For the distinguished Ghanaian poet, scholar and educator, Kofi Anyidoho, ‘poetry is no longer a textual art bound to the written/printed page. It is fully liberated from the distancing effect of print technology.’ His direct involvement with the production of poetry as ‘full drama’ began when the Ghana National Commission on Children, chaired by the well-known dramatist Efua Sutherland, invited me to plan and direct an appropriate literary- dramatic program for children from selected schools in Accra as part of a flag-raising ceremony at the O.A.U Monument in 1984 to mark O.A.U. Day in the Ghanaian capital. From then on, Anyidoho has gone on to produce and perfect a performance mode that is returning written African poetry to its dramatic oral roots.
Kofi Anyidoho has written and performed an impressive number of poems. In addition, he has published extensively on issues related to recent critical debate on African Literature. He teaches at the University of Ghana, Legon.