Amma Darko is one of the most significant contemporary Ghanaian literary writers. She is the author of four previous novels: Faceless (Sub-Saharan, 2003), The Housemaid (Heinemann, 1999), Beyond the Horizon (Heinemann, 1995) and Not Without Flowers (Sub-Saharan, 2007).

  • Faceless

    Street life in the slums of Accra is realistically portrayed in this socially-commited, subtle novel about four educated women who are inspired by the plight of a 14-year old girl, Fofo. As the main characters convert their library center into a practical street initiative, the novel invokes the squalor, health risks, and vicious cycles of poverty and violence that drive children to the streets and women to prostitution; and, from which, ultimately, no one in the society is free.

    Faceless

    45.00
  • Beyond the Horizon (African Writers Series)

    Gazing at her naked body in the mirror, Mara reflects on her transformation from naive Ghanaian village girl into a prostitute in a German brothel. Mara has been deceived by her husband, Akobi, into coming to Europe to find a “paradise,” but, as the truth about Akobi and her new life unfolds, she realizes she is trapped. The expectations of her family in Africa force her to remain, living a lie. As she fights back, she finds the revenge she takes can in no way compensate for her loss of innocence and lifetime exile from her homeland.This is a natural storyteller’s compelling and sobering account of the ruthless exploitation of women in Africa and Europe.

    Amma Darko was born in Tamale, Ghana, and grew up in Accra. After living in Germany, she returned to Ghana. Beyond the Horizon, first published in German, is Amma Darko’s first novel.

  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

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