• Harvest of Thorns (African Writers Series)

    The revolution that ended white minority rule in Rhodesia (now Zimbabwe) is seen here chiefly through the eyes of Benjamin Tichafa, a young guerrilla. He is the son of a devoutly religious couple, his father a government messenger completely subservient to his white superiors. Enraged by the treatment of blacks, a teenage Benjamin turns from his parents’ apolitical religion. After being arrested in a demonstration, he joins the revolution.

    The novel is enriched by the viewpoints of black Rhodesians who, out of fear or for economic reasons, do not fully support the struggle. The slaying of a dictatorial white farm owner dismays his foreman, whose livelihood is now threatened. The fatal beating of a woman who reluctantly informed on the guerrillas raises misgivings in Benjamin’s outfit. Though ultimately portraying the victory as worthwhile, Chinodya also shows the price paid in lives, tattered families and lost traditions. The result is a humane and penetrating look at a brutal government and a bloody revolution.

    Harvest of Thorns is a novel of great significance which will give all those who read it a greater understanding of the road along which Zimbabwe has travelled, as well as indicate many of the directions ahead.

  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

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