• The Five Sorrowful Mysteries of Andy Africa

    Fifteen-year-old Andrew Aziza lives in Kontagora, Nigeria, where his days are spent about town with his droogs, Slim and Morocca, grappling with his fantasies about white girls–especially blondes–and wondering who his father is. When he’s not in church, at school or attempting to form ‘Africa’s first superheroes’, he obsesses over mathematical theorems, ideas of black power and HXVX: the Curse of Africa.

    Sure enough, the reluctantly nicknamed ‘Andy Africa’ soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on, Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man claims, despite his mother’s denials, to be Andy’s father, and the gathering of an anti-Christian mob is headed for the church—both set to shake the foundations of everything Andy knows and loves.

    The Five Sorrowful Mysteries of Andy Africa announces a dazzling, distinctive, new literary voice. Profound, exhilarating and highly original, this tragicomic novel is a stunning exploration of the contemporary African ‘condition’, the relentless infiltration of Western culture and, most of all, the ordinary but impossible challenges of coming of age in a turbulent world.

    The Five Sorrowful Mysteries of Andy Africa won second prize in the 2020 Deborah Rogers Foundation Writers Award while still in manuscript form.

  • Revenge from the African Jungle

    When killing others becomes a business, there is no stopping it. Such was the case of Bariki. He killed them without compassion. Out of their agony, he made abundant wealth and fame.

    The pain and the threat of being annihilated by just one man and his dog dominated their daily discourse.

    There seemed to be no survival in this vulnerable situation. Suddenly, the tides turned on one fateful day. They convened in their jungle and mapped out a deadly strategy. It was payback time; it was time for revenge.

    Can Bariki survive?

  • No Be From Hia

    A homecoming tale of a family brought together by migration and torn apart by tragedy and secrets. In a search for identity, love and acceptance – two ordinary girls travel from London to Lusaka to Lagos in order to save their family and discover their destiny.

    Meet the Ayomides and the Kombes – Zambian-Nigerian-Jamaican powerhouse families brought together during the post-colonial migration of the 1960’s to the UK – and later separated by death, divorce and betrayal. Scattered between London, Lusaka, and Lagos, only the new generation can save this family.

    Maggie Ayomide and Bupe Kombe are cousins on either side of the world who couldn’t be more different. Zambian-Nigerian and Zambian-Jamaican, both yearn for their disbanded family to reunite. When Bupe leaves Brixton to go to secondary school in Zambia, she brings light and disorder to Maggie’s world. However, the girls are hindered by dark family secrets such as the mysterious death of their late grandmother, and Maggie’s missing Nigerian father.

    From the blazing streets of Brixton riots to multi-party elections in Zambia to glitzy Independence Day celebration and adventurous nightclubs in Lagos, this heartwarming story breathes life into the modern-day result of postcolonial Africa and 20th Century migration as it follows two ordinary girls trying to find their identity and reunite their family.

    No Be From Hia

    185.00
  • Adventurous Dentaa: A Travel Journal

    From class trips, to exchange programmes, to concerts, to fully sponsored tours, this piece of nonfiction spans about 7 years in my life where I had the opportunity to visit 3 different countries; Burkina Faso, Canada and South Africa.

    I believe there is a lesson to be learnt from every experience one goes through and that is what I share in this book; my experiences on these trips and the lessons I learnt from each.

  • Untold Stories: Volume I

    An anthology of short stories and poems by students from African University College of Communication, Ghana Institute of Journalism and Accra Technical University.

  • The Lockdown: Creative Non-Fiction about Living with Covid-19

    An anthology of 16 short creative nonfiction accounts about living with Covid-19 in 2020 by various authors.

  • Conversations About Race: Humanity Chats

    This book is for all of us.
    Introductory yet meaningful, civil, and non-political conversations about our humanity.

    Conversations about Race is a follow-up to the race-related conversations on the Humanity Chats podcast.
    May these conversations help us broaden our lens.

    The Human Oath

    We are humans
    Descendants of one species
    Connected in ways we cannot comprehend

    We are humans
    From all around the world
    One kind only
    And that is humankind

    – The Shimmigrant, 2019

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • The Law Is An Ass: A Collection of Short Stories

    “They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City

    “These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after  paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor  of The Guardian on Sunday

    “The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer

    “Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us  an entertaining and educative read that is vivid,  engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults

  • Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

  • The Riddle of The Oil Thief

    It is the untold story of several decades of oil and gas exploitation in the Niger Delta of Nigeria. It x-rays the root causes of insecurity in Nigeria and presents the recipe for the restoration of peace in Nigeria and the entire West African Sub-region.

  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Abu Goes to School

    Abu had always wanted to go to school but nobody would listen to him because he was physically challenged. He finally went to school but latter stopped. What made him stop school? Can he afford to come back to the school?

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