• The Pied Piper and Other Tales: An African Retelling

    Over the years, parents and teachers have complained about African children reading European fairy tales that do not reflect their culture. It is for this reason that I have done a strike-through in the European title of the story of the girl and the seven dwarfs. These European tales, a patrimony of mankind, have been retold to help assuage these cultural concerns.

  • Bolga By Bus

    A teenager sets on a long journey to find his father who abandoned his mother more than nine years ago. His journey takes him through the cultural and physical landscape of Ghana. He finally meets his uncle and grandmother. This meeting changes his life.

    Bolga By Bus

    50.00
  • Emigrant

    The unquenchable desire of every young Ghanaian man is to have regular delicious sex and to get a visa to a European or North American country. He would pray fervently to God so long as He owes him his wants. But if enemy spirits, like a dictatorial father, deny him the chance to leave Ghana, he would stay, fleece the country, have more sex, and watch European football. For these desires, he’d make a fetish of the church or the mosque. Joseph Adenera Akolgo was one such young man.

    Emigrant

    70.00
  • Cinderella and Other Tales: An African Retelling

    Over the years, Parents and Teachers have complained about African children reading European fairy tales that do not reflect their culture. These European tales, A Patrimony of mankind, have been retold to help assuage these concerns.

  • Xornam Xonexoe

    Kojo Acheampong is thrilled to be going back to school but his first day goes from bad to worse to worst, so quickly that he doesn’t think his final year in primary school will be a good one. However, everything changes when he meets Xornam Xonexoe.

    Xornam Xonexoe

    30.00
  • Sela Gets a Haircut

    Sela wants to look perfect for his parents’ ceremony but what does he do when there’s no time to get a haircut?

  • DNA: Origins

    In DNA: ORIGINS, the life of a biologist and his wife an archaeologist are set into utter mayhem and panic when they both receive debilitating news about an onslaught against their children that had been averted in an arcane way. This situation sets the premise for the novel, as it spins the couple (the man and his wife) on a journey to discover the cause of their genetic mutation that has endowed them and their children with paranormal abilities.

    DNA: Origins

    85.00
  • Pleasantview

    Winner of the 2022 OCM Bocas Prize for Caribbean LiteratureWinner of the 2022 CLMP Firecracker Award in Fiction. Shortlisted for the Society of Authors’ McKitterick Prize 2022

    Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

    Come during election season, and see how one candidate sets out to slaughter endangered turtles- just for fun. Or come on the day the other candidate beats his outside woman,’ so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

    Written in a remarkable combination of Standard English and Trinidad Creole. Pleasantview showcases the entrenched political, racial, patriarchal, and class dichotomies of life in Trinidad.

    Pleasantview

    150.00
  • Sànyà

    She could either be the saviour of her people,
    or the destroyer of their world.

    Sànyà always felt different. And everyone that knew her—the people in the village she grew up in, her beloved brother, Dada, her Aunt Abike, and even her parents before she was born—knew that there was something special about her, too. After an unspeakable tragedy causes her to leave home and grow up too soon, she is devastated to find that her incredible powers are linked to a future which she must fight, even at the cost of her very soul. She begins life anew, hoping that the dark prophesy would somehow rewrite itself. Soon, however, her carefully crafted life and identity becomes the catalyst for a deadly war that will tear her family apart, and doom everything she holds dear.

    Oyin Olugbile’s masterful debut tells the story of dangerous love—lost, found, and lost again—all against the backdrop of a fantastical, enthralling empire that holds even the Òrìsà themselves spellbound.

    Sànyà

    160.00
  • The Five Sorrowful Mysteries of Andy Africa

    Fifteen-year-old Andrew Aziza lives in Kontagora, Nigeria, where his days are spent about town with his droogs, Slim and Morocca, grappling with his fantasies about white girls–especially blondes–and wondering who his father is. When he’s not in church, at school or attempting to form ‘Africa’s first superheroes’, he obsesses over mathematical theorems, ideas of black power and HXVX: the Curse of Africa.

    Sure enough, the reluctantly nicknamed ‘Andy Africa’ soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on, Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man claims, despite his mother’s denials, to be Andy’s father, and the gathering of an anti-Christian mob is headed for the church—both set to shake the foundations of everything Andy knows and loves.

    The Five Sorrowful Mysteries of Andy Africa announces a dazzling, distinctive, new literary voice. Profound, exhilarating and highly original, this tragicomic novel is a stunning exploration of the contemporary African ‘condition’, the relentless infiltration of Western culture and, most of all, the ordinary but impossible challenges of coming of age in a turbulent world.

    The Five Sorrowful Mysteries of Andy Africa won second prize in the 2020 Deborah Rogers Foundation Writers Award while still in manuscript form.

  • Adisa: A Lost Hope

    Age Range: 8 – 12 years

    After years of trying to conceive, Mr and Mrs Salifu are blessed with a beautiful and intelligent daughter, Adisa. All is well until she meets the deceitful Ben Brisco who takes her life on a downward turn.

    This short story summarises the vulnerability of many young girls and women who are often lured into unhealthy relationships and are trafficked to work under horrible circumstances, sometimes even as sex slaves. The damage done these people is sometimes irreparable and can mar them for life.

    The story emphasises the need to educate girls very early on in their development, to be cautious in their love relationships especially with men who may seem too good to be true.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • A Bird on the Rose

    “A child must attempt to break a snail, not a tortoise,” the elders have advised. But when Kofi Abbam and Rose Mana meet in inter-schools athletics’ competition, they are eager to defy tradition.

    At a very tender age, and still in school with no means of subsistence, they decide to break a tortoise instead of a snail by engaging in an illicit affair. They drop out of school and get married, and as their children start arriving, their woes keep piling. Lack of subsistence causes these star-crossed lovers to engage in constant fights.

    When Mana can endure it no more, she leaves the marriage with her children and refuses to come back home. Abbam who can’t endure the separation for a long time decides that both of them deserve to live no more.

  • A Tale of Two Boys

    Ajesiwor and his half-brother Padi, their rivalry mothers, and a troubled father live in the village of Ayimesu. A woman kills her own son instead of her rival’s son. What happened? This is a story of a household with lots of problems which teaches the need for peaceful association with our family members.

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