• The Contractor

    For your eyes only.

    A jihadist group in the Middle East teams up with rogue Russian generals to take out a sitting United States president whose policies threaten a major shift in global nuclear power. They must stop him, even if that means assassinating the president and destroying that symbolic edifice of American power, the White House.

    They send in a specialist, Nabil Hamdoon, a.k.a. The Contractor. He has a 100% mission success rate.

    NSA, DHS and the FBI pick up chatter but are clueless in the mad scramble to locate and neutralize the Contractor as he spreads mayhem and death across Illinois, Maryland and the District of Columbia. He looks set to accomplish his mission as an increasingly desperate FBI and Secret Service dog his heels.

    Could one woman stop him?

    The Contractor

    85.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Lagos to London

    A tale of two Nigerian students Remi Coker and Nnamdi Okonkwo from different backgrounds who leave the shores of Nigeria full of hope to further their education abroad. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

    The story follows their journey of newfound freedom, self-discovery, hope, unexpected turns, lessons, and the realities of life in the United Kingdom.

    Lagos to London

    85.00
  • In the Company of Men

    Harper’s Bazaar: Best Book of the Year
    Boston Globe: Best Book of the Year
    Ms. Magazine: Best Feminist Book of the Year
    Words Without Borders: Best Translated Book of the Year

    Drawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.

    Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

    In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

    Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.

  • The Enemy of the State and Other Stories

    Set in the fictional African country of Ghaspata, a country a bit too suspiciously like Ghana, these eleven short stories hinge on themes of identity, violence, love and cruelty, fear, desperation, and man’s search for happiness and meaning.

    Adolika Nenah Sowah’s quirky imagination produces an oddly familiar world, laced with bolts of striking new realities that the author weaves into her stories – a teacher strangled by the very trees whose branches he uses to cane children, and a mysterious okro plying the skies of Ghaspata.

    Compelling, ironic, bizarre, and immensely humorous, The Enemy of the State and Other Stories is sure to leave readers highly entertained.

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • DNA: Origins

    In DNA: ORIGINS, the life of a biologist and his wife an archaeologist are set into utter mayhem and panic when they both receive debilitating news about an onslaught against their children that had been averted in an arcane way. This situation sets the premise for the novel, as it spins the couple (the man and his wife) on a journey to discover the cause of their genetic mutation that has endowed them and their children with paranormal abilities.

    DNA: Origins

    85.00
  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • Divine Love

    In a world filled with intolerance, uniting people to accept each others diversity has never been more difficult and more necessary. Despite those differences two people are able to rise above them to see what really matters above all else; their shared humanity.

    Khadijah Ibrahim, a young Muslim activist on a journey of self-discovery to find her true purpose stumbles upon Frank, an atheist constantly searching for the truth about religion.

    Divine Love

    90.00
  • Blackass

    Furo Wariboko – born and bred in Lagos – wakes up on the morning of his job interview to discover he has turned into a white man. As he hits the city streets running, still reeling from his new-found condition, Furo is amazed to find the dead ends of his life wondrously open out before him.

    As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, his ass remains robustly black…

    Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    Blackass

    95.00
  • The Whispering Trees

    The magical tales in The Whispering Trees capture the essence of life, death and coincidence in Northern Nigeria. Myth and reality intertwine in stories featuring cat-eyed English witches, political agitators, newly-wedded widows, and the tormented whirlwind, Kyakkyawa. The two medicine men of Mazade battle against their egos, an epidemic and an enigmatic witch. And who is Okhiwo, whose arrival is heralded by a pair of little white butterflies?

  • London Capetown Joburg

    1994. The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . .

    London. Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley.

    South Africa. A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

  • The Hate U Give: Collector’s Edition (Hardcover)

    This collector’s edition of the acclaimed, award-winning novel contains a letter from the author, the meanings behind the names in the book, a map of Garden Heights, fan art, the full, original story that inspired the book, and an excerpt from On the Come Up.

    8 starred reviews ∙ Goodreads Choice Awards Best of the Best  ∙  William C. Morris Award Winner ∙ National Book Award Longlist ∙ Printz Honor Book ∙ Coretta Scott King Honor Book ∙ #1 New York Times Bestseller!

    “Absolutely riveting!” —Jason Reynolds

    “Stunning.” —John Green

    “This story is necessary. This story is important.” —Kirkus (starred review)

    “Heartbreakingly topical.” —Publishers Weekly (starred review)

    “A marvel of verisimilitude.” —Booklist (starred review)

    “A powerful, in-your-face novel.” —Horn Book (starred review)

    Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

    Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

    But what Starr does—or does not—say could upend her community. It could also endanger her life.

  • Zeb Silhouette

    Zeb Olima Jefferson is a bold and inspiring character. Determined to live her life according to her own rules, she travels from a dangerous relationship in Nigeria to life as an immigrant in America and then back to Nigeria again. There she faces a challenge that threatens her very sanity. This is a moving, shocking and compelling novel.

    Zeb Silhouette

    100.00
  • Truth is a Flightless Bird

    Obama comes to Kenya!

    The American president’s historic visit to Nairobi is the electric backdrop to the story of a pastor, who plunges into the slums to rescue the woman he loves from the clutches of a Somali drug lord.

    But how deep can the pastor go, without destroying his faith, and himself?

    Truth is a Flightless Bird is a brutal love letter to the frontier town that is present-day Nairobi: a studied observation of the the failure of bare-knuckled capitalism, the inequality machines our cities have become, and – ultimately – the profoundly irrational human capacity to hope, to risk everything in order to have something in which to believe.

    With Truth is a Flightless Bird, Hussain establishes a remarkable voice, one truly his own.

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