• My Nightmare

    2018 CODE Burt Award for African Young Adult Literature Finalist
    “As the taxi drove past shacks, shops and buildings; past familiar homes and friends’ stores; past the salon where I was learning to become a hairdresser; past the spot where I sold waakye with Ima; more tears rolled down my cheeks. Zongo was a slum and was notorious for its filth, criminality, and deprivation; yet, this was where i was born. This was home for me. This was where most of my friends were. Whereas people in other parts of Accra saw filth and degeneration in Zongo, I saw love, hope, and beauty. I knew all the good people in Zongo and they were more than the ‘bad’ people I knew. I knew the honest hardworking people in Zongo, many of whom moved from the North to the South in order to build good lives for their children. People like Baba and Ima who left their birth place to come to the South so that their own children would have a good future. Where others saw Zongo as a den of thieves, I saw it as a safe haven. Nobody in this world could man handle me as long as I remained within the safety of its womb.”

    My Nightmare

    48.00
  • Fly, Eagle Fly!

    Age Range: 7 – 12 years

    Fly, Eagle, Fly! is a charming and innovative adaptation of a Ghanaian tale attributed to Dr. James Kwegyir Aggrey – also known as Aggrey of Africa. With a foreword by Archbishop Desmond Tutu.

    After a stormy night, a farmer searching for his lost calf finds a baby eagle that has been blown out of its nest. He takes it home and raises it with his chickens. But when his friend comes to visit one day, he tells the farmer that an eagle should be flying high in the sky, not scrabbling on the ground for grain. A powerful and uplifting African tale of fulfilment and freedom brought to life by stunning illustrations.

    Fly, Eagle Fly!

    48.00
  • The Deliverer

    The Deliverer received a Burt Award for African Literature 2010

    “Drop the stone, young man!” he screamed.

    Osei dropped the stone gently on the ground when he realised that the man had no arms and his garments were torn to shreds. He was a frightful sight to behold. With his chest still heaving up and down with rage he turned to find his friends standing around looking ashamed. “When you are born to kill an elephant, you don’t go bruising your knees chasing rats!” the strange man said.

    The style used in The Deliverer is an interesting way of capturing history in fiction. Set in the Ashanti Kingdom, read about how a handicapped boy grows up to become a hero and the deliverer of his people. High in suspense and a page turner.

    The Deliverer

    45.00
  • The Lion’s Whisper

    2018 CODE Burt Award for African Young Adult Literature Finalist

    Leo and David, both fifteen years old, are neighbours who are divided by more than just a wall. When David unexpectedly reaches out to him, Leo hesitantly accepts and David soon becomes a secret brother, helping Leo overcome a paralysing fear from his past.

    Leo embarks with David on a mission to root out the answer to a mystery that has tormented David for years. Their friendship is tested beyond the wire as bitterness and betrayal pitch their families, and ultimately the boys themselves, against each other.

    Then a bloody military coup rips Leo’s world apart and he has to find courage he never had before and an ally. But after all the years of bitterness, can Leo afford to forgive and trust his family’s enemy?

  • Ebony Girl

    2018 CODE Burt Award for African Young Adult Literature Finalist
    Sometimes, all you need to do is to face your fears with an ashen face and unblinking eyes.
    Not able to contain the tantrums thrown at her due to her ‘unusual’ skin colour, hair texture and height, Asabea’s parents do what they think is best for her — send her to a place where she will fit in. Asabea’s fury and sorrow deepens, not at those who taunt her but with her parents.
    Too angry to fight anymore, she finds solace in her grandmother and a sea of others who challenge her to defy her fears and see the world through a different lens.

    Ebony Girl

    45.00
  • Nana and Me

    Age Range: 2 – 7 years

    An “Honour Book” designation by the 2012 Children’s Africana Book Award jury.

    One hundred Ghanaian children wrote about their  grandmothers, and Kathy Knowles created this story from their words.

    Nana and Me

    42.00
  • Fati and the Old Man

    Age Range: 5 – 7 years

    Who is chasing Fati? This time round little Fati is in trouble with an old man she caught stealing pito. The old man says he did not take the pito but Fati DID see him take pito that was not his…! Who is speaking the truth? Find out in this new Fati episode.

    Fati and the Old Man is sequel to the first book Fati and the Honey Tree and is based on the real life adventures of a young girl growing up in northern Ghana. It has been adapted for print by the Osu Library Fund, an organisation which promotes literacy in Ghana.

  • Cat in Search of a Friend

    Age Range: 7 – 12 years

    The story of how cat became the human’s friend is imaginatively told. Cat wants a friend to protect her and to live with. She learns it is better protection to be friends with stronger creatures so she works her way up the animal kingdom. She first befriends the monkeys, then the chimpanzees, gorillas, leopards, lions, rhinoceros, elephants, the man and then the women – the strongest creatures!

  • Noma’s Sand – A Tale from Lesotho

    Age Range: 7 – 12 years

    The latest new title by Meshack Asare, a prolific and prize-winning children’s author and illustrator, whose books have appeared in many languages and are celebrated throughout the world. Sothulu, a ruthless moneylender, comes to claim back money borrowed by Noma’s father from the family who know nothing of his debts. First he takes Bodo, the family cow and sole source of income. Then he wants to take Noma’s sand, strewn over the courtyard and making it beautiful. But Noma is prepared to fight.

  • The Magic Goat

    Age Range: 7 – 12 years

    The Magic Goat won the 1999 Toyota/Children’s Literature Foundation Best Picture Story Book Illustrator’s Award.

    Beautifully produced and illustrated on art paper, the story tells of a time long ago when there were two great kingdoms in the world: the mighty Animal Kingdom and the Kingdom of People. But Goat and Sheep find in their search for salt, that not all the animals in their kingdom are friendly and well-intentioned.

    The Magic Goat

    40.00
  • Ossie’s Dream

    2014 Second Place Burt Award for African Young Adult Literature

    Ossie and his brother Nana Yaw become destitute when tragedy strikes their family. Ossie refuses to work as a farm labourer and runs away. Six-year-old Nana Yaw is taken away to live as a househelp in the city. Later, Ossie finds himself on the streets of Accra. He strives to fulfill a promise he made long ago against the odds.

    Ossie’s Dream

    35.00
  • Faith of Our Fathers: A Call to Contend for the Christian Faith

    A glance through the Bible reveals a call for God’s people not only to believe and live the gospel but also to safeguard the gospel and ensure that it is passed on to the next generation without distortion or contamination. Indeed, the fiercest battle of the Christian faith has been the battle against error and false teachers. It is against this background that God wants you to contend for the faith which was once and for all delivered to the saints. This book will help you do that effectively.

  • Gizo-Gizo: Tatsuniya daga Tafkin Zongo (Hausa, Hardcover)

    Age Range: 5 – 12 years

    Hausa language edition

    Gizo-Gizo! was awarded Best Book for young people in the 25th Children’s Africana Book Awards.

    In Hausa culture, you always begin telling a story in the same way: The storyteller says, “Ga ta nan ga ta nanku!” “I am about to begin!” And the children respond, “Tazo Mujita!” “We are all ears!”

    Using story as the primary learning, teaching and engagement tool, the Zongo Story Project strives to elevate proficiencies in oral, written, and visual forms of literacy; promote the knowledge building of local history, local culture and local contemporary concerns; and lay the crucial foundation for the acquisition of vital twenty-first century critical thinking skills. The conceptual framework for this project originated out of a larger, community-based initiative called the Zongo Water Project, whose mission is to use water as a way to improve the quality of life for the Zongo.

    Working closely with local teachers, Emily Williamson carried out a series of educational workshops at the Hassaniyya Quranic School in the summers of 2012, 2013, and 2014 to teach students about local water and environmental concerns. Employing the story as the foundational element, Emily engaged students in dialogue, shared readings, performances, writing exercises, and visual art, culminating in community drama performances and original folktales.

    The illustrations and text of this book grew directly out of the work produced in these workshops.

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