• Names

    Adwoa (A-joa) comes home from school upset. Mom learns Adwoa’s name was mispronounced again, but this time in front of the entire school. Mom knows it is hard to say some names and even she, has struggled sometimes.

    Mom and Adwoa talk about what to do when someone says her name incorrectly. Thoughtful, kind people in the world will want to practice saying a name because behind that name is a real, breathing, living person.

    All proceeds will be donated to the R&F Foundation Ghana.

    Names

    70.00
  • The Teller of Secrets (HarperVia Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • New Currency: A Historical Novella

    New Currency: A Historical Novella celebrates Akan social norms and values, particularly the “wonderful feeling of togetherness” and communal living, uniquely associated with the extended family system and invites the reader to be culturally sensitive and to worry about the Ghanaian culture degradation.

    Apart from capturing the chilling, historical realities of the 1979 demonetisation, it successfully regains and celebrates the otherwise fading, but precious extended family values.

    In the book, the seasoned author chronicles some aspects of the harrowing military rule of 1979, and narrates the ordeal of a woman about to lose an entire lifetime savings. Specifically, it recounts the widespread commotion and hardships associated with the introduction of a new monetary currency in Ghana from March 13–26, 1979.

    The historical novella, set in Sunyani, the Brong-Ahafo regional capital in the same year, captures the widespread public despondency and turbulence associated with the exercise.

    The book provides some insight into the period of the country’s history for adults who lived through the turbulence of 1979 as a necessary reminder; and to the present-day youth some awareness of the happenings then.

    The thrilling lime green-looking book with yellow and white title inscription on the cover, and thinly opaque adinkra symbols – Mpatapo (knot of reconciliation) and Sesa wo suban (change or transform your life), reflects the theme of the book published by Smartline Publishers.

  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • The Smooth Illusion

    Age: 18+

    Set in the city of Accra , a young, beautiful and sensual woman is discharged from a hospital where she was brought in unconscious with blunt force trauma to her head. Alone and penniless on the streets of Accra, she resorts to selling herself to men, oblivious to the fact that dangerous people are out looking for her.

    Illustrations available in Black and White

  • A Time to Part

    Age Range: 13+ years

    The Ayi Kwei Armah Novel 1st Prize” Award Winner, GAW Awards 2018 
    She’s chasing shadows, running from the past. He’ll be there to catch her when she falls.
    Seven years ago, Jasmine left everything she knew behind. Her mother was dead, her father was terminally ill, and she had broken Hagan, the only man who ever loved her. It was the perfect time to start over. Except she never left any of it behind. When an echo from the past and the search for a killer pull her back into the chaos, she’ll have to decide if letting go is too high a price to pay for her life.
    This is a story of second chances, of love that survives the worst, and the fight to hold on to the light, in the face of darkness.

    A Time to Part

    30.00
  • At Nineteen: Bracing the Odds of Teenage Pregnancy

    COMPELLING, REVEALING and HEART-WARMING, this is a memoir that will resonate with you forever.

    When a young teenage mother sets out on a lonely path to care for herself and her unborn child in an unfavourable environment, she manages to continue her education after the birth of her child, despite the loss of her father, who was her most important support system.

    She manages to give her child the best of everything with the support of family and a few close friends. But as fate would have it, the worst was yet to come.

    Hers is a tale of suffering and survival.

    A book that inspires strength and character through adversity and challenges in life.

  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Hope

    She grows up in a village in Ghana. Efia questions the things around her but she must learn to live with the rich but rigid culture.
    When she boards the flight to pursue a law degree at Harvard, little does she know what shocking punches life will throw at her in Boston. She returns home armed with a Law Degree, only to realize there is so much more to life in Africa, than her “book knowledge”.

    Efia falls for Big Joe. He is a great lover but he comes with great trouble. Is he also dating the only daughter of one of the wealthiest men in Ghana, the ruthless Alhaji Yusif?  Alas, Efia is already pregnant.

    Alhaji is not one to forgive… He does not.

    Ansah, Efia’s brother steps in with a plan. His sister does not deserve this.

    The yam that will burn, will burn boiled or roasted.

    Victims of Hope

    50.00
  • Notes on Amma Darko’s Faceless

    This book, Notes on Faceless, is intended as a study guide for students of Amma Darko’s novel, Faceless. Readers of Faceless go back again and again to this novel because it makes them feel and think about many issues in the book that relate to what happens around them. A good work of fiction allows us to imaginatively participate in what it means to be part of human society. Fiction “holds up a mirror” to us about life. It is therefore important to be able to understand and explain, as well as becomes more alert to how literature works. This book aims to help you do so, focusing on Faceless.

    Notes on Faceless discusses what Darko does in Faceless and how she does it: the plot of the story, its setting, characterization, theme and style. Like every other field of study, literature has a special vocabulary that is used by all good students of the subject. Therefore, while discussing the essential elements in Faceless (i.e. plot, setting, etc.), this book also introduces you to some of the important literary terms or technical vocabulary used in reading literature. The goal is to make you familiar with the right language for talking and writing about a work of literature and to teach you how to use this language in your own reading and writing.

    This book takes you further into your study of literature by guiding you to use suitable vocabulary to actually talk and write about a work of literature. After walking you through a discussion of each element, Notes on Faceless gives you practice in writing about Faceless in particular and literature in general.

  • Just Between Us: Highly Sensitive Matrimonial Love Letters

    If you had the opportunity to write a critical letter to your spouse, what would the content of that letter be, especially if no one else but just the two of you would ever know what you wrote?

    In Just Between Us, twenty-four love-constrained people, having travelled several years into their matrimony, write letters to their spouses, revealing top secrets, scandalous confessions, bizarre observations, childish suspicions, irreversible regrets, real fear, unbelievable actions, and even laughable inhibitions – all of them quite shocking and a bit disturbing.

    “This is a work of fiction,” admits the author, “the figment of a fertile imagination.” Yet, this product of the author’s thought is so real that it will challenge your own wildest ideas about matrimonial relationships.

    You will find the stories in these letters to be highly sensitive and sometimes uncomfortable, but they are unforgettable and deeply touching.

  • The Teller of Secrets (Ouida Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00

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