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Kojo Writes a Story
Age Range: 6 – 10 years
With just days to the end of the mid-term break, all Kojo had was blank pages and no story to present to Mrs. Appiah his teacher. Their assignment was to come up with a story and present it in class. His friends were counting on him to help them write their stories. Meanwhile, Annie, his sister, made fun of him and his friends for not having a story. His father helped him with an idea. Kojo sprung a surprise in class, this was inspired by his sister’s mockery, his father’s guidance and his creative abilities.
₵38.00Kojo Writes a Story
₵38.00 -
Untold Stories: Volume I
An anthology of short stories and poems by students from African University College of Communication, Ghana Institute of Journalism and Accra Technical University.
₵35.00Untold Stories: Volume I
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The Lockdown: Creative Non-Fiction about Living with Covid-19
An anthology of 16 short creative nonfiction accounts about living with Covid-19 in 2020 by various authors.
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The Daughters of Nandi
As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.
Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.
Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?
An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.
₵100.00The Daughters of Nandi
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The Enemy of the State and Other Stories
Set in the fictional African country of Ghaspata, a country a bit too suspiciously like Ghana, these eleven short stories hinge on themes of identity, violence, love and cruelty, fear, desperation, and man’s search for happiness and meaning.
Adolika Nenah Sowah’s quirky imagination produces an oddly familiar world, laced with bolts of striking new realities that the author weaves into her stories – a teacher strangled by the very trees whose branches he uses to cane children, and a mysterious okro plying the skies of Ghaspata.
Compelling, ironic, bizarre, and immensely humorous, The Enemy of the State and Other Stories is sure to leave readers highly entertained.
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The Smooth Illusion
Age: 18+
Set in the city of Accra , a young, beautiful and sensual woman is discharged from a hospital where she was brought in unconscious with blunt force trauma to her head. Alone and penniless on the streets of Accra, she resorts to selling herself to men, oblivious to the fact that dangerous people are out looking for her.
Illustrations available in Black and White
₵30.00The Smooth Illusion
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Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)
This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.
The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.
There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.
Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.
“These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin
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The Law Is An Ass: A Collection of Short Stories
“They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City
“These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor of The Guardian on Sunday
“The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer
“Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us an entertaining and educative read that is vivid, engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults
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The Madhouse
A house brings two unique people together by the unlikeliest of chances. In their union, that of an almost priest and a prodigal daughter, two brothers whose bond transcend the laws of nature are born.
André and Max have a seemingly blissful life until the boys start sharing dreams and their lives begin to unravel. Murderous thoughts, manic dreams, and their somewhat unbreakable wandering between reality and reverie, would lead them down unknown paths that threaten to severe their family ties.
In this exhilarating and dreamy narration set against the backdrop of a tumultuous era of military rule in Nigeria, TJ Benson weaves a spellbinding tale about the clashes between cultures, the impact of fragile political situations on everyday people, and the lengths we are willing to go in order to save our loved ones.
₵135.00The Madhouse
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We Won’t Budge
Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.
In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.
This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.
It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.
“With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)
“We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)
₵85.00We Won’t Budge
₵85.00