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Saŋku kɛ Obenta (Ga)
Saŋku kɛ Obenta is a collection of Poems in Ga.
₵18.00Saŋku kɛ Obenta (Ga)
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Otswa Tɛ Otswa Ohiɛnaa (Ga)
“Otswa Tɛ Otswa Ohiɛnaa” is a play about a young man who took someone to court for libel only to find that the defendant is no other than his own father.
₵24.00Otswa Tɛ Otswa Ohiɛnaa (Ga)
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Namɔ Matsu? (Ga)
” Namɔ Matsu? ” is a drama which contains two Plays. The first, ” Whom Shall I send?” , is a two-act play about the fall of Man from Grace (Eden) due to disobedience.
The second Play, “Wonderful Love” deals with God’s concern about Man’s redemption, and how man sometimes vainly kicks against what is ordained.
₵18.00Namɔ Matsu? (Ga)
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 6)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 5)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Jeŋba He Ehia (Ga)
Jeŋba He Ehia-Good character pays- is a novel on the reminiscences of school days.The hero is a self assertive boy by name Owula Kwao ,who took delight in kicking against authority and restraint,under such instinct and inspite of all homely advice at home and school.Owula Kwao became a misfit in society.
The story ends with Owula Kwao,a grown-up with a leg amputated ,regretting that it was too late to undo the misdeeds of early life.
₵23.00Jeŋba He Ehia (Ga)
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 4)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 3A)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 2B)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
₵35.00 -
Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 3B)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 2A)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Ga Nileegbɛ (Ga Kanemɔ Wolo, Book 1)
Ga has had a relatively longer period of written traditions. Starting in 1853-54, the “Ga Kanemɔ wolo” series were followed by the “Kanemɔ ni okwɛ” series and these were followed by the “Nileegbɛ” series which is still used in the basic schools.
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Tour of Duty: Journeys Around Nigeria
In March 2009 travel writer Pelu Awofeso laced his boots and set out on a solo trip across Nigeria; he christened the mission the ‘Beautiful Underbelly’ project, a brave attempt to re-discover his home country, which is more known abroad as the breeding ground for scam-artists than for its friendly and hospitable citizens. With just a backpack and a camera, Awofeso crisscrossed 18 states in eight months, wandering the capital cities and chatting up total strangers, all so that he can learn something new from the locals.After three months and eight capital cities, he already clocked over 6000 kilometres, a distance his movement tracker dopplr.com describes as being the equivalent of “one percent of the distance to the moon”. This volume is a record of a slice of Nigeria and Nigerians as seen through the eyes of a Nigerian writer with an abiding love for everyday people
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Scarlet
For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond₵55.00Scarlet
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