• Not My Will

    One of the earlier memoirs of General Olusegun Obasanjo, distinguished Nigerian statesman and leader.

    Not My Will

    110.00
  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • The Gun Merchant (Pacesetters)

    ‘Understand, Joe…you must be unscrupulous, otherwise you’ll go hungry. Remember, guns don’t kill, it’s people who kill.’

    So it would seem to the power-crazed Apa, the most unscrupulous man of them all. To him life seems easy, so long as he retains the upper hand.

  • Remember Death (Pacesetters)

    Rango will stop at nothing to make money, live in London, and have a good life. He becomes involved with Laxman, the unscrupulous importer of chemicals, and out-of-date chemicals which will affect the living of thousands of coffee farmers pour into the country. When it seems that they are about to be unmasked, Rango recruits a young factory worker to blow up the Dar es Salaam chemicals factory. Malleko finds himself in an unhappy position. Whatever he does will lead to his death.

  • Sweet Revenge (Pacesetters)

    Ovie’s girlfriend is killed when some new school buildings collapse during a bad storm. He and his four friends decide to avenge her death and devise a bold plan to get even with the building contractors.

    After rigorous training, the friends are ready to perform their ingenious operation which will stun the whole community. Only the impatience and greed of one member of the gang may lead to their downfall and thwart their daring revenge.

  • Dealers in Death (Pacesetters)

    A grisly trade in kidnapped children leads Paul Okoro into the net of a chillingly cruel villain with a taste for the bizarre — black widow spiders. Paul finds himself in deadly danger with no apparent way out. Can Aimie, his wife or any of his friends find him and his baby son in time or is this the end for the one-legged journalist who has risked himself so often for others?

  • A Fresh Start (Pacesetters)

    Osifo Egie and Ndidi Amerigo meet briefly as teenagers through a family friendship. But they do not like each other and their lives take very different directions. Ndidi is from a wealthy background and is about to leave for England to study. Osifo has not completed his education and is soon to start work as a clerk. By the time fate brings them together again each of them has experienced a great deal. But it seems at first that the unhappiness they have both suffered may keep them apart.

  • Bonds of Love (Pacesetters)

    When Constance Majolo sets out to record Mrs Clark’s last will and testament she does so reluctantly, feeling her hard-earned university skills are being wasted on such menial tasks. But little does she realize that Mrs Clark’s request to find her son will take Constance on an exciting and challenging search unravelling an unconventional story of loyalty and love.

  • Love (Pacesetters)

    Love and Nkem are born within hours of each other in the same hospital and their lives seem fated to be inextricably joined together. The Civil War in Nigeria plays its tragic role in parting them for many years. Can they find each other, and happiness, again?

  • Keke And The Cake Thief

    Age Range: 4 – 8 years

    Reading Level: 2 – 3

    Keke and the Cake Thief, written by L.M Daini and illustrated by Chike Obasi and Emmanuel Adepitan. Suitable for ages 4-8 years.

    In this story, there’s a cake thief in the kingdom and the king is getting very upset. Keke’s love for cakes makes him the best person to help track down the elusive cake thief and restore peace in the king’s kitchen!

    This is a fun and beautifully illustrated modern African fairy tale, perfect for story time at home and in the classroom. A must-have for every child’s library and an excellent gift for all occasions, birthdays, Christmas, World Book Day, Black History Month and Kwanzaa.

  • Malik’s Bridge

    Age Range: 3 – 8 years

    Reading Level: 2 – 3

    Malik’s Bridge is an inspiring story of four friends who find a way to keep connected over the school holidays. This wonderful story celebrates STEM (Science, Technology, Engineering and Maths) and the power of unity.

    Written by Marwa Al.Hifnawi and illustrated by Chike Obasi.

    In this story, Malik and his best-friends Ola, Lisa and Amina cannot wait for the school holidays, but they soon realise how much they will miss each other! 

    Can the friends find a way to keep connected across their countries in Africa?

    Join Malik and his squad as they use STEM to bridge the distance and celebrate their unity.

  • Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)

    This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.

    The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.

    There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.

    Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.

    “These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin

  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • The Law Is An Ass: A Collection of Short Stories

    “They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City

    “These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after  paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor  of The Guardian on Sunday

    “The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer

    “Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us  an entertaining and educative read that is vivid,  engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults

  • Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

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