• Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • The Wolf in the Flock (Living Scrolls Comics)

    A little lamb learns to be careful around strangers in a hard way. Enjoy this creative adaptation of the warning against wolves in sheep’s clothing.

  • The Chosen One (Living Scrolls Comics)

    Sequel to “At the King’s Party”. Esther is made honorable by her display of good virtues. She replaces Queen Vashti, Find out her secrets of success.

  • 60 Days of Power

    The book begins with a more detailed autobiography of his boyhood by the amiable PZ himself and continues with reflections by contributors on how the Late PZ Aginighan touched their lives. What better way to pay tribute! Each story from the different contributors exposes us to timeless biblical truths, scriptural references, and leadership lessons. As such, the book can be read as a devotional or as anecdotes of the inspirational life of the Odudu of Africa, Late PZ Aginighan.

    The stories were compiled by Dubamo Aginighan, his youngest son and author of Grace Vision and Unity; A Corper’s Story.

  • There is an Elephant in my Wardrobe

    Age Range: 5 – 8 years

    Have you ever wished for someone who will listen to your worries? Adun does. When an elephant arrives at her home, Adun is happy to have a new friend with big ears. Adun’s happy feelings go away when Erin the elephant begins to eat her clothes. Friends should be kind to one another. How will Adun make the elephant leave her wardrobe when it is stronger than her?

     

  • Aníké Elèko

    Age Range: 7 – 12 years

    Aníké has to hawk èko every morning but that does not stop her from going to school. She loves school and wants to be a doctor.

    However, her mother has decided her fate: once she finishes primary school, she will join her Aunt Remí in the city as a tailor.

    When a mystery guest visits Àníké’s school, she has the chance to win a scholarship that will change her fate. Will the help of her friends Oge, Ìlérí and Àríyo the cobbler be enough?

    Written by Sandra Joubead and illustrated by Àlàbá Ònájìn, ÀNÍKÉ ELÉKO tells a colourful story
    of one girl’s courage in the face of opposition to her dreams.

     

    Aníké Elèko

    40.00
  • An Orchestra of Minorities

    The “superb and tragic” Booker Prize finalist about a Nigerian poultry farmer who sacrifices everything to win the woman he loves, by the author of The Fishermen (Boston Globe)
    Set on the outskirts of Umuahia, Nigeria and narrated by a chi, or guardian spirit, AN ORCHESTRA OF MINORITIES tells the story of Chinonso, a young poultry farmer whose soul is ignited when he sees a woman attempting to jump from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his prized chickens into the water below to express the severity of such a fall. The woman, Ndali, is stopped her in her tracks.

    Bonded by this night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family and struggles to imagine a future near a chicken coop. When her family objects to the union because he is uneducated, Chinonso sells most of his possessions to attend a college in Cyprus. But when he arrives he discovers there is no place at the school for him, and that he has been utterly duped by the young Nigerian who has made the arrangements.. Penniless, homeless, and furious at a world which continues to relegate him to the sidelines, Chinonso gets further away from his dream, from Ndali and the farm he called home.

    Spanning continents, traversing the earth and cosmic spaces, and told by a narrator who has lived for hundreds of years, the novel is a contemporary twist of Homer’s Odyssey. Written in the mythic style of the Igbo literary tradition, Chigozie Obioma weaves a heart-wrenching epic about destiny and determination.

  • White Lagos

    From specially crafted attires in designated colours, to roles played by maskers and carriers, to competitions among Eyo ‘families’, to rules which must be followed to the letter, Pelu Awofeso unpacks intimate portrayals of the festival as an outsider-cum-observer.

    White Lagos

    55.00
  • Nigerian Festivals: The Famous And Not So Famous

    Local festivals have always been an attraction for international visitors to Nigeria. While some (like Durbars) are very well known abroad, quite a number of others (Puusdung, for example) are not. This book brings ‘under one ‘roof’ an interesting selection of these cultural fiestas, which take place year round and hundreds of kilometres apart.
  • Route 234

    A collection of stories from Nigerian journalists detailing personal experiences while on journeys outside Nigeria.

    Route 234

    55.00
  • Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • The Diary of a Boy Soldier: Creed of Brotherhood

    Alexander Emmanuel’s boy soldier story means a lot to many people: for soldiers, it is their story told; for non-military personnel, it provides a new way of looking at the military. Whichever you are, you are sure to fall in love with Ayorinde Olanrewaju Banks, the lead character, as you follow him on his many adventures.

    The Creed of Brotherhood is the totem that binds Boy Soldiers of the Nigerian Military School, Zaria.
  • The Last Carver

    Ositadimma Amakeze has been heralded as the modern-day Achebe. In The Last Carver, he narrates the story of a community, their culture, and the need to always keep tradition alive.

    The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba’s eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period.

    “I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel.” — Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka

    “It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. A gazetteer of good backgrounds with a soupcon of nostalgic traditions, Amakeze joins the league of modern African cultural writers with a bang!” — Ijoma Onuorah-Anyakwo, Journalist

    The Last Carver is reliving Our Cultural Heritage to impact on the modern and future generation an everlasting knowledge of their identity. A very good ‘sociolinguihistoric’ masterpiece.” — Madubuko Ego Charity FCAI, Ph.D, Assistant Director FCT Education Resource Centre, Abuja

    “…an ideal for writers of African literature, with an excellent juxtaposition of the ‘Oyibo’ (English) and Igbo languages. He gives a different perspective to the Igbo scenario of “those days” with so much clarity that I feel as though I were present. It’s a must-read!” — Anastasia O. Chukwulete

    The Last Carver

    55.00
  • Masquerade Time (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    Ihanyi invites his American friend Andy to the local masquerade – where the spirits of the dead come to life! But there is also danger in the air.

  • No Longer at Ease (African Writers Series, AWS3)

    Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl – to the disapproval of his parents – he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.

    Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe’s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.

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