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  • And After Many Days

    And After Many Days is a novel of childhood, of the delicate, complex balance of power and love between siblings; the unique ecosystem of a family. It is also a portrait of a society, as the old world gives way to a new status quo. A novel of quiet, devastating force, And After Many Days holds at its centre a profound story of life, loss and becoming.

  • Blackass

    Furo Wariboko – born and bred in Lagos – wakes up on the morning of his job interview to discover he has turned into a white man. As he hits the city streets running, still reeling from his new-found condition, Furo is amazed to find the dead ends of his life wondrously open out before him.

    As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, his ass remains robustly black…

    Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    Blackass

    95.00
  • The Stress Test

    Taramade Johnson seems to have it all. But she is stuck in a dead-end marriage, consumed by her desire for Adam Okoya, a male colleague, and burdened with a secret that could cause her to lose everything.

    Things start to come undone when it is revealed that the Johnsons’ Marine Compact Bank, led by the tyrannical Damelda Johnson, Taramade’s mother-in-law, is not as healthy as it would appear. A bureaucratic reformer, Banke Olumide, soon emerges and takes Damelda’s place as MD of the troubled bank.

    Meanwhile, Damelda retires to hatch a plan that will put control of the bank in her grip again. But there are others who want the bank just as much as Damelda does. And for some, it is a battle worth dying – or killing – for.

    The Stress Test

    95.00
  • Chasing Facades

    Young and ambitious, Tayo Dabi is a rising star at Regent Detective Agency where she is a trainee detective. Driven by her passion to solve crimes – even as her brother’s murderer walks free – Tayo immerses herself in the job, delivering results that belie her newbie status.

    But when Tayo is assigned a new, high-profile case, her confidence is shaken. Lawrence Gbade, a popular, wealthy contractor is murdered in his home, and as Tayo digs deeper things become less certain. Was Gbade’s murder a robbery gone wrong, or something much more sinister? Even as self-doubt sets in, Tayo has to battle resentment from older, more experienced detectives, an obnoxious male colleague and her growing attraction to Tony, the victim’s brother.

    Romance meets crime thriller in this gripping story of betrayal, rage and the facades we put up to hide our true selves.

    Chasing Facades

    95.00
  • Binti: The Night Masquerade

    The concluding part of the highly-acclaimed science fiction trilogy that began with Nnedi Okorafor’s Hugo and Nebula Award-winning BINTI.

    Binti has returned to her home planet, believing that the violence of the Meduse has been left behind. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.

    Far from her village when the conflicts start, Binti hurries home, but anger and resentment have already claimed the lives of many close to her. Once again it is up to Binti, and her intriguing new friend, Mwinyi, to intervene-though the elders of her people do not entirely trust her motives-and try to prevent a war that could wipe out her people once and for all.

  • Pleasantview

    Winner of the 2022 OCM Bocas Prize for Caribbean LiteratureWinner of the 2022 CLMP Firecracker Award in Fiction. Shortlisted for the Society of Authors’ McKitterick Prize 2022

    Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

    Come during election season, and see how one candidate sets out to slaughter endangered turtles- just for fun. Or come on the day the other candidate beats his outside woman,’ so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

    Written in a remarkable combination of Standard English and Trinidad Creole. Pleasantview showcases the entrenched political, racial, patriarchal, and class dichotomies of life in Trinidad.

    Pleasantview

    150.00
  • The Beautiful Side of the Moon

    It is just a regular day at the office until IT worker Osaretin finds a cryptic note on his desk that sends his day into overdrive, thrusting him into a frantic world of  ruthless operatives, shape-shifting villains, portable time turners and futuristic landscapes.
    Looming over this magical tale are the exploits of a father he barely knew. Osaretin has no choice but to come into his own. Armed with the promise of magical powers and a bunch of eccentric companions, Osaretin must defeat the rampaging forces that threaten all that he holds dear. But is Osaretin who they believe he is? Is he really The One?
    The Beautiful Side of the Moon is a fantastical adventure filled with weird and wonderful characters and richly-imagined landscapes. A flight of the imagination on every page.
  • One Chance Dance

    A heartwarming, exciting story of friendship, wonder and dance from Waterstones Prize-shortlisted author Efua Traoré!

    Jomi’s mum left when he was little to make a new life for them in Lagos, the city of dreams. When Jomi doesn’t hear from her, he decides to follow. His only starting place is a TV dance competition that his mum used to love.

    Things go badly for the boy and his pet bushbaby, until he meets a crew of street kids. Together, they come up with a one-chance idea to find Jomi’s mother – and make their own dreams come true.

    • A brand new novel full of joy and wonder by the author of Children of the Quicksands, shortlisted for the Waterstones Children’s Book Prize
    • A contemporary adventure of destiny, friendship and dance set in the vibrant city of Lagos, Nigeria
    • Jomi hopes to find his missing mum by dancing on a TV talent show in a story which offers emotional pull and a lot of fun!

    PRAISE FOR CHILDREN OF THE QUICKSANDS:

    ‘A joy of a book: rich, warm, powerful storytelling’ KATHERINE RUNDELL

    ‘A thrilling adventure bright with the gorgeous colours of Nigeria – glorious!’ JASBINDER BILAN

    ‘An excellent book … rich in tradition and realism.’ HANNAH GOLD

    ‘[A] beautifully evoked story’ THE TELEGRAPH

    One Chance Dance

    110.00
  • Promise Boys

    Age Range: 12 years and above

    Nick Brook‘s YA novel offers a contemporary take on the campus murder mystery, perfect for fans of Ace of Spades. Set in a prestigious prep school, students J.B., Ramón and Trey must find out who killed the school’s Principal in order to clear their own names. An exquisitely taut thriller that shines a glaring light on how the system too often condemns Black and Latinx teen boys to failure before they’ve even had a chance at success.

    Promise Boys

    130.00
  • Sànyà

    She could either be the saviour of her people,
    or the destroyer of their world.

    Sànyà always felt different. And everyone that knew her—the people in the village she grew up in, her beloved brother, Dada, her Aunt Abike, and even her parents before she was born—knew that there was something special about her, too. After an unspeakable tragedy causes her to leave home and grow up too soon, she is devastated to find that her incredible powers are linked to a future which she must fight, even at the cost of her very soul. She begins life anew, hoping that the dark prophesy would somehow rewrite itself. Soon, however, her carefully crafted life and identity becomes the catalyst for a deadly war that will tear her family apart, and doom everything she holds dear.

    Oyin Olugbile’s masterful debut tells the story of dangerous love—lost, found, and lost again—all against the backdrop of a fantastical, enthralling empire that holds even the Òrìsà themselves spellbound.

    Sànyà

    160.00
  • The Five Sorrowful Mysteries of Andy Africa

    Fifteen-year-old Andrew Aziza lives in Kontagora, Nigeria, where his days are spent about town with his droogs, Slim and Morocca, grappling with his fantasies about white girls–especially blondes–and wondering who his father is. When he’s not in church, at school or attempting to form ‘Africa’s first superheroes’, he obsesses over mathematical theorems, ideas of black power and HXVX: the Curse of Africa.

    Sure enough, the reluctantly nicknamed ‘Andy Africa’ soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on, Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man claims, despite his mother’s denials, to be Andy’s father, and the gathering of an anti-Christian mob is headed for the church—both set to shake the foundations of everything Andy knows and loves.

    The Five Sorrowful Mysteries of Andy Africa announces a dazzling, distinctive, new literary voice. Profound, exhilarating and highly original, this tragicomic novel is a stunning exploration of the contemporary African ‘condition’, the relentless infiltration of Western culture and, most of all, the ordinary but impossible challenges of coming of age in a turbulent world.

    The Five Sorrowful Mysteries of Andy Africa won second prize in the 2020 Deborah Rogers Foundation Writers Award while still in manuscript form.

  • Adisa: A Lost Hope

    Age Range: 8 – 12 years

    After years of trying to conceive, Mr and Mrs Salifu are blessed with a beautiful and intelligent daughter, Adisa. All is well until she meets the deceitful Ben Brisco who takes her life on a downward turn.

    This short story summarises the vulnerability of many young girls and women who are often lured into unhealthy relationships and are trafficked to work under horrible circumstances, sometimes even as sex slaves. The damage done these people is sometimes irreparable and can mar them for life.

    The story emphasises the need to educate girls very early on in their development, to be cautious in their love relationships especially with men who may seem too good to be true.

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

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