• A Saint in Brown Sandals

    Age Range: 8 and 11 years

    Eleven-year old Rabi thinks it would be wonderful to be like her classmate Maybelline – rich, pretty and popular with everyone in school. As her school’s big event on television draws closer, Rabi realises she has only one chance to be a star. Where she will shine best? Will it be if she follows in Maybelline’s dainty footsteps? Or will it be if she dares to run along as herself?

  • Folktale Book Set (5 books)

    Including one comic.

    A client remarked: “Can you believe my girl had never heard of these Ananse stories before [reading the set I bought from you?]”

    Don’t let your children miss this important Ghanaian heritage.

    Books in this set (5 books – may vary due to availability of titles)

    Ananse and the Sticky Gum (comic)

    Ananse’s Justice

    Why The Dog Has a Hollow Stomach

    Ananse and the Pot of Wisdom

    The Contest and Other Spiderman Tales

    Folktale Book Set (5 books)

    105.00115.00
  • Recipe For Light Soup

    Age Range: 6 – 10 years

    My Auntie Halima is the best cook in all of Tamale. All the women and labourers like to eat at her food bar. But guess what happens that afternoon the neighbourhood dogs start barking loud? Join Auntie Halima, Brother James, Mama Abena and Foreman Out and his men in this enjoyable tale about Tamale’s best food bar.

  • I Speak of Ghana

    It’s a rare person who can be both funny and wise at the same time. Yet that is exactly the way to describe Nana Awere Damoah’s writings in this small but compelling short story collection about contemporary life in Ghana. In it the reader will find Ghanaman in traffic, or Ghanawoman paying the corrupt policeman. Either way, one knows these are the words of a master story teller who handily blurs the lines between laughing so hard it makes one cry, or crying so hard it makes one laugh.

    I Speak of Ghana is an honest journey of deft oration replete with the sounds (from the harmonious to the cacophonic), smells (including the pleasant and unpleasant), sights (from the eye-catching to the embarrassing), frustrations, triumphs and the mundane – everything that makes the Ghanaian experience finds its way into this book. Unlike the typical ranting about Ghanaian situations, Nana performs an insightful examination of the heart of the matter. Dissimilar to empty praise, Nana thoroughly embraces the issues that give us hope as people connected to Ghana. Narrated with humor, the book is Nana’s eloquence at its best.

  • Things Fall Apart (African Writers Series, AWS1)

    Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy.

    Chinua Achebe’s stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe’s landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.

  • My First Coup d’Etat: Memories from the Lost Decades of Africa

    My First Coup D’Etat chronicles the coming-of-age of John Dramani Mahama (former President of Ghana) in Ghana during the dismal post-independence ‘lost decades’ of Africa. He was seven years old when rumours of a coup reached his boarding school in Accra. His father, a minister of state, was suddenly missing, then imprisoned for more than a year.

    My First Coup D’Etat offers a look at the country that has long been considered Africa’s success story. This is a one-of-a-kind book: Mahama’s is a rare literary voice from a political leader, and his stories work on many levels – as fables, as history, as cultural and political analysis, and, of course, as the memoir of a young man who, unbeknownst to him or anyone else, would grow up to be vice president of his nation. Though non-fiction, these are stories that rise above their specific settings and transport the reader – much like the fiction of Isaac Bashevis Singer and Nadine Gordimer – into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.

    An important literary debut from the then Vice President of Ghana, a fable-like memoir that offers a shimmering microcosm of post-colonial Africa.

    ‘A much welcome work of immense relevance.’ ~ Chinua Achebe

  • The Dorm Challenge

    Age Range: 9 years and above

    One bad friend and one desperate friend.

    Mercy could change their lives.

    The problem is she doesn’t know it.

    Mercy isn’t going to embarrass herself by speaking in a school competition just so her House can win the Dorm Cup.

    No way!

    There are better things she could do− like hanging out with her ultra-cool buddy Perry.

    But when she is thrust into the Dorm Challenge she discovers that the prize for speaking up is more precious than a trophy. And the prize for listening properly can mean more than anything in the world.

  • The Beautyful Ones Are Not Yet Born (African Writers Series, AWS43)

    01
    A railway freight clerk in Ghana attempts to hold out against the pressures that impel him toward corruption in both his family and his country. The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.
  • No Roses for Sharon (Peggy Oppong Novel)

    Jabez and Sharon start off as childhood friends. As they grow up Sharon becomes a beautiful young lady with whom Jabez falls madly in love. Just when he decides to propose love to her, a much sought-after young Doctor comes in to sweep her off her feet leaving Jabez shattered. No amount of pleading influences Sharon whose mind is made up as she sees in the young doctor her only door to fame and luxury.

    Jabez, seeing Sharon’s attraction to the doctor, decides to pursue a course in medicine solely to win her over. He goes to Canada to pursue his dream and Sharon’s marriage to the young doctor ends in disaster. She moves to the city to work as a model and enters into another ill-fated relationship. Frustrated, Sharon turns her attention back to Jabez, the man she is finally convinced will always be there for her.

    Jabez’ mother is determined her son will not marry Sharon, the gold digger, and finds a beautiful, soft-spoken undergraduate for him. Will Jabez forget entirely about his childhood sweetheart with whom he’d shared the joys and pains of life or will he succumb to his mother’s pressure and the impeccable character and great beauty of his mother’s choice?

  • The Girl Who Can (African Writers Series)

    In The Girl Who Can, the irrepressible Ama Ata Aidoo looks at the roles and rules, and the games people find themselves playing, often unwillingly. She analyses African women’s struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.

    In this collection of short stories, Aidoo elevates the mundane in women’s lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child’s perspective, Aidoo subverts the traditional beliefs and assumptions about the child’s voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

  • The Step-Monster

    Everyone knows stepmothers are bad, wicked and just plain evil. Buerki Puplampu cannot believe that her widowed father is getting remarried when her mother has not even been dead for long! She just knows that Naadu Nartey is wrong for her father. It isn’t even because Naadu is bigger than a hippo or because she laughs like a cow or has hair on her face and chest like a cavewoman. She just knows. Some people call that feeling intuition, some call it superstition, soem even say it’s a gift. Call it what you want but Buerki’s gut feelings have never failed her. She vows to do everything in her power to save her younger brother and herself from the fate she knows is awaiting them. They will not be maltreated or abused by this new woman. She will make sure of it.

  • The Silver Spoon (Peggy Oppong Novel)

    05

    Sekyiwaa is a product of a broken home characterised by hardships, heartaches and deprivation. When she receives an all-expenses covered scholarship to study medicine overseas, she sees this not only as the realisation of her life’s ambition but also as the gateway to a bright future. She is determined that nothing will come between her and the fulfilment of this dream.

    Sekyiwaa’s rich fiance, Jeremiah, is determined to marry before the completion of her eleven years of education and pursues this objective relentlessly using all resources available to him — his irresistible charm, time, energy and money — in his efforts to break her resolve.

  • Adventures of Cleopas (Peggy Oppong Novel)

    When Cleopas Onini was born, he had two front teeth and drank a big cup of porridge. At his naming ceremony, his uncle who had lived on top of a tree for 30 years climbed down to witness the occasion. As the family argued about the appropriate name for the baby, eight-day-old Cleopas sat up in his bed and clapped his tiny hands to show his preference for the name his uncle Ofutu announced. Everybody, including the catechist, took to their heels as they witnessed the strange scene. At three months, he could sit up, crawl and talk.

  • The River in the Sea: The Autobiography of Akenten Appiah-Menka

    The River in the Sea is a story of courage, determination, a clear sense of mission and vision on the part of a rural Ghanaian who, from humble beginnings, has risen to the highest echelon in society as a lawyer, an industrialist, a politician and statesman.It is a welcome addition to the limited literature available on the Ghanaian elite; a must read for all lawyers, politicians, academics and the populace at large.

  • The Joys of Motherhood (African Writers Series, AWS227)

    The fourth novel from the Nigerian-born writer, Buchi Emecheta, The Joys of Motherhood is recognised as one of Africa’s 100 Best Books of the 20th Century in an initiative organised by the Zimbabwean International Book Fair.

    First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people.

    The Joys of Motherhood is a powerful commentary on polygamy, patriarchy and women’s changing roles in urban Nigeria.

Main Menu

youtube izlenme satın al - buy youtube views