• Worshipful

    Worshipful track list:

    1. Yi Na Ye (Praise Medley)

    2. Majie Oyi (feat. Abigail Nkansah)

    3. Oda (feat. Afiba Vanderpuije)

    4. Gye W’ayeyi

    5. Creator, Redeemer, Lord

    6. King of Kings

    7. Interlude (John 3:16)

    8. John 3:16

    9. Mhb 400

    10. Kwemo (feat. Evangeline Gbenartey)

    11. Makpasa Le

    12. Gye W’ayeyi (Reprise)

     

    Worshipful

    10.00
  • Saving Hearts

    Saving Hearts track list:

    1. Revival

    2. Mala

    3. My Helper

    4. Trinity

    5. Saving Hearts (feat. Ijeoma Mekomam)

    6. Faith of Our Fathers (feat. Ben Essel & Joycelyn Armah)

    7. Boundary Lines (feat. Koda)

    8. Coming Back Again (feat. Danny Nettey)

    9. O Holy Night

    10. Woana Na

    11. Mokobe

     

    Saving Hearts

    10.00
  • Hymns Unlimited

    Hymn Unlimited track list:

    1. Benedicite, Omnia Opera

    2. Anwanwa Do (Come Let Us All Unite)

    3. Anwanwa Do (Come Let Us Sing)

    4. Anwanwa Do (And Can It Be)

    5. Sing We the King

    6. Adoremus (All Creatures of Our God and King)

    7Adoremus (O Worship the King)

    8. Adoremus (Praise to the Lord)

    9. Adoremus (When Morning Gilds the Sky)

    10. Adoremus (Saviour, Blessed Saviour)

    11. Adoremus (Fairest Lord Jesus) [feat. Eyra Tamakloe]

    12. Adoremus (Crown Him with Many Crowns)

    13. Ko-Yi-Ko-Ko (O Thou Who Camest from Above)

    14. Malaika (Hark, Hark My Soul) [feat. Dieu Donnee Anyekase]

    15. Cathedral (A Safe Stronghold)

    16. Cathedral (Jesus Shall Reign)

    17. Cathedral (Be Thou My Vision)

    18. Cathedral (Begone Unbelief)

    19. Cathedral (Jesus of Nazareth Passeth By)

    20. Happy Man

    21. Altar Call (Come Sinners to the Gospel Feast)

    22. Altar Call (Hark My Soul)

    23. Altar Call (My Faith Looks up to Thee)

    Hymns Unlimited

    10.00
  • Holy Writings

    Holy Writings track list:

    1. Fa Makoma

    2. You Are Jesus (feat. Kwame Amihere & Harbour City Mass Choir)

    3. Ayeyi Soronko in Eb

    4. Shrine of Our Sanctuary

    5. You Are Beautiful

    6. Been a While

    7. Meeba Lala (feat. Eugene Zuta)

    8. Hello, I Still Love You

    9. Owui Ma Me

    10. The Way (feat. Cwesi Oteng, Koda, Ike Nanor & Sitso “Reazn”)

    11. Hiding Place

    12. Every Single Word (Asem Biara Meka No)

    13. You

    14. Thank You

    15. Safe in You (feat. Rev Joe Beecham & Ewurama Dua Anto)

    Holy Writings

    10.00
  • Moko Bɛ

    Moko Bɛ track list:

    1. None Compares (feat. Danny Nettey & Ike Nanor)

    2. Moses’ Song

    3. Woana Na (feat. Nana Yaa Amihere)

    4. Moko Be

    5. Moko Be (Reprise)

    6. Kwemo (Teaser)

    7. Praise Joint

    8. Wontse Bo

    Moko Bɛ

    10.00
  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • Ethnomusicology and African Music: Modes of inquiry and interpretation Vol 1

    The volume in hand deals with modes of inquiry and interpretation broadly organised into sections on theory, and historical and creative studies. The section on theoretical issues comprises papers on: the problem of meaning in African music; musicology and African music; the juncture of the social and the musical; integrating objectivity and experience in ethnomusicological studies; the aesthetic dimension in ethnomusicological studies; universal perspectives in ethnomusicology; and contextual strategies of inquiry and systematisation.

    The section on creative and historical topics covers the following: the history of music in African culture; history and the organization of music in West Africa; historical evidence in Ga religious music; processes of differentiation and interdependency in African music; African musical roots in the Americas; and developing contemporary idioms out of traditional music.

  • My Yadah – Flavours of 50 – Ace Anan Ankomah

    Ace writes music and plays several instruments but calls himself “just a sporadic songwriter and music hobbyist.” He is an Associate of the pioneering, contemporary gospel music group, Joyful Way Inc. and served as its Director of Music & Productions for several years, having a hand in every album produced by the group since 1991.

    Flavours of 50: My Yadah is his first music album.

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