in Ghana: The Politics of Jerry Rawlings

    Flight-Lieutenant Jerry Rawlings, who passed away on 12 November 2020, aged 73 years, dramatically appeared on Ghana’s political scene 40 years earlier. In May 1979, Rawlings was briefly jailed following an unsuccessful coup attempt. Rawlings and his comrades were revolted by Ghana’s corruption and economic decline at the hands of its ruling generals. A few weeks later, on 4 June 1979, Rawlings was released from prison by a group of disgruntled soldiers and took power following a successful coup d’état. Following a brief, but turbulent, few months in power, Rawlings’ Armed Forces Revolutionary Council handed over to an elected government in September 1979. Twenty-seven months later, on 31 December 1981, he was back in power, again by coup d’état. This time it was not a brief stay in the hot seat: Rawlings, leader of the Provisional National Defence Council (PNDC), comprising three civilians and three armed forces personnel, remained in power for more than a decade. Seeking to justify the coup, Rawlings claimed that the PNDC was a necessary response to Ghana’s political and economic crisis. In January 1993, democracy returned to Ghana. Jerry Rawlings was popularly elected president twice, eventually standing down in January 2001, as the 1992 constitution demanded. Beginning his political career as a military figure with revolutionary aspirations, Rawlings ended it as a twice democratically-elected civilian president.

    These are the brief facts about the political career of Flight-Lieutenant, later President, Jerry Rawlings. More than three years after his passing, Rawlings remains a pivotal, absolutely central, figure in Ghana. His enduring influence in Ghana may be second only to that of Ghana’s first president, Kwame Nkrumah. On the other hand, there is no more controversial figure in Ghana’s political and economic history than Rawlings. More than two decades after he left political office, nothing divides Ghanaians more than their opinions regarding him. This book seeks to explain how and why Rawlings and the PNDC progressed from an undemocratic military-based regime to laying the foundations for Ghana’s three decades of multi-party democracy. Was Rawlings a patriot who believed passionately in Ghana and did all he could to make the country succeed? Or was he a wrecker who wanted to bring the post-colonial edifice tumbling down in a misguided attempt at revolution? The aim of this book is to enable the reader to draw their own conclusions on these questions.

     

     

  • The Legislative System of Ghana

    This book focuses on the legislative system of Ghana. It contains sixteen chapters, each focusing on a unique aspect of the legislative system of Ghana. It outlines the rules, the practice, and procedure that govern the conduct of business and Members in the Parliament of Ghana and its committees, and the various actors involved in the organisation of the legislative business. It breaks into minute forms, the procedural norms, and attitudes that influence members’ behaviour and the various parliamentary outcomes.

    “This study is well researched and presented in a very lucid form…. Indeed, it is a very useful source for students, parliamentarians, and academics on the parliamentary history, procedure, and practice of Ghana’s Parliament.” – Hon Dr. Benjamin Kunbour, Former Majority Leader, Former Minister of Defence and Senior Lecturer, University of Ghana School of Law

  • The Fall of The Asante Empire: The Hundred -Year War for Africa’s Gold Coast

    In 1817, the first British envoy to meet the king of the Asante of West Africa was dazzled by his reception. A group of 5,000 Asante soldiers, many wearing immense caps topped with three foot eagle feathers and gold ram’s horns, engulfed him with a “zeal bordering on phrensy,” shooting muskets into the air. The envoy was escorted, as no fewer than 100 bands played, to the Asante king’s palace and greeted by a tremendous throng of 30,000 noblemen and soldiers, bedecked with so much gold that his party had to avert their eyes to avoid the blinding glare. Some Asante elders wore gold ornaments so massive they had to be supported by attendants. But a criminal being lead to his execution – hands tied, ears severed, knives thrust through his cheeks and shoulder blades – was also paraded before them as a warning of what would befall malefactors. This first encounter set the stage for one of the longest and fiercest wars in all the European conquest of Africa. At its height, the Asante empire, on the Gold Coast of Africa in present-day Ghana, comprised three million people and had its own highly sophisticated social, political, and military institutions. Armed with European firearms, the tenacious and disciplined Asante army inflicted heavy casualties on advancing British troops, in some cases defeating them. They won the respect and admiration of British commanders, and displayed a unique willingness to adapt their traditional military tactics to counter superior British technology. Even well after a British fort had been established in Kumase, the Asante capital, the indigenous culture stubbornly resisted Europeanization, as long as the “golden stool,” the sacred repository of royal power, remained in Asante hands. It was only after an entire century of fighting that resistance ultimately ceased.

  • ‘The History of Ashanti Kings and the Whole Country Itself’ and Other Writings

    The History of Ashanti Kings and the Whole Country Itself is a key text for understanding the history of the great West African kingdom of Asante (now in Ghana). It is also an early–and perhaps the earliest–example of history writing in English by an African ruler and his amanuenses. It was begun in 1907 in the Seychelles on the instructions of the Asantehene Agyeman Prempeh I, who had been in British captivity with his family since 1896, during which time he had acquired proficiency in English.

    The chief source of information was his mother the Asantehemaa Yaa Kyaa, who possessed an encyclopaedic knowledge of the oral history of her own lineage, which was also the royal dynasty of Asante. The result is an indispensably detailed document that charts the history of the Asante monarchy from the seventeenth to the nineteenth centuries. Context is provided by the inclusion of other writings by or about Agyeman Prempeh, together with four introductory essays by the world’s leading scholars of Asante history.

    This fascinating volume evokes the rich historical experience of a renowned kingdom, and is of compelling interest to all concerned with the production of indigenous historical knowledge in Africa.

  • The Silver Stool Stabilised

    The Silver Stool, Asante Mampong, occupies an important position within the hierarchy of Asanteman. The occupant is the second-in-command after Otumfuo Osei Tutu II, Asantehene. This book is a commemorative project exploring the history of Asante Mampong, a roll call of the previous occupants of the Silver Stool. The current occupant, Daasebre Osei Bonsu II, Mamponghene has experienced a stable reign for over 25 years; the distinguished profile of Daasebre Osei Bonsu II, and persons who have contributed to the stable and successful reign for the Silver Stool are also profiled. Finally, the book explores the impact of stability for the Traditional Area and Asanteman.

  • See What They’ve Done To Our SunRise : New Poems from an Old Loom

    In See What They’ve Done to Our SunRise, Anyidoho continues to push the boundaries of poetic expression, crafting a unique voice that is both personal and universal. The title of the collection is itself a powerful statement, suggesting the disillusionment that has befallen Africa, while also hinting at the possibility of renewal and rebirth. Through the poems, Anyidoho invites readers to reflect on the past, engage with the present, and imagine a future that is both uncertain and full of promise. Thus, the “sunrise” in the title is both a symbol and a metaphor, hinting at seed time (a muted echo of his recent compilation titled SeedTIME) and the truncation of the hope and aspirations birthed by the sunrise. The sorrow and pain inflicted by malevolent forces who have stolen the people’s laughter are expressed in the title poem “See What They’ve Done to Our SunRise”: “They brought in Clouds from Foreign Skies / Filled Our Air with Acid Rain /that / Chokes the Breath with Blood / Blinds the Eye with Cobra’s Spit.” However, there is a window of redemption in “Rebirth of Our Land”, a testament to the poet’s ability to balance sorrow and hope. Thus, as in his earlier collections, the poems in See What They’ve Done to Our SunRise express a deep sense of sadness and loss, but they also affirm the resilience of the human spirit. For instance, in this collection, nostalgia, or distance, is not necessarily loss, but a disconnection from relationships, places and landmarks, tempered by time and circumstances, now and again reclaimed from the mist of memory and celebrated through poems on the theme of love: “I Must Learn to Let Go SomeTimes / Though So Strong So Deep My Love… / Knowing the Winds and the Trains / Will Bring Them Back Again and Again/ Though Just for a While Each Time” (“They Will Be Gone”). This balance is reflected in the poet’s use of imagery, where the darkness of suffering is illuminated by the light of hope and laughter; a testament to Anyidoho’s skill as a poet and his commitment to exploring the complexities of the human experience.
    One significant thing about the collection is its arrangement in “movements”—not an entirely new format in the Anyidoho repertoire. It is a deliberate structural choice, similar to a musical composition, lending further weight to the poet’s immersion in Anlo musical traditions which have defined him as a poet-cantor straddling both tradition and modernity, as well as the page and the stage. This structure conveys various meanings and symbolism. It reflects thematic development and narrative progression in which the poems tell a story or explore a theme in a progressive manner. It also creates an emotional arc, with each movement evoking a specific mood or atmosphere. Also, the movements’ musical analogies insinuate a sense of rhythmic flow, with each movement building upon the previous one. In this way, harmony and discord are arranged to reflect the complexities of life and further enhance the import of the journey motif that undergirds the entire collection—the movements representing a journey or pilgrimage, with each poem marking a stage or milestone; also reflecting the cycles of life, death, and rebirth, or the cyclical nature of human experience. There are four movements in all: Movement One: Nostalgia; Movement Two: Blues for the Land; Movement Three: A Bouquet for Ancestral Souls; and Movement Four: Husago.

  • Reparations: History, Struggle, Politics and Law

    This book is born out of a longstanding wound, one etched deep into the soil, psyche, and soul of Africa. It is a wound that bleeds across centuries of slavery, colonial violence, and economic theft. But it is also a call to action, a demand for Repair, Justice, and transformation.

    As an African committed to decolonization, Pan-African Unity, and socialist liberation, I have long felt the absence of a comprehensive framework that ties together the historical crimes committed against Africa with the concrete proposals for restitution. This book aims to fill that void. It is not a work of abstraction. It is a fierce, unapologetic, and urgent call for reparations.

    This work is written not just for academics or politicians but for activists, students, community leaders, and the African Youth. It draws upon the insights of Pan-African revolutionaries, Marxist theorists, anti colonial fighters, and Contemporary grassroot movements. It seeks to expose the systemic roots of underdeveloped and articulate a bold vision for what reparative justice could mean in practice.
    I offer this work as a contribution to an ongoing struggle, a struggle that demands not only memory, but mobilisation.

  • Baffour Osei Akoto: A Royal Patriot and the Making of Ghana (Hardcover)

    Foreword by President John Agyekum Kufuor

    This book is primarily composed of speeches presented at the 16th edition of the annual Re-Akoto Memorial Lectures held at the Kwame Nkrumah University of Science and Technology in Kumasi. The Re Akoto Memorial Lectures, instituted by His Majesty Otumfuo Osei Tutu II, life patron of the Students’ Representative Council (SRC) of the Ghana School of Law, seeks, amongst other things, to promote research, study and educate the citizenry on the development of Ghana’s constitutional democracy and human rights. Over the years, it has been presented by a good number of eminent Ghanaians and through which they have illuminated various spheres of life, especially issues regarding law and fundamental human rights, which are the key components that form the genesis of the famous Re-Akoto Case.

    The presenters included Kwame Pianim, one of Ghana’s eminent economists; Maxwell Opoku-Agyemang, then-acting Director of the Ghana School of Law; Chief Justice Kwasi Anim Yeboah and Attorney-General Godfred Dame. Prof Mike Aaron Oquaye, a veritable political scientist and accomplished politician, knitted the strains together to discuss how Baffour’s strides and successes reaffirmed the liberal democratic political philosophy of the New Patriotic Party (NPP). He indicated that human beings have a dignity that must be protected and that dictatorial tendencies must not be accepted. Finally, provided a historical trajectory of Ghana’s stint with an authoritarian regime focusing on the country’s post-independence one-party political system.

    “Baffour excelled in this career as an Asante diplomat, a valuable repository of Asante and Ghanaian social, cultural and political history, and a defender of the power of traditional leadership in the face of the onslaught of modern post-colonial politics in Ghana.” – His Majesty Otumfuo Osei Tutu II, Asantehene

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