• A Possible Future: An Anthology of the Best Nigerian Writing (1789 – 2018)

    Spanning two hundred years and multiple genres, A Possible Future uses gorgeous excerpts from over eighty literary works to showcase the inventiveness in Nigerian letters and the various zeitgeists—colonialism, despotism, Afropolitanism, postcolonialism, race and sexuality—that have defined it throughout the country’s history. The writers whose works are represented here—A. Igoni Barrett, Taiye Selasi, Gbenga Adesina, Helen Oyeyemi, Chimamanda Ngozi Adichie, Abubakar Adam Ibrahim, Niyi Osundare, and many more—remind the world of our fraught yet rich literary backstory and point towards the immense possibilities awaiting us in its future.

    120.00
  • Blackass

    Furo Wariboko – born and bred in Lagos – wakes up on the morning of his job interview to discover he has turned into a white man. As he hits the city streets running, still reeling from his new-found condition, Furo is amazed to find the dead ends of his life wondrously open out before him.

    As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, his ass remains robustly black…

    Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    Blackass

    95.00
  • Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.

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