• Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Where’d You Go?

    Where’d You Go? is a collection of short stories about terrorism in Northern Nigeria. From Captain Shola and his men who are ambushed by killer herdsmen while on patrol, and need to hold their ground; to a retired Special Forces officer who leads his men to protect his village and its environs from killer herdsmen; to Lieutenant Colonel Abel whose team had to extend their tour by two days to escort the Senate President’s daughter to an IDP Camp and then wait out an assault by Boko Haram insurgents; to Kunle Pierce who is a CIA operative, but comes to avenge the murder of his brother-in-law by the Boko Haram sect; to the Corps members caught in a post-election violence and fight back; and then there is Halima, an abducted girl from Chibok who suffers from Stockholm syndrome, and tries to settle down to normalcy after her release with some other girls.

     The stories are action-packed, depicting loss, justice, vengeance, bravery, courage under fire, sacrifice and patriotism.

  • The Death of Vivek Oji

    Named one of the year’s most anticipated books by The New York Times, Harper’s Bazaar, BuzzFeed, and more

    They burned down the market on the day Vivek Oji died.

    One afternoon, a mother opens her front door to find the length of her son’s body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek’s birth, the day his grandmother Ahunna died. It is the story of an overprotective mother and a distant father, and the heart-wrenching tale of one family’s struggle to understand their child, just as Vivek learns to recognize himself.

    Teeming with unforgettable characters whose lives have been shaped by Vivek’s gentle and enigmatic spirit, it shares with us a Nigerian childhood that challenges expectations. This novel, and its celebration of the innocence and optimism of youth will touch all those who embrace it.

  • Taduno’s Song

    The day a stained brown envelope arrives from Taduno’s homeland, he knows that the time has come to return from exile.

    Arriving full of trepidation, the musician discovers that his community no longer recognises him, believing that Taduno is dead. His girlfriend Lela has disappeared, taken away by government agents. As he wanders through his house in search of clues, he realises that any traces of his old life have been erased. All that was left of his life and himself are memories. But Taduno finds a new purpose: to unravel the mystery of his lost life and to find his lost love. Through this search, he comes to face a difficult decision: to sing for love or to sing for his people.

    Taduno’s Song is a moving tale of sacrifice, love and courage.

    Taduno’s Song

    125.00

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