• Nsempiisms

    Listed as one of the top ten exceptional non-fiction writers from Ghana by Gird Center, Nana Awere Damoah brings to his readers another must-read, this time a fast-paced, short, straight-to-the-point, shot-from-the-hip, collection. The author proves why he is seen as one of the rising voices of his homeland, using words to speak truth to power.

    “Nana Awere Damoah is a multi-talented writer [who] believes in creating his own style anytime he writes. In his non-fiction writing, Nana introduces a diversity of style using poetry, storytelling and satire.” Gird Center

    “I envy the mind of Nana Awere Damoah. Nsempiisms is deep, insightful and piercing, yet Damoah’s writing flows with breezy simplicity.” Kwaku Sintim-Misa (KSM)

    Nsempiisms

    45.00
  • Sebitically Speaking

    Sebitically Speaking is an uplifting elixir that courses through the hearts and minds of readers and awakens their consciousness regarding how to improve themselves and their country. In confronting the complicated issues that perpetually frustrate Ghanaians, Damoah’s style was not to depress or provoke insanity, but to deftly inspire readers with a view to affecting positive change.

    For someone who has written four great books, Sebitically Speaking is an incontrovertible confirmation of Damoah’s literary genius. His uncanny ability to transform debilitating and chaotic socio-political topics into an exhilarating literary rollercoaster, using a perfect blend of wit and humour, and inducing a mixture of laughter and tears from readers, is especially evident in this book.

    Sebitically Speaking is an irresistible literary tiger nut that every lover of Ghana must chew.

  • The Imported Ghanaian

    With her rose tinted glasses firmly in place, the Imported Ghanaian deluded herself, believing that she could simply waltz into Kotoka International Airport with a grin like the winning ticket in the national lottery, and the band would strike up whilst the jubilant nation screamed, “Akwaaba-o, akwaaba, our sister has returned back to us.” She returned home thinking she was as Ghanaian as any other and that she would fit in snugly with the skills of a chameleon. The reality proved otherwise as she plunged headfirst into the endurance test of living in Ghana, where nothing is ever what it seems. Layer by layer, as if peeling an onion, each ‘coming back home’ cultural reality weaves her through a world where you can never be too sure, where an invitation is not exactly an invitation, where you have to die to find out how popular you are, and where being a Ghanaian and being Ghanaian are often two opposing concepts.

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