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  • The Ewe People: A Study of the Ewe People in German Togo

    The Ewe of Ghana, Togo and Benin have been one of the most documented ethnic groups in West Africa, given their encounters with the German, French and British colonial administrations. In 1906, Jakob Spieth, a German Bremen Missionary, published Die Ewe-Stamme. Die Ewe-Stamme is one of the most comprehensive treatises on the history, religion, economic life, traditional social structure, and, indeed, the entire spectrum of everyday life of the Ewe. Published over 100 years ago the book had limited circulation and became increasingly rare to the extent that it almost became a deified piece of work and source of classified knowledge. Additionally, Die Ewe-Stamme was published in German and old non-standard and colloquial Ewe languages. It is hoped this translation of Die Ewe-Stamme into English and contemporary Ewe might create a revival of interest amongst researchers, enhance the understanding for the traditional Ewe culture and become reading material in schools and universities.

  • The Hundred Wells of Salaga

    Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father’s court. These two women’s lives converge as infighting among Wurche’s people threatens the region, during the height of the slave trade at the end of the 19th century.

    Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • Basic Manners And What Every Child Should Know

    Age Range: 2 – 8  years

    The early years in a child’s life is critical. Character formation should begin in a child’s early years. The child’s future choices and wellbeing depend on the quality of guidance and training in the early years.

    Basic Manners and What Every Child Should Know is strongly recommended as a guide to help parents and teachers to produce disciplined children.

  • The End of a Traitor

    Age Range: 6 – 10 years

    Foriwa worked as a maid in Queen Pokua’s palace. Due to her truthful and hardworking nature, the Queen honours her. Foriwa’s life changes; she becomes a Princess as well as heiress to the throne.  Her good fortune is met with mixed feelings by the townspeople. In the face of rumors of a palace coup, Queen Pokua realizes that a traitor has been set loose in her Kingdom.  The traitor could be anyone; and no one can be trusted.

     

  • King of the Trees

    Age Range: 10 – 14 years

    The King of all Trees wants to introduce himself to all who are willing to listen. The Creator Himself crowned this great King. Perhaps, you are more familiar with him than you think. If you will listen closely, you will understand why he is the King of the trees and you will learn how to be as great as this king.

     

  • Kente for a King (Hardcover)

    Age Range: 7 – 10 years

    Kathy Knowles’ retelling of Angela Christian’s Kente for a King describes the journey of Opoku, a weaver from Bonwire, Ghana, and his quest to make the most magnificent kente cloth for his beloved King.

    Edmund Opare’s finely detailed illustrations and his ability to capture the magnitude of Opoku’s achievements within a traditional Ghanaian setting are a fitting tribute to Angela Christian’s beautiful story.

  • The Dorm Challenge

    Age Range: 9 years and above

    One bad friend and one desperate friend.

    Mercy could change their lives.

    The problem is she doesn’t know it.

    Mercy isn’t going to embarrass herself by speaking in a school competition just so her House can win the Dorm Cup.

    No way!

    There are better things she could do− like hanging out with her ultra-cool buddy Perry.

    But when she is thrust into the Dorm Challenge she discovers that the prize for speaking up is more precious than a trophy. And the prize for listening properly can mean more than anything in the world.

  • The Golden Forest

    Suitable for upper primary pupils and children between 9 and 11 years

    River Dansu takes away Kwabena’s lime and gives him a fish instead. Kwabena loses one thing after another until he finds gold, becomes very rich and finds a cure for his disease.

  • Uncle Blanko’s Chair

    Age Range: 9 – 12 years

    The story of Uncle Blanko’s Chair takes the reader through a series of dramatic episodes involving young Kobi and the “magic chair” of his good Uncle Blanko. The disappearance of the chair and the frantic search for it help the different people of Sogawe to know and appreciate each other better.

  • The Harmattan Man

    Age Range: 10 – 14 years

    The children of Tanoso are looking forward to a very exciting Christmas party. Their mothers are busy preparing lots of goodies for the party.

    The only snag is that the dry Harmattan wind gets worse every day. It does not show any sign of going away before Christmas day.

    A worried Jeneba goes searching for the Harmattan man to persuade him to stay away on the day set for the party so that they can have good weather and enjoy the party.

    Does she find the Harmattan-man? Does he agree to go away on the day set for the party?

  • Kofi and the Crow (Red Oak Young Readers’ Series)

    Age Range: 6 – 8 years

    The Red Oak Young Readers’ Series features engaging stories with captivating illustrations that appeals to even the most reluctant young readers. This Series is designed to enhance the creative abilities of children by stimulating their imagination. Using very simple and lively language, the Series builds the confidence of beginner readers and motivates them to develop their vocabulary. Parents of children in kindergarten will find that their children will ask for the stories in this series to be read to them over and again.

  • My Time My Nation: The Autobiography of Prof. George Benneh

    Professor Benneh’s life story reflects the promise of the country he serves so faithfully. It captures the anticipation of the pre-independence years, the disillusionment of the forays into military rule, and the integrity of the return to civilian rule with many painful lessons learnt. Indeed, as he recalls his early years with his father on the campaign trail, he presents the mixture of excitement, superstition, and euphoria as the Gold Coast transitions into an independent country ad later the Republic of Ghana.

    The author narrates his years of preparation with an impressive roll of mentors and acquaintances—Mr. Gbeho, Professor Steele, Professor Manshard. K.A. Busia, J.B. Danquah, Krobo Edusei, K.A. Gbedemah, Otumfuor Osei Tutu II, Osagyefo Dr. Kwame Nkrumah.

    Through out the autobiography the reader is conscious that the astute politician is also an astute scholar—lecturer, researcher, administrator. As he brings his analytical acumen to his performance of his responsibilities as Head of Department, Pro Vice-Chancellor and, finally, Vice Chancellor, Professor Benneh demonstrates a unique ability to move seamlessly between two worlds often considered incompatible.

    The autobiography provides a vivid account of an enviable range of experiences from the author’s childhood in Brong-Ahafo region, through conferences in some of the most exotic locations in the world. Yet, he always remains the family man, devoted to his covenant wife, children, grandchildren, wider family and the abiding reliance and trust in his Maker. The autobiography ends with the octogenarian’s tribute to his late father who was his first and best mentor and inspired him reach beyond the sky.

    Professor Benneh presents a career that few can equal and recounts his successes as well as his shortcomings with candour and great courage.

    The history of a great nation is presented by an insider — that could be enough incentive to read this book. Always more than a historical account, the reader sees the life of a great man who continues, even in adversity, to write a story that will inspire people of all ages, political ties and religious faiths.

  • Bookset: Lives of 5 Ghanaian Pioneers and 5 Ghanaian Leaders (2 books)

    Age Range: 8 – 15 years

    Two amazing books that introduce young people to great Ghanaian leaders and pioneers who contributed to the development of this country. Their roles in shaping the course of Ghana’s history, independence and social life are detailed as examples for study by our youth.

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

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